Here are some of the remarkable features of Barnes & Noble Classics:New introductions commissioned from today's top writers and scholarsBiographies of the authorsChronologies of contemporary historical, biographical, and cultural eventsFootnotes and endnotesSelective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the workComments by other famous authorsStudy questions to challenge the reader's viewpoints and expectationsBibliographies for further readingIndices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. As an adolescent America searched for its unique identity among the nations of the world, a number of thinkers and writers emerged eager to share their vision of what the American character could be. Among their leaders was Ralph Waldo Emerson, whose essays, lectures, and poems defined the American transcendentalist movement, though he himself disliked the term.Emerson advocates a rejection of fear-driven conformity, a total independence of thought and spirit, and a life lived in harmony with nature. He believes that Truth lies within each individual, for each is part of a greater whole, a universal “over-soul” through which we transcend the merely mortal.Emerson was extremely prolific throughout his life; his collected writings fill forty volumes. This edition contains his major works, including Nature, the essays “Self-Reliance,” “The American Scholar,” “The Over-Soul,” “Circles,” “The Poet,” and “Experience,”, and such important poems as “The Rhodora,” “Uriel,” “The Humble-Bee,” “Earth-Song,” “Give All to Love,” and the well-loved “Concord Hymn.”Includes a comprehensive glossary of names.Peter Norberg has been Assistant Professor of English at Saint Joseph’s University in Philadelphia since 1997. A specialist in New England transcendentalism and the history of the antebellum period, he also has published on Herman Melville’s poetry. He currently is writing a history of Emerson’s career as a public lecturer.

    The miracle in the mundane.One day, while browsing an antique store in Helena, Montana, photographer Tyler Knott Gregson stumbled upon a vintage Remington typewriter for sale. Standing up and using a page from a broken book he was buying for $2, he typed a poem without thinking, without planning, and without the ability to revise anything.He fell in love.Three years and almost one thousand poems later, Tyler is now known as the creator of the Typewriter Series: a striking collection of poems typed onto found scraps of paper or created via blackout method. Chasers of the Light features some of his most insightful and beautifully worded pieces of work—poems that illuminate grand gestures and small glimpses, poems that celebrate the beauty of a life spent chasing the light.

    When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.

    A beloved and gifted artist, Ashbery takes his place beside Whitman, Dickinson, Stevens, and Hart Crane in the canon of great American poets. With Quick Question, a new collection of poems published in time for his 85th birthday, John Ashbery proves that his creative power has only grown stronger with age.

    . . [Seidel’s] poems are a triumph of cosmic awe in the face of earthly terror.” —Hillel Italie, USA TodayFrederick Seidel has been called many things. A “transgressive adventurer,” “a demonic gentleman,” a “triumphant outsider,” “a great poet of innocence,” and “an example of the dangerous Male of the Species,” just to name a few. Whatever you choose to call him, one thing is certain: “he radiates heat” (The New Yorker).Now add to that: the poet of aging and decrepitude.Widening Income Inequality, Seidel’s new poetry collection, is a rhymed magnificence of sexual, historical, and cultural exuberance, a sweet and bitter fever of Robespierre and Obamacare and Apollinaire, of John F. Kennedy and jihadi terror and New York City and Italian motorcycles. Rarely has poetry been this true, this dapper, or this dire. Seidel is “the most poetic of the poets and their leader into hell.”

    

    Vincent Millay • "The Passionate Shepherd to His Love" by Christopher Marlowe • "I carry your heart" by e. e. cummings • "She Walks in Beauty" by Lord Byron • "Give All to Love" by Ralph Waldo EmersonLength: 22 mins / Public Domain (P)2015 Audible Inc.

    But despite his lack of recognition, Mr. Hennen...has simply gone about his calling with humility and gratitude in a culture whose primary crop has become fame. He just watches, waits and then strikes, delivering heart-buckling lines.” —Dana Jennings, The New York Times"As with Ted Kooser, Tom Hennen is a genius of the common touch. . . . They are amazingly modest men who early accepted poetry as a calling in ancient terms and never let up despite being ignored early on. They return to the readers a thousandfold for their attentions."—Jim Harrison, from the introduction"Many readers will appreciate this evocation of a life not as commonly portrayed in contemporary verse."—Library Journal"There is something of the ancient Chinese poets in Hennen, of Clare and Thoreau, although he is very much a contemporary poet."—Willow Springs"One of the most charming things about Tom Hennen's poems is his strange ability to bring immense amounts of space, often uninhabited space, into his mind and so into the whole poem."—Robert Bly"America is a country that loves its advertising. That loves its boxes we can put people and places into. We love 'Heartland' as opposed to 'Dustbowl.' We also love to be surprised. Rural Minnesota, as written by Tom Hennen in Darkness Sticks to Everything, is a world of realistic loneliness and lessons. It’s a collection of sincere poems about man and the land."—The Rumpus"Hennen is a master of the prose poem [who] can take little details, tiny details and make them universal."—River Falls Journal"What separates Hennen from many of his contemporaries is his willingness to identify with the natural world in a way that feels neither possessive nor self-serving, but simply (once again) sincere."—Basalt Magazine"There is something strong in all Tom Hennen's poems, an awareness and a clear, sure voice... I don't usually want to end by saying 'Buy this book,' but I'm going to say it this time: 'You should buy this book.'"—Fleda Brown, Interlochen Public Radio, "Michigan Writers on the Air"Tom Hennen gives voice to the prairie and to rural communities, celebrating—with sadness, praise, and astute observations—the land, weather, and inhabitants. In short lyrics and prose poems, he reveals the detailed strangeness of ordinary things. Gathered from six chapbooks that were regionally distributed, this volume is Hennen's long-overdue introduction to a national audience. Includes an introduction by Jim Harrison and an afterword by Thomas R. Smith."In Falling Snow at a Farm Auction"Straight pine chairComfortableIn anyone's company,Older than grandmotherIt enters the presentIts arms wide openWanting to hold another young wife.Tom Hennen, author of six books of poetry, was born and raised in rural Minnesota. After abandoning college, he married and began work as a letterpress and offset printer. He helped found the Minnesota Writer's Publishing House, then worked for the Department of Natural Resources wildlife section, and later at the Sand Lake National Wildlife Refuge in South Dakota. Now retired, he lives in Minnesota.

    Its members included Oliver Wendell Holmes, Jr, founder of modern jurisprudence; William James, the father of modern American psychology; and Charles Sanders Peirce, logician, scientist and the founder of semiotics. The club was probably in existence for about nine months. No records were kept. The one thing we know that came out of it was an idea - an idea about ideas. This book is the story of that idea. Holmes, James and Peirce all believed that ideas are not things out there waiting to be discovered but are tools people invent - like knives and forks and microchips - to make their way in the world. They thought that ideas are produced not by individuals, but by groups of individuals - that ideas are social. They do not develop according to some inner logic of their own but are entirely dependent - like germs - on their human carriers and environment. They also thought that the survival of any idea depends not on its immutability but on its adaptability.

    S. Merwin's first book since the publication five years ago of his Opening the Hand.Almost no other poet of our time has been able to voice in so subtle a fashion such a profound series of comments on the passing of history over the contemporary scene. To do this, he seems to have reinvented the poem -- so that the experience of reading Merwin is unlike the reading of any other poetry. In such famous books as The Lice, The Moving Target and (most recently) Opening the Hand, he has produced a body of work of great profundity and power made from the simplest and most beautiful poetic speech.The poems in this new book are concerned with intimacy and wholeness, and are made of the relations with people, with places, past and present, and with history and how the world endures it.Merwin can now rightfully be called a master, and this book shows in every way why this is the case.

    Vincent Millay defined a generation with her passionate lyrics and intoxicating voice of liberation. Edited by Millay biographer Nancy Milford, this Modern Library Paperback Classics collection captures the poet’s unique spirit in works like Renascence and Other Poems, A Few Figs from This-tles, and Second April, as well as in “The Ballad of the Harp-Weaver” and eight sonnets from the early twenties. As Milford writes in her Introduction, “These are the poems that made Edna St. Vincent Millay’s reputation when she was young. Saucy, insolent, flip, and defiant, her little verses sting the page.”

    Organized in the format of an encyclopedia, each letter of the alphabet includes several poems on the theme of the word that begins with that letter. Emotional and inspiring, Encyclopedia of a Broken Heart will appeal to every modern poetry lover.

    And in this new collection, Horoscopes for the Dead, the verbal gifts that earned him the title “America’s most popular poet” are on full display. The poems here cover the usual but everlasting themes of love and loss, life and death, youth and aging, solitude and union. With simple diction and effortless turns of phrase, Collins is at once ironic and elegiac, as in the opening lines of the title poem:   Every morning since you disappeared for good, I read about you in the newspaper along with the box scores, the weather, and all the bad news. Some days I am reminded that today will not be a wildly romantic time for you . . .   And in this reflection on his own transience:   It doesn’t take much to remind me what a mayfly I am, what a soap bubble floating over the children’s party. Standing under the bones of a dinosaur in a museum does the trick every time or confronting in a vitrine a rock from the moon.  Smart, lyrical, and not afraid to be funny, these new poems extend Collins’s reputation as a poet who occupies a special place in the consciousness of readers of poetry, including the many he has converted to the genre.

    This book is unique among Gary Snyder’s numerable works, and the poems contained here are as broad in style as the compilation is in timeframe. With a new introduction by the author, Left Out in the Rain captures the evolution of the poet and the man.Readers will travel with Snyder from the American West to the Far East. From Berkeley to Kyoto, his imagery provides insight into the natural world as well as the human experience. With the span of a few words, Snyder can reveal a universe and then two pages later deftly handle a villanelle. Sensual, sardonic, meditative, epigrammatic, formalist—whatever the tone or structure, these poems all bear the indelible stamp of a master. Always evocative, they remind us why Snyder is one of our most heralded and beloved contemporary poets.

    Celebrated poet McHugh and renowned editor Lehman present the 20th edition of the popular and comprehensive Best American Poetry series.