The two of them set off for Montmartre, the art center of 1920s Paris, to seek out an artist to paint Pepette’s portrait. They encounter Pablo Picasso, Salvador Dalí, Marc Chagall, and Henri Matisse, who all try their hand at capturing the rabbit. Picasso gives Pepette two noses and three ears—which doesn’t sit well with Josette. Dalí gives Pepette very droopy eyes—so Josette says "no thank you" and moves on. Chagall paints Pepette flying through the clouds. Josette points out that Pepette doesn’t fly and is afraid of heights—so they decide to keep going through the square. When they meet Matisse, he paints Pepette pink, with lots of colorful dots and splashes covering the canvas. It’s a beautiful piece of art, but it’s not Pepette. Giving up, Josette and Pepette make their way home. Josette is upset that no one was able to no one was able to capture the true essence of Pepette. Who could capture her soft gray ears, her heart-shaped nose, and all her wonderfulness? And then it comes to her—she, Josette, is the perfect person to do this.

    But do you know about the artist who created these images?As a child, Ansel Adams just couldn't sit still. He felt trapped indoors and never walked anywhere--he ran. Even when he sat, his feet danced. But in nature, Ansel felt right at home. He fell in love with the gusting gales of the Golden Gate, the quiet whisper of Lobos Creek, the icy white of Yosemite Valley, and countless other remarkable natural sights.From his early days in San Francisco to the height of his glory nationwide, this book chronicles a restless boy's path to becoming an iconic nature photographer.A Christy Ottaviano Book

    Everything is old and boring and there are so many rules: Don’t Touch! Do Not Enter! Quiet! A vigilant guard keeps a close eye on the energetic little girl, but even so, Anna manages to set off an alarm and almost tip over a vase.A half-open door draws Anna’s attention, but the No Entry sign means yet again that it’s off-limits. This time, however, the guard surprises her by inviting her to go in. Here she finds a “secret workshop” where paintings are being cleaned and repaired. Staring out from one of the canvases is a girl who looks grumpy and bored—just like Anna herself. With the realization that art often imitates life, Anna discovers the sheer joy to be had from the paintings on the wall, especially those that reflect what is happening all around her.Filled with representations of paintings from many world-class galleries, this charming book is the perfect prelude to a child’s first visit to an art museum.

    Collected by the celebrated Kawaiiartist Charuca, I Love Kawaiishowcases page after page of cute, colorful creations. Perfect for fans ofmanga and anime, and featuring innovative artists from Japanese legends TakashiMurakami and Yoshitomo Nara to the worldwide design legends Devil Robots, ILove Kawaii offers a collection of images andproduct shots that is not only cutting edge, but also as cute as can be.

    Beginning in the thirteenth century and making its way towards today, this historically accurate story is the eagerly anticipated debut from Vincent Mahé.Vincent Mahé is fast being established as one of the most exciting illustrators to come out of France. As well as his contribution to Nobrow 8: Hysteria he has been widely commissioned across the world to illustrate for publications such as the New York Times and XXI Magazine.

    Drunk, he slept through his own death. Vivian was the ineffable, unflappable, elegant and irreverently funny frontman and songwriter for the Bonzo Dog Dada Band, a group of art students who’d created a band unlike any other band one could name - and still adored by thousands long after their short time in the sun was knocked on the head by Vivian himself. "We were art students. We were Dada. We were making fun of the worst excesses of rock 'n roll. One day I looked around to discover we'd become what we were parodying." Written by his wife of 18 years, an artist in her own right, this is a behind-the-scenes, beneath-the-sheets, under the bed tale of an actual genius – few who admired him would disagree. In many ways this is Vivian through his own private words gleaned from his personal journals. It’s also full of up close and revealing portraits of legends: Keith Moon, John Lennon, Paul McCartney, Jimi Hendrix, George Harrison, Steve Winwood, Stephen Fry, Michael Palin, John Peel, Joe Cocker, and so many more. But even more than all that, it’s an ART BOOK: crammed full of Vivian’s paintings, sketches, unpublished family photos, letters and poems.Vivian Stanshall was the last of the true Bohemians. This is also a tale of Dada, a mad sad glad voyage through life on a grand scale made by one of England’s greatest treasures: the genius who was Vivian Stanshall.(As Ki writes: all memory is Kurosawa's "Rashomon". These are her memories accompanied by Vivian's actual journals.)

    His ten masterpieces, created against the backdrop of a continent in severe political and cultural upheaval, constitute an unmatched body of work. A man who spent most of his life in abject poverty, inspiring both critical derision and hysterical hero-worship, Wagner was a walking contradiction: belligerent, flirtatious, disciplined, capricious, demanding, visionary, and poisonously anti-Semitic. Acclaimed biographer Simon Callow evokes the intellectual and artistic climate in which Wagner lived and takes us through his most iconic works, from his pivotal successes in The Flying Dutchman and Lohengrin, to the musical paradigm shift contained in Tristan and Isolde, to the apogee of his achievements in The Ring of the Nibelung and Parsifal, which debuted at Bayreuth shortly before his death. Being Wagner brings to life this towering figure, creator of the most sublime and most controversial body of work ever known.

    From his mother's apartment, where he is surrounded by brightly colored walls with intricate patterns; to the streets full of familiar and not-so-familiar faces, sounds, rhythms, and smells; to the art studio where he goes each day after school to transform his everyday world on an epic scale, Jake takes readers on an enchanting journey through the bustling sights and sounds of his neighborhood.Includes a reproduction of an actual Migration series panel.

    With little experience as a painter (though famed for his sculpture David), Michelangelo was reluctant to begin the massive project. Michelangelo and the Pope's Ceiling recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Battling against ill health, financial difficulties, domestic problems, the pope's impatience, and a bitter rivalry with the brilliant young painter Raphael, Michelangelo created scenes so beautiful that they are considered one of the greatest masterpieces of all time. A panorama of illustrious figures converged around the creation of this great work-from the great Dutch scholar Desiderius Erasmus to the young Martin Luther-and Ross King skillfully weaves them through his compelling historical narrative, offering uncommon insight into the intersection of art and history.

    She was deaf, and never learned to speak. She was also a talented artist. Judith was institutionalized until her sister Joyce reunited with her and enrolled her in an art class. Judith went on to become an artist of renown with her work displayed in museums and galleries around the world.Poignantly told by Joyce Scott in collaboration with Brie Spangler and Melissa Sweet and beautifully illustrated by Caldecott Honor artist, Melissa Sweet, Unbound is inspiring and warm, showing us that we can soar beyond our perceived limitations and accomplish something extraordinary.

    The result is a remarkable synthesis, which reflects well the subtleties of experience and yet avoids the pitfalls of arbitrary classification and facile generalization. For these reasons, and for its general tone and erudition and humanism, this book will surely be one that will endure when the current flurry of academic interest in environmental experience abates.” Canadian Geographer

    It sheds light on this important artist's great humanity, his concern for children, and his disregard for the establishment art world. Reproductions of Keith's signature artwork appear in scenes boldly rendered by Robert Neubecker. This is a story to inspire, and a book for Keith Haring fans of all ages to treasure.

    Pouring into developing-world “instant cities” like Dubai and Shenzhen, these urban newcomers confront a modern world cobbled together from fragments of a West they have never seen. Do these fantastical boomtowns, where blueprints spring to life overnight on virgin land, represent the dawning of a brave new world? Or is their vaunted newness a mirage?In a captivating blend of history and reportage, Daniel Brook travels to a series of major metropolitan hubs that were once themselves instant cities— St. Petersburg, Shanghai, and Mumbai—to watch their “dress rehearsals for the twenty-first century.” Understanding today’s emerging global order, he argues, requires comprehending the West’s profound and conflicted influence on developing-world cities over the centuries.In 1703, Tsar Peter the Great personally oversaw the construction of a new Russian capital, a “window on the West” carefully modeled on Amsterdam, that he believed would wrench Russia into the modern world. In the nineteenth century, Shanghai became the fastest-growing city on earth as it mushroomed into an English-speaking, Western-looking metropolis that just happened to be in the Far East. Meanwhile, Bombay, the cosmopolitan hub of the British Raj, morphed into a tropical London at the hands of its pith-helmeted imperialists.Juxtaposing the stories of the architects and authoritarians, the artists and revolutionaries who seized the reins to transform each of these precociously modern places into avatars of the global future, Brook demonstrates that the drive for modernization was initially conflated with wholesale Westernization. He shows, too, the ambiguous legacy of that emulation—the birth (and rebirth) of Chinese capitalism in Shanghai, the origins of Bollywood in Bombay’s American-style movie palaces, the combustible mix of revolutionary culture and politics that rocked the Russian capital—and how it may be transcended today.A fascinating, vivid look from the past out toward the horizon, A History of Future Cities is both a crucial reminder of globalization’s long march and an inspiring look into the possibilities of our Asian Century.

    His parents expected him to learn a trade when he grew up, but being a law clerk bored him, and he continued to dream of a colorful, exciting life, and of being noticed. Then Henri started painting . . . and kept painting and dreaming and working at his craft until he'd become one of the most admired and famous artists in the world.This lyrical, visually rich picture book is more than an excellent biography; at its core, this remarkable book is an encouragement to never give up on your dreams.

    But everyone around keeps asking her pesky questions she doesn't know how to answer: what are you making? Aren't you clever?Jamie does her best to tune it all out and focus on her creation . . . until she finds a like-minded friend.Widely respected artist Matt Myers makes his debut as an author in this story that celebrates creativity, introversion, and the beauty of a little peace and quiet.