His cartoons are the work of a wildly imaginative mind: he is a poet and metaphysician as well as an artist. Leunig's subjects are as ambitious as his technique is simple. World cataclysm, loneliness, cruelty, lust and greed. Through these runs the vein of his compassion and humanity - his humour - illuminating many a dark theme.

    Who is the woman Barack Obama calls "the boss"? In Michelle, Washington Post writer Liza Mundy paints a revealing and intimate portrait, taking us inside the marriage of the most dynamic couple in politics today. She shows how well they complement each other: Michelle, the highly organized, sometimes intimidating, list-making pragmatist; Barack, the introspective political charmer who won't pick up his socks but shoots for the stars. Their relationship, like those of many couples with two careers and two children, has been so strained at times that he has had to persuade her to support his climb up the political ladder. And you can't blame her for occasionally regretting it: In this campaign, it is Michelle who has absorbed much of the skepticism from voters about Obama. One conservative magazine put her on the cover under the headline "Mrs. Grievance."Michelle's story carries with it all the extraordinary achievements and lingering pain of America in the post-civil rights era. She grew up on the south side of Chicago, the daughter of a city worker and a stay-at-home mom in a neighborhood rocked by white flight. She was admitted to Princeton amid an angry debate about affirmative action and went on to Harvard Law School, where she was more comfortable doing pro-bono work for the poor than gunning for awards with the rest of her peers. She became a corporate lawyer, then left to train community leaders. She is modern in her tastes but likes to watch reruns of The Dick Van Dyke Show and The Brady Bunch.In this carefully reported biography, drawing upon interviews with more than one hundred people, including one with Michelle herself, Mundy captures the complexity of this remarkable woman and the remarkable life she has lived.

    Together here with O Pioneers!, a classic American tale of pioneer life and the transformation of the frontier, this volume of Willa Cather’s works captures a time, a place, and a spirit that are part of our national heritage.

    Matthew Arnold called Emerson’s essays “the most important work done in prose.”   INCLUDES A MODERN LIBRARY READING GROUP GUIDE

    There is a look at the Clinton residency with views of state dinners and recitals. It includes over 300 photographs, menus and recipes from the kitchen.

    Like a fantastic film, a feverish delirium, or a dream state, these prose poems use an experimental lexicon of imagery that goes beyond anything typically poetic. Tost's point of departure is the loss of the Other that makes the I: Agnes, And in a sort of coming-of-age soliloquy song, he meditates on a range of topics: fatherhood, childhood, identity, poetry. Together his poems express the unburdening of consciousness, a consciousness that contains the likes of Blake, Italo Calvino, Allen Grossman, and Frank Stanford, among others (including Tost himself), Surreal and surprising, Invisible Bride showcases the prose artistry of a new American talent.

    

    The Good Fight is as far from that as it is possible to get. In a voice that is flinty, real, and passion-filled, Senator Harry Reid tells the tale of two places, intertwining his own story, particularly his early life of deep poverty in the tiny mining town of Searchlight, Nevada—“a place that boasted of thirteen brothels and no churches”—with the cautionary tale of Washington, D.C.: “If I can do nothing greater in this book than explain those two places to each other, then I will have done something important.” Reid is inspired by obstacles. Brought up in a cabin without indoor plumbing, he hitchhiked forty-five miles across open desert to high school. He worked full-time as a Capitol Hill policeman to get through law school, after the school refused him financial aid, telling him he wasn’t cut out to be a lawyer. As head of the Nevada Gaming Commission, he led an unrelenting fight to clean up Las Vegas, despite four years of death threats —and much worse. And in Congress, Reid’s spent more than twenty-five years battling those who would take the country in the wrong direction: “The radical ideologues degrade our government, so much so that when they are in charge of it, they do not know how to run it.” And, always, it all comes back to Searchlight: “Who I am now, and what I am doing now, began in that town, with those people, in those mines.” This book is the story of a man who knows what a good fight is, because he has had to fight like hell for everything his whole life. It is populated by a rich and raucous cast of great and failed men, eccentrics, visionaries, gangsters, and presidents who make up his life and times. And it is for all those who not only like a good story, but wonder what we should do now in America.

    For Cheryl Wagner, along with her indie-band boyfriend, a few eccentric pals, and two aging basset hounds, abandoning the city she loved wasn't an option.This is the story of Cheryl's disturbing surprise view from her front porch after she moved back home to find everything she treasured in shambles...and her determined, absurd, and darkly funny three-year journey of trying to piece it all back together.In the same heartfelt and hilarious voice that has drawn thousands of listeners to her broadcasts on Public Radio International's This American Life, Wagner shares her unique yet universal story of rebuilding a life after it's been flooded, dried, and died...The title comes, as if you can't guess, from those infuriating stories of comparative loss post-Katrina, when those who had lost everything were subjected to the litanies of minor inconvenience by the more fortunate. "Everyone's loss is big to them," Wagner kept telling herself. And so it was. "I was not interested in sifting and weighing suck on a bunch of tiny scales," she continued. "Suck was too hard to quantify. There was plenty enough suck to go around. Sitting around measuring it wasn't going to fix anything." What makes this story uniquely memorable is Wagner's wise and wisecracking voice, the broken heart beneath the bravado. Working on a survey of gutted/non-gutted buildings, she writes, "By the time you finished hearing people's problems, you wished you were a professional busybody or the mayor or the governor or a city inspector or anyone who could and would actually do something." And who hasn't had that feeling, way back then or as recently as yesterday? Finally, Wagner and her boyfriend end up with "the dogs, sanity and each other." And we end up with this fine book, with its searing honesty, its gallows humor and its survivor spirit.

    At the age of just thirteen, Savo's life was turned upside down as war broke out. When Bosnian Serbs attacked the city, Savo and his family became objects of suspicion overnight. Through the next two years, they endured treatment that no human being should ever be subjected to. Their lives were threatened, they were shot at, terrorized, put in a detention camp, starved, and eventually stripped of everything they owned. But after two long years, Savo and his family managed to escape. And then the real transformation took place.From his childhood before the war to his internment and eventual freedom, we follow Savo's emotional journey from a young teenager seeking retribution to a peace-seeking diplomat seeking healing and reconciliation. As the war unfolds, we meet the incredible people who helped shape Savo's life, from his brave younger sister Sanja to Meho, the family friend who would become the family's ultimate betrayer. Through it all, we begin to understand this young man's arduous struggle to forgive the very people he could no longer trust. At once powerful and elegiac, Not My Turn to Die offers a unique look at a conflict that continues to fascinate and enlighten us.

    It draws on dozens of interviews by the author with people who were immersed in the Memphis events, as well as on recently released documents from archives in Atlanta. The fresh material yields a wealth of illuminating detail, including a lapse, never before reported, by the Memphis Police Department to provide security for King. It unveils the financial and logistical predicament presented by the Poor People's Campaign. It recounts the emotional and marital pressures that were bedeviling King in the spring of 1968. Juxtaposed next to the narrative describing King's hours in Memphis is an account of what his assassin, James Earl Ray, was doing in Memphis during the same time. The book discloses how a series of uncannily lucky breaks enabled Ray, a bumbling convict on the lam, to construct a sniper's nest and shoot King.

    Traveling from the Natchez Trace to the yawning cotton fields of the Delta and from plantation houses to air-conditioned shopping malls, Walton challenged us to see Mississippi's memories of comfort alongside its legacies of slavery and the Klan.  He weaves in the stories of his family, as well as those of patricians and sharecroppers, redneck demagogues and martyred civil rights workers, novelists and bluesmen, black and white. Mississippi is a national saga in brilliant microcosm, splendidly written and profoundly moving.

    In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    From the tale of commitment, loneliness and hope in Of Mice and Men, to the tough yet charming portrait of people on the margins of society in Cannery Row, to The Pearl's examination of the fallacy of the American dream, Steinbeck stories of realism, that were imbued with energy and resilience.

    Across the border Mexico beckons—beautiful and desolate, rugged and cruelly civilized. With two companions, he sets off on an idyllic, sometimes comic adventure, to a place where dreams are paid for in blood.