Frado becomes the servant of the Bellmonts, a lower-middle-class white family in the free North, while slavery is still legal in the South, and suffers numerous abuses in their household. Frado's story is a tragic one; having left the Bellmonts, she eventually marries a black fugitive slave, who later abandons her.

    

    Her use of quilting as a metaphor for the creative legacy that African Americans inherited from their maternal ancestors changed the way we define art, women's culture, and African American lives. By putting African American women's voices at the center of the narrative for the first time, "Everyday Use" anticipated the focus of an entire generation of black women writers. This casebook includes an introduction by the editor, a chronology of Walker's life, an authoritative text of "Everyday Use" and of "In Search of Our Mothers' Gardens," an interview with Walker, six critical essays, and a bibliography. The contributors are Charlotte Pierce-Baker, Houston A. Baker, Jr., Thadious M. Davis, Margot Anne Kelley, John O'Brien, Elaine Showalter, and Mary Helen Washington.

    We jump into the past as the narrator begins his story about his brother.The narrator is six years old when Doodle is born. Doodle is a sickly child, and everyone but Aunt Nicey thinks he will die. Daddy even buys Doodle a coffin. When Doodle has lived for two months, Mama and Daddy name him William Armstrong. The narrator doesn't think the name suits him, so he nicknames him Doodle.This is a tragic short story following the narrator as he tries to teach his weak younger brother to walk and play like a normal boy. It was first published in The Atlantic Monthly and won the "Atlantic First" award.

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    Vulnerable and resilient, openhanded and open-hearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition. Her remarkable sense of community and history makes The Women of Brewster Place a contemporary classic—and a touching and unforgettable read.

    As Williams's first popular success, it launched the brilliant, if somewhat controversial, career, of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, Menagaerie has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by the editor of The Tennessee Williams Annual Review, Robert Bray, reappraises the play more than half a century after it won the New York Drama Critics Circle Award. This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." (back cover)

    a visionary work that bridges the history and culture of two worlds."--Frank Rich, New York TimesBased on a true story that stunned the world, and inspired by Giacomo Puccini's opera Madama Butterfly, M. Butterfly was an immediate sensation when it premiered in 1988. It opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government--and by his own illusions. He recalls a time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive--and as elusive--as a butterfly.How could he have known that his true love was, in fact, a spy for the Chinese government--and a man disguised as a woman? The diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both.M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes--and the shadows we cast around our most cherished illusions.The original cast included John Lithgow as Gallimard and BD Wong as Song Liling. During the show's 777-performance run, David Dukes, Anthony Hopkins, Tony Randall, and John Rubinstein were also cast as Gallimard. Hwang adapted the play for a 1993 film directed by David Cronenberg, starring Jeremy Irons and John Lone.TEXT OF THE BROADWAY REVIVAL

    He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue, riding on a smile and a shoeshine.'Willy Loman has been a salesman for 34 years. At 60, he is cast aside, his usefulness now exhausted. With no future to dream about he must face the crushing disappointments of his past. He takes one final brave action, but is he heroic at last?, or a self-deluding fool?

    For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world.

    It began life as a slapstick comedy about Siamese twins, but as he wrote, something deepened. "The tale kept spreading along, and spreading along, and other people got to intruding themselves and taking up more and more time with their talk and their affairs. It changed from a farce to a tragedy while I was going along with it," Twain wrote in his frank afternote to the novel. In the end, the voice that comes to dominate the tale is Roxana's, a light-skinned slave who switches her infant son with her master's son to keep him from being sold down the river. Roxana, Twain's most complex and fully-realized adult female character, is a compelling and memorable tragic heroine, trapped with her son by the brutal system of slavery and by their own inescapable racial identities. At his best, Twain is the most uniquely American of writers, and it is inevitable that his best work revolves around the issues of race and of slavery embedded in the American psyche. The Tragedy of Pudd'nhead Wilson is a dark and powerful novel of race in America, written by the American master.

    The system worked this way: When a man committed a crime important enough to interest the king, notice was given that the fate of the accused person would be decided, on a given date, in the arena of the amphitheater. When the date arrived and everyone had assembled in the galleries, the king gave a signal, a door beneath him opened, and the accused stepped out into the arena. Two doors, exactly alike and side by side, faced the accused, and it was his duty to open one of them. He could open either door he pleased. If he opened the one, a hungry tiger would spring upon him and tear him to pieces. But, if he opened the other door, a beautiful lady came out and the accused was immediately married to her, as a reward for his innocence.The king had a beautiful daughter, with whom a young man of common blood fell in love. The king's daughter was also in love with the young man. The love affair went on for some time before the king discovered its existence. Immediately, the king had the youth placed into prison and set a day for the trial in the arena. The appointed day arrived, and the galleries of the arena were filled. The signal was given, a door beneath the royal party opened, and the lover of the princess walked into the arena. The princess, through the use of her position and money, had learned behind which door stood the lady and behind which waited the tiger. The youth expected her to have learned this information, and he looked toward her for a signal. Her signal was toward the right, and the youth went to the door on the right and opened it. The story leaves it up to the reader to decide which came out of the door--the lady or the tiger. Which did the princess decide? Was it to let her lover to live and love another woman, or did she decide that if she couldn't have him no one would?

    Gene is a lonely, introverted intellectual. Phineas is a handsome, taunting, daredevil athlete. What happens between the two friends one summer, like the war itself, banishes the innocence of these boys and their world.A bestseller for more than thirty years, A Separate Peace is John Knowles crowning achievement and an undisputed American classic.

    With remarkable fortitude and courage, she meets changing times and fights poverty and disaster.This beautiful and eloquent story tells of a simple peasant woman in a primitive village in India whose whole life is a gallant and persistent battle to care for those she loves—an unforgettable novel that "will wring your heart out" (The Associated Press).Named Notable Book of 1955 by the American Library Association.

    A heartbreaking tale set in the vast wintry landscape of the North, it endures as one of the greatest adventures ever written.