Nidali mixes humor with a sharp, loving portrait of an eccentric middle-class family, and this perspective keeps her buoyant through the hardships she encounters: the humiliation of going through a checkpoint on a visit to her father’s home in the West Bank; the fights with her father, who wants her to become a famous professor and stay away from boys; the end of her childhood as Iraq invades Kuwait on her thirteenth birthday; and the scare she gives her family when she runs away from home. Funny, charming, and heartbreaking, A Map of Home is the kind of book Tristram Shandy or Huck Finn would have narrated had they been born Egyptian-Palestinian and female in the 1970s.

    This is a book Americans should read.” —Washington PostThe fifteenth of thirty-six children, Sattareh Farman Farmaian was born in Iran in 1921 to a wealthy and powerful shazdeh, or prince, and spent a happy childhood in her father’s Tehran harem. Inspired and empowered by his ardent belief in education, she defied tradition by traveling alone at the age of twenty-three to the United States to study at the University of Southern California. Ten years later, she returned to Tehran and founded the first school of social work in Iran.Intertwined with Sattareh’s personal story is her unique perspective on the Iranian political and social upheaval that have rocked Iran throughout the twentieth century, from the 1953 American-backed coup that toppled democratic premier Mossadegh to the brutal regime of the Shah and Ayatollah Khomeini’s fanatic and anti-Western Islamic Republic. In 1979, after two decades of tirelessly serving Iran’s neediest, Sattareh was arrested as a counterrevolutionary and branded an imperialist by Ayatollah Khomeini’s radical students.Daughter of Persia is the remarkable story of a woman and a nation in the grip of profound change.

    Parvana’s father — a history teacher until his school was bombed and his health destroyed — works from a blanket on the ground in the marketplace, reading letters for people who cannot read or write. One day, he is arrested for having forbidden books, and the family is left without someone who can earn money or even shop for food.As conditions for the family grow desperate, only one solution emerges. Forbidden to earn money as a girl, Parvana must transform herself into a boy, and become the breadwinner.Readers will want to linger over this powerful graphic novel with its striking art and inspiring story.

    Both obstacles and support systems change as she actively participates in the struggle for Moroccan independence from France.

    Taking stock of his life- his devotion to Islam and to his assimilated children-he decides to return to Morocco, where he spends his life's savings building the biggest house in the village and waits for his children and grandchildren to come be with him. A heartbreaking novel about parents and children, A Palace in the Old Village captures the sometimes stark contrasts between old- and new-world values, and an immigrant's abiding pursuit of home.

    . . has a gritty realism infused with a sense of the marvelous." --Edward Hirsch, The Washington Post In a city like that one might sailthrough life led by a runaway hat.The young scattered in whatever directionstheir wild hair pointed and, gustinginto one another, they fell in love.-from "Windy City"In his second book of poems, Stuart Dybek finds vitality in the same vibrant imagery that animates his celebrated works of fiction. The poems of Streets in Their Own Ink map the internal geographies of characters who inhabit severe and often savage city streets, finding there a tension that transfigures past and present, memory and fantasy, sin and sanctity, nostalgia and the need to forget. Full of music and ecstasy, they consecrate a shadowed, alternate city of dreams and retrospection that parallels a modern city of hard realities. Ever present is Dybek's signature talent for translating "extreme and fantastic events into a fabulous dailiness, as though the extraordinary were everywhere around us if only someone would tell us where to look" (Geoffrey Wolff).

    Soon afterward, however, he encounters four wandering dervishes; three princes and a rich merchant, who have been guided to Turkey by a supernatural force that prophesied their meeting. As the five men sit together in the dead of night sharing their tales of lost love, a magnificent landscape reveals courtly intrigue and romance, fairies and djinn, oriental gardens and lavish feasts. A Tale of Four Dervishes (1803) is an exquisite example of fiction that provides a fascinating glimpse into the customs, beliefs and people of the time.