A mysterious and elusive love affair haunts the lives of three women in Australia. Twenty years later, on the other side of the world, Charade Ryan sorts through story and counter-story for her father, the legendary Nicholas, and the truth about her origins.

    But the truth is life is threadbare and unpromising until the mysterious Bridget moves in to the Park. The wife of a disgraced Ponzi schemer, she brings with her glamour and wild dreams and an unexpected friendship. Drawn in, Kara forgets for a moment who she’s there to protect.

    His investigation proves difficult when the neighborhood's Yiddish-speaking residents are reluctant to talk. But when the rabbi's headstrong daughter, Rivka, unexpectedly offers to help Hanley find her father's killer, the detective receives much more than the break he was looking for. Their pursuit of the truth draws Rivka and Hanley closer together and leads them to a relief organization run by the city's movers and shakers. Along the way, they uncover a web of political corruption, crooked cops, and well-buried ties to two notorious Irish thugs from Hanley's past. Even after he is kicked off the case, stripped of his badge, and thrown in jail, Hanley refuses to quit. With a personal vendetta to settle for an innocent life lost, he is determined to expose a complicated criminal scheme, not only for his own sake, but for Rivka's as wel

    But when his son is taken away from him, he's left with nothing but the Memphis bar he manages. Then he hires Fay, a young white waitress, who has a volatile brother named Carl in tow. Nickel finds himself consumed with the idea of Taft -- Fay and Carl's dead father -- and begins to reconstruct the life of a man he never met. But his sympathies for these lost souls soon take him down a twisting path into the lives of strangers...

    And when she falls victim to a diabolical scheme to steal her newborn baby from her, she is not about to give up her child without a fight, even if she has to take on the wealthiest and most powerful family in the country. But is Tamara fighting against her child's own best interests? Only she can decide. And it's a decision that she — and her child — will have to live with for the rest of their lives.If you value family, if you have ever yearned for unconditional love, if you want to experience a story whose themes will resonate long after you have turned the last page, then you will want to read this book.

    In the seven years that follow, Jude struggles with being alone in the world and Oliver struggles with caring for a beloved child who is becoming a woman.

    She now leads a solitary life teaching piano, and she has a star student: Graciela, the daughter of her mother’s Mexican housekeeper. Camille has been grooming the young Graciela for the career that she herself lost out on, and now Graciela, newly turned eighteen, has just won the grand prize in a piano competition, which means she gets to perform with the LA Philharmonic. Camille is ecstatic; if she can’t play herself, at least as Graciela’s teacher, she will finally get the recognition she deserves.But there are only two weeks left before the concert, and Graciela has disappeared—gone back to her family’s village in the mountains of Oaxaca, Mexico. Desperate to bring Graciela back in time for the concert, Camille goes after her, but on the way there, a bus accident leaves her without any of her possessions. Alone and unable to speak the language, Camille is befriended by Alejandro, a Zapotec man who lives in LA but is from the same village as Graciela. Despite a contentious first meeting, Alejandro helps Camille navigate the rugged terrain and unfamiliar culture of Oaxaca, allowing her the opportunity to view the world in a different light—and perhaps find love in the process.

    His fleeting fame as the drummer for a one-hit wonder rock band is nearly a decade behind him. His ex-wife is about to marry a terrific guy. And his Princeton-bound teenage daughter Casey has just confided in him that she’s pregnant—because Silver is the one she cares least about letting down.So when Silver learns that he requires emergency life-saving heart surgery, he makes the radical decision to refuse the operation, choosing instead to spend what time he has left to repair his relationship with Casey, become a better man, and live in the moment—even if that moment isn’t going to last very long. As his exasperated family looks on, Silver grapples with the ultimate question of whether or not his own life is worth saving.

    Searching for work, sex and big-city life is Ted Owen, who quickly finds himself swept into the complicated lives of the young and the jaded, people who thrive in a strange world of hip fashion and surreal night-clubs.

    When Yuvi's wife finds him in his underwear, standing on top of his desk, she isn't terribly impressed with him and his writing habits. But Yuvi worries. He has a wife who wants things he can't give, an editor who wants a book he can't deliver, a brother-in-law with a gut disease that he can't fix, and dead parents who stubbornly remain dead. As the structure of Yuvi's novel falls apart, so does his life. His novel and his life blend together as he struggles to pull out of the mess. He revisits the fragments of his unreconciled past and his pantsless present, traveling from his suburban Jewish home in Atlanta to the North Carolina mountains of his father's childhood, to several hospital waiting rooms, to the living room of a grieving Palestinian man. Heartbreaking and hilarious, A Brilliant Novel in the Work s is the utterly original debut novel from Yuvi Zalkow.

    The Thylacine, creature of fable and fear, is thought still to be found out there in the wilderness, and this man must find it. In richly crafted prose, first-time novelist Julia Leigh creates an unforgettable picture of a damp, dangerous landscape and a man obsessed by an almost mythical creature.

    [Penguin Readers Level 6]

    He thinks Mount Sinai Hospital is an exclusive golf course and his catheter is a gym bag. His only link to reality is his thirty-five-year-old nephew, who makes his living as a hired gun for thirteen softball teams and still goes by the name College Boy.But College Boy's body has begun to betray him -- almost as much as his lack of ambition. (His only legitimate paycheck comes from a gig as a laugher on a morning radio show.) Not only that, the Dirt King, a small-time gangster who controls all the replacement soil in Central Park, is after College Boy. As their lives collide, College Boy takes refuge in the arms of Sheila -- his uncle's cleaning woman and a part-time call girl.And then it gets weird.

    But this is Nazi Germany in 1933, and things like love don’t count for much any more. Netanel Rosenberg never expected Marie Helder to stand by him. He told her not to, it was too dangerous. She should forget about him. Even when he is the last Jew left in the town, hiding away in secret, still she will not abandon him. Her last words to him, when he is finally discovered: “Whatever happens, don’t give up – live for me.” Through the nightmare of the holocaust, Netanel clings to the promise he made her. But neither he or Marie can imagine what fate has in store for each of them – and what they will have to do to keep their promise to each other.

    They are not coping well. In response to their looming domestic breakdown, Vero and Shane get live-in help with their sons―a woman from the Philippines named Ligaya (which means happiness), whom the boys call LiLi. Vero justifies LiLi's role in their home by insisting that she is part of their family, and she goes to great lengths in order to ease her conscience. But differences persist; Vero grapples with her overextended role as a mother and struggles to keep her marriage passionate, while LiLi silently bears the burden of a secret she left behind at home.Between offers readers an intriguing, searing portrait of two women from two different cultures. At the same time, it satirizes contemporary love, marriage, and parenthood by exposing the sense of entitlement and superiority at the heart of upper-middle-class North American existence through a ubiquitous presence in it: the foreign nanny. Angie Abdou comically and tragically tackles the issue of international nannies by providing a window on motherhood where it is tangled up with class, career, labour, and desire