In this extraordinarily candid and radically inventive memoir, Machado tackles a dark and difficult subject with wit, inventiveness and an inquiring spirit, as she uses a series of narrative tropes—including classic horror themes—to create an entirely unique piece of work which is destined to become an instant classic.

    But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.With unflinching honesty and lyrical prose, spanning from 1960s Hawai'i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It's a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.

    As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.With nuanced emotional precision, gritty humor, and compassionate insight into the intimacy of queer and immigrant communities, the stories in Afterparties deliver an explosive introduction to the work of Anthony Veasna So.

    L. Polk arrives on the scene with Witchmark, a stunning, addictive fantasy that combines intrigue, magic, betrayal, and romance.In an original world reminiscent of Edwardian England in the shadow of a World War, cabals of noble families use their unique magical gifts to control the fates of nations, while one young man seeks only to live a life of his own.Magic marked Miles Singer for suffering the day he was born, doomed either to be enslaved to his family's interest or to be committed to a witches' asylum. He went to war to escape his destiny and came home a different man, but he couldn’t leave his past behind. The war between Aeland and Laneer leaves men changed, strangers to their friends and family, but even after faking his own death and reinventing himself as a doctor at a cash-strapped veterans' hospital, Miles can’t hide what he truly is.When a fatally poisoned patient exposes Miles’ healing gift and his witchmark, he must put his anonymity and freedom at risk to investigate his patient’s murder. To find the truth he’ll need to rely on the family he despises, and on the kindness of the most gorgeous man he’s ever seen.

    Oliver's poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision these observations become higher meditations on the world and our place in it.Dog Songs includes visits with old friends, like Oliver's beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver's life emerge as fellow travelers and guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.

    In Lost & Found, she weaves the story of those relationships into a brilliant exploration of the role that loss and discovery play in all of our lives. The resulting book is part memoir, part guidebook to living in a world that is simultaneously full of wonder and joy and wretchedness and suffering--a world that always demands both our gratitude and our grief. A staff writer at The New Yorker and winner of the Pulitzer Prize, Schulz writes with curiosity, tenderness, erudition, and wit about our finite yet infinitely complicated lives. Lost & Found is an enduring account of love in all its many forms from one of the great writers of our time.

    With a gift for delicate, violent imagery, Ashe invites us to lose ourselves in her world. Wrong Side of a Fistfight feels like getting lost in the woods, with someone holding your hand promising to guide you home. This is the second book of poems by Ashe Vernon, spoken word poet and author of the blog Late Night Corner Store.

    According to The New York Times, Chin "is sassy, rageful and sometimes softly self-mocking." The Advocate wrote her poems, "combine hilarious one-liners with a refusal to conform" and note "Chin is out to confront more than just the straight world."

    These poems mourn the dead by turning memories over and over like an old coin, by invoking other poets, by appropriating the language of technology, of instruction, of diagram, of electrical engineering, and of elegy itself. Devastating, cheeky, allusive, hallucinatory: this is Queyras at her most powerful.'Like the central conceptual apparatus, Queyras is smart and insightful in her work to expand and challenge the nature of language and poetry . . . Lend Queyras your ears, your minds, your hearts, your Time. She will reward you, repeatedly.' – The Rumpus'A collection of gorgeous and cantankerous poems that ask testy questions of all contemporary poets, and for this, the book is a must-read.' – The Globe and Mail'This year's most devastating and enlightening Canadian poetry collection.' – Telegraph-Journal

    What I'm Doing HereTo a Man Who ThinksHe Is Making an AngelI Had It for a Moment The HearthOn the Sickness of My LoveIsland Bulletin Portrait of the City HallCruel BabyIndependence CongratulationsFor MarianneThe House The Drawer's Condition on November 28, 1961The Failure of a Secular LifeOrder The SuitMy MentorsDestiny Business as UsualHydra 1960Queen Victoria and Me Indictment of the Blue HoleLeviathanThe Pure List and the Commentary Nothing I Can LoseHeirloomThe New Step (A Ballet-Drama in One Act) Police GazettePromiseThe Paper No PartnersSkyNursery Rhyme On the Death of an Uncharted PlanetWaiting for MarianneOld Dialogue I Wanted to Be a DoctorWhy I Happen to Be FreeWinter Bulletin On Hearing a NameLong UnspokenThe True DesireWhy Did You Give My Name to the Police? Finally I CalledThe Way BackGovernments Make Me Lonely StyleThe ProjectThe Lists Goebbels Abandons His Novel and Joins the PartyHydra 1963To the Indian Pilgrims Why Commands Are ObeyedAll There Is to Know about Adolph EichmannThe Music Crept By Us It Uses Us!The New LeaderThe Telephone The First MurderHow It Happened in the Middle of the DayDisguises My Teacher Is DyingFor E.J.P.Lot Montreal 1964The Glass DogOne of the Nights I Didn't Kill Myself Why Experience Is No TeacherA Migrating DialogueThe Big World For My Old LaytonThe BusNarcissus The Only Tourist in Havana Turns His Thoughts Homeward LaundryCherry Orchards The Invisible TroubleThe Rest Is DrossStreetcars Sick AloneHow the Winter Gets InBullets MillenniumPropagandaHitler Hitler the Brain-MoleOpium and HitlerFront Lawn Death of a LeaderFor Anyone Dressed in MarbleKerensky Alexander Trocchi, Public JunkiePriez Pour NousWheels, FirecloudsAnother Night with Telescope Three Good NightsFolk

    In Bite Hard, poet Justin Chin explores his identity as an Asian, a gay man, an artist, and a lover. He rails against both his own life experiences and society's limitations and stereotypes with scathing humor, bare-bones honesty, and unblinking detail. Whether addressing "what really goes on in the kitchen of Chinese restaurants" or a series of ex-boyfriends, all named Michael, Chin displays his remarkable emotional range and voice as a poet.His raw, incantatory, stream-of-consciousness poems confront issues of race, desire, and loss with a compelling urgency that reflects his work as a performance artist, speaking directly to an audience. Throughout this collection, Chin showcases his ability to convey thought-provoking viewpoints on a variety of controversial subjects. As R. Zamora Linmark of Rolling the R's says, "He plugs the stage microphone into the page and lyrically blasts the heart of our fears, rage, and import-export nightmarish dreams".

    On paper, an investigation continued for a year, but remained "open but suspended." By 2015, investigative journalist Justin Ling had begun to put in multiple requests to speak to the investigators on the case. Meanwhile, more men would go missing, and police would continue to deny that there might be a serial killer. On January 18, 2018, Bruce McArthur, a landscaper, would be charged with three counts of first-degree murder. In February 2019, he was convicted of eight counts of first-degree murder.This extraordinary book tells the complete story of the McArthur murders. Based on more than five years of in-depth reporting, this is also a story of police failure, of how the gay community failed its own, and the story of the eight men who went missing and the lives they left behind. In telling that story, Justin Ling uncovers the latent homophobia and racism that kept this case unsolved and unseen. This gripping book reveals how police agencies across the country fail to treat missing persons cases seriously, and how policies and laws, written at every level of government, pushed McArthur's victims out of the light and into the shadows.

    His characters, almost all of who are first-generation Indian Americans, subvert our expectations that they will sit quietly by. We meet two brothers caught in an elaborate web of envy and loathing; a young gay man who becomes involved with an older man whose secret he could never guess; three women who almost gleefully throw off the pleasant agreeability society asks of them; and, in the final pair of linked stories, a young couple struggling against the devastating force of community gossip. If You See Me, Don't Say Hi examines the collisions of old world and new world, small town and big city, traditional beliefs (like arranged marriage) and modern rituals (like Facebook stalking). The men and women in these stories are full of passion, regret, envy, anger, and yearning. They fall in love with the wrong people and betray one another and deal with the accumulation of years of subtle racism. They are utterly compelling. Ranging across the country, Patel’s stories -- empathetic, provocative, twisting, and wryly funny -- introduce a bold new literary voice, one that feels more timely than ever.

    What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell.‘Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully.’—The New York Times‘Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture.’— The Village VoiceLisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.

    These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting "ARE THEY GETTING IT?"; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.