Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable. He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and demons, and broken them in his teeth.As Persons investigates the horrible McKinsey, he realizes that he carries something far darker. He’s infected with an alien presence, and he’s spreading that monstrosity far and wide. Luckily Persons is no stranger to the occult, being an ancient and magical intelligence himself. The question is whether the private dick can take down the abusive stepdad without releasing the holds on his own horrifying potential.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    The humble, pixelated games of the ‘70s and ‘80s have evolved into the vivid, realistic, and immersive form of entertainment that now rivals all other forms of media for dominance in the consumer marketplace. For many, video games have become the cultural icons around which pop culture revolves.PRESS START TO PLAY is an anthology of stories inspired by video games: stories that attempt to recreate the feel of a video game in prose form; stories that play with the concepts common (or exclusive) to video games; and stories about the creation of video games and/or about the video games—or the gamers—themselves.These stories will appeal to anyone who has interacted with games, from hardcore teenaged fanatics, to men and women who game after their children have gone to bed, to your well-meaning aunt who won’t stop inviting you to join her farm-based Facebook games.At the helm of this project are Daniel H. Wilson—bestselling novelist and expert in artificial intelligence—and John Joseph Adams—bestselling, Hugo Award-nominated editor of more than a dozen science fiction/fantasy anthologies and series editor of Best American Science Fiction & Fantasy (volume one forthcoming from Houghton Mifflin in 2015). Together, they have drawn on their wide-ranging contacts to assemble an incredibly talented group of authors who are eager to attack the topic of video games from startling and fascinating angles.Under the direction of an A.I. specialist and a veteran editor, the anthology will expose readers to a strategically chosen mix of stories that explore novel video game concepts in prose narratives, such as save points, kill screens, gold-farming, respawning, first-person shooters, unlocking achievements, and getting “pwned.” Likewise, each of our authors is an accomplished specialist in areas such as science fiction, fantasy, and techno-thrillers, and many have experience writing for video games professionally.Combining unique viewpoints and exacting realism, this anthology promises to thrill generations of readers, from those who grew up with Atari 2600s to the console and PC gamers of today.

    A group called the Free Merioneth Forces have claimed responsibility but there had to be an individual at the end of that missile launcher and Paula is determined to find out who it was.This short story is taken from Manhattan in Reverse, the first short story collection in thirteen years from the master of space opera. Peter F. Hamilton takes us on a journey from a murder mystery in an alternative Oxford in the 1800s to a brand new story featuring Paula Mayo, Deputy Director of the Intersolar Commonwealth's Serious Crimes Directorate. Dealing with intricate themes and topical subjects this top ten bestselling author is at the top of his game.The cover image for The Demon Trap was designed by Andrew Parkes as part of a competition run by Pan Macmillan in association with SFX magazine.

    Avian Flu. Ebola. Every year, the infectious disease changes—but the threat remains the same. We've all read the headlines. We all know the score. Our interconnected world is at a uniquely dangerous moment. The potential for an epidemic progressing to a catastrophic level has never been higher. The question is: what are we going to do about it? What happens when medicine fails and society has to make the hard choices to take the severe steps necessary to stop the inevitable? Mandatory quarantine. A month ago, the term seemed like something out of science fiction. Today, we know better. Quarantine might be the only thing that will keep us alive. Q is the story of a regular cop, Benjamin Grady, who suddenly finds himself on the front line of an unyielding, terrifying epidemic. His job is simple—to quarantine the Probables, those most likely to be carrying a deadly disease. But Grady quickly learns that no amount of training, no amount of lectures from the experts at the CDC or the military infectious disease specialists can prepare him for a society on the verge of losing the war to a microscopic, unrelenting scourge. Ripped from the headlines, meticulously researched, Q lays bare the truth behind the quarantine laws that are already on the books, and what it would mean to implement them on a national scale. At this very moment, we are closer to the edge than ever before. Whether we realize it or not, America is one poorly contained infected airliner, one disease-ridden subway car away from full-scale martial law. Q is a true story. It just hasn't happened yet.

    These stories all deal with the common theme of the awakening of love at unpremeditated time and place, catching the victims off-guard. For the essential flavor of the tales, read Sunstroke, the story of a chance encounter on board ship; and A Night at Sea, perhaps the most unusual story of the group. Russian -- some about cultured people, some about peasants. The market is:- all who like exceptional short stories; all who are interested in getting the feel of one of the most famous writers.

    In To Walk the Night, Bark Jones and his college buddy Jerry Lister, a science whiz, head back to their alma mater to visit a cherished professor of astronomy. They discover his body, consumed by fire, in his laboratory, and an uncannily beautiful young widow in his house—but nothing compares to the revelation that Jerry and Bark encounter in the deserts of Arizona at the end of the book. In The Edge of Running Water, Julian Blair, a brilliant electrophysicist, has retired to a small town in remotest Maine after the death of his wife. His latest experiments threaten to shake up the town, not to mention the universe itself.

    EYES LIKE SKY AND COAL AND MOONLIGHT brings together twenty stories from the extraordinary talent of fantasy author Cat Rambo. Here are tales from seaport city of Tabat, both before and after the sorcerous wars that destroyed the Old Continent. Here are alchemical explanations for failed blind dates. Here you'll find a dryad, the last great elephant, and an uneasy blur of humanity. Cat Rambo doesn't simply amaze and delight, she restores wonder to her readers with every page. You won't simply believe that pigs can fly, you'll question why you ever doubted the premise at all.Contents:Eight Letters of Wonder • essay by Michael LivingstonHer Eyes Like Sky, and Coal, and MoonlightThe AccordionI'll Gnaw Your Bones, the Manticore SaidHeart in a BoxIn the Lesser Southern IslesUp the ChimneyThe Silent FamiliarEvents at Fort PlentitudeThe Dew Drop Coffee LoungeNarrative of a Beast's LifeEagle-Haunted Lake SammammishSugarA Key Decides Its DestinyThe Towering Monarch of His Mighty RaceIn Order to ConserveRare Pears and GreengagesA Twine of FlameThe Dead Girl's Wedding MarchWorm WithinMagnificent Pigs

    In the groundbreaking Amber books, he turned to fantasy, creating one of the most beloved series of all time.Sadly, Roger Zelazny was taken from us too soon. But his genius blazes on—not only in his own enduring fiction, but also in the work of fellow authors influenced by his example and touched by his friendship. Now twenty-five of those writers—including some of the most acclaimed names in SF and fantasy—come together to pay tribute to Roger Zelazny with original stories evoking the magic and wonder of his own best work.

     After first contact, which had not ended as the Earthlings expected, all traces of the visitors were lost in space, seemingly forever. But soon after, scientists noticed a mysterious gravitational anomaly not far from the Solar System as it journeyed around the centre of the Milky Way. To find out more, and perhaps discover the aliens’ secret, a research expedition fitted out with state-of-the-art scientific and military equipment sets out...

    A collection of science fiction stories written by acclaimed author Poul Anderson.Poul Anderson is best known for sci-fi adventure stories in which larger-than-life characters succeed gleefully or fail heroically. Anderson's also famous for writing 'Call Me Joe' (not included in this volume) which featured the premise of a paralyzed man whose mind is remotely controlling an alien body. This same theme also appears in James Cameron's 2009 movie "Avatar" – similar enough that some reviewers are calling for Anderson to receive some form of credit.Included in this volume:Story One: Duel on SyrtisBold and ruthless, he was famed throughout the System as a big-game hunter. From the firedrakes of Mercury to the ice-crawlers of Pluto, he'd slain them all. But his trophy-room lacked one item; and now Riordan swore he'd bag the forbidden game that roamed the red deserts ... a Martian!Story Two: SecurityIn a world where Security is all-important, nothing can ever be secure. A mountain-climbing vacation may wind up in deep Space. Or loyalty may prove to be high treason. But it has its rewards...Story Three: The Valor of Cappen VarraWe have said that there are many and strange shadows, memories surviving from dim pasts, in this fantastic universe of ours...Story Four: Industrial RevolutionEver think how deadly a thing it is if a machine has amnesia—or how easily it can be arranged…Story Five: The Sensitive ManOne man stood between a power-hungry cabal and world mastery--but a man of unusual talents...These are the original and unabridged versions of these classic science fiction treasures. A must-have for fans of classic sci-fi!

    Billionaire genius Byron Gaines is accused of murdering his wife and her lover, but he swears he didn't do it. This couldn't have come at a worse moment: he is so close to a breakthrough in his research. He's about to invent a device that will change the world forever. The irony is, if only he had a little more time, he'd be able to make his legal problems disappear--along with himself. Travel to the near future with unforgettable characters and evocative depictions of imminent technologies. See how society could evolve in both utopian and dystopian ways.

    Best friends Anna and Corry share one last morning on Earth. A solitary woman inherits a penny arcade haunted by a beautiful stranger. A prep-school student requires more than luck when playing dice with a faerie. Ladies who lunch—dividing one last bite of dessert—delve into new dimensions of quantum politeness. At summer camp, a young girl discovers the heartbreak of forbidden love.Whether on a habitat on Mars or in a boardinghouse in London, discover Ellen Klages’ wicked, wondrous adventures full of cheeky wit, empathy, and courage.

    She changes bodies and fights, again and again. But now the enemy has surrendered. There will be no further deployment. The war is over . . . but not for her.

    P. Lovecraft, this stylish new collection of adventure stories fizzes with wit and invention. They can be enjoyed separately, but read them in one sitting and the pieces fit horribly together into a larger and more terrible nightmare. †These tales constitute David Hambling’s initial foray into the realm of Lovecraftian fiction. The fertility of imagination, the crisp character delineations, and the smooth-flowing prose that we find in these seven tales leave us wishing for more of the same, and Hambling will no doubt oblige in the coming years. For now, we can sit back and relish a brace of stories that not only evoke the shade of the dreamer from Providence, but which that dreamer himself would have enjoyed to the full. —S. T. Joshi(from his foreword)