Reading this book is like talking to a friend who knows you almost better than you know yourself...it doesn't stop at just helping you through the grief...it will help you find an even deeper connection to your lost loved ones." - Ingrid King, ConsciousCat.net, author of Buckley's Story and Purrs of Wisdom If the loss of a feline friend has hit you particularly hard, know you are not alone.In Soul Comfort for Cat Lovers, you will find validation, coping insights, and practical wisdom conveyed with spiritual warmth.Liz Eastwood, CNC weaves her own experiences with advice from grief experts and stories from cat lovers to help you:process your feelings and recognize them as normal create something positive out of the energy of grief cultivate a continued sense of connection to your cat deal with inconvenient grief strengthen your natural coping chemistry This book also explores evidence of the most soulful of soul comforts: the possibility of the continuation of your loved one's spirit-and your connection to that spirit-after death. This topic is discussed from a perspective of open-minded curiosity, without bringing in any particular dogma or religion.Asserting that you can live wholeheartedly after loss, and that your feline friend would want nothing less for you, Soul Comfort for Cat Lovers is a compassionate handbook for your grief-healing journey.

    Call Us What We Carry is Gorman at her finest. Including “The Hill We Climb,” the stirring poem read at the inauguration of the 46th President of the United States, Joe Biden, and bursting with musical language and exploring themes of identity, grief, and memory, this lyric of hope and healing captures an important moment in our country’s consciousness while being utterly timeless.The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman.

    I can think of just about no contemporary poets who publish such consistently great work.” —Corduroy Books “Bob Hicok's poetry is a fleeting comfort, a temporary solace from the chaos of the world. Smart, honest, powerfully inventive, his writing asks the biggest questions while acknowledging that there are no answers beyond the imposed structure of the page.” —Los Angeles Times on This Clumsy Living “The most potent ingredient in virtually every one of Bob Hicok's compact, well-turned poems is a laughter as old as humanity itself, a sweet waggery that suggests there's almost no problem that can't be solved by this poet's gentle humor.” —New York Times Book Review on Insomnia Diary

    But the similarity between her name and her talents is purely coincidental. The name is French, and unlike the psychics on TV, she can’t solve crimes or talk to the dead. Whenever Claire follows her hunches, she comes up empty—or ends up in pretty awkward situations.But that all changes on Claire’s 15th birthday, when her grandmother, Kiki—former socialite, fashion icon, and permanent fixture at the Waldorf Astoria Hotel—gives her something a little more extraordinary than one of her old cocktail dresses: a strange black-and-white onyx cameo on a gold chain. It’s not long before Claire’s world becomes a whole lot clearer. And a whole lot more dangerous.

    When they were together, they didn't need anyone else. It didn't matter that their relationship was secret. All that mattered was what they had with each other.And then, out of nowhere, Brian dies. And while everyone else has their role in the grieving process, Annaleah finds herself living outside of it, unacknowledged and lonely. How can you recover from a loss that no one will let you have?

    Set during the uncertain early days of World War II, this suspenseful story from the New York Times bestselling author of City of Light follows the work of photojournalist Claire Shipley as she captures America’s race to develop life-saving antibiotics—an assignment that will involve blackmail, espionage, and murder.

    could have predicted the delayed depth-charge of this explosive second book, motored by vividly earthly language and disguised philosophical sophistication." —Publishers Weekly, starred review"Throughout Made Flesh, one of the most powerful poetry books this year, Arnold gets at both the contradictions and timelessness of love." —Time Out New York"The readers delighted with (Arnold's) first book (Shells) will be differently enchanted with these. They contain a wealth of contemplation as well as observation and experience. Their unpunctuated free style carries the reader into the poems, piling up events and details in a breathless rush....The poems of Made Flesh are unforgettable, and it is tragic that readers will have no new books from Craig Arnold."—Magill Book ReviewsA girl wakes up to find out just how completely her lover has possessed her. A couple realizes they’ve been trapped inside an ancient myth. A traveler glances out through a train window and catches the dim reflection of another world.This is the world of Made Flesh, the long-awaited second book by Craig Arnold, a finalist for the Utah Book Award and the High Plains book award. Made Flesh delineates a new mythology of what it means to be in the body. Marrying narrative precision to lyric ecstasy, the archaic to the avant-garde, these poems celebrate the fragility of our very selves and “the joy of self-forgetting,” the acts of surrender that loves asks of us. Fierce, exuberant, and erotic, they invite the reader to share a rare and startling vision: how, if we would only permit ourselves to be drawn out of our mental privacies, out to the very surface of our skin, we might admit the beauty of being for a moment in the world, and with each other.Craig Arnold is the author of Shells, a Yale Series of Younger Poets selection chosen by W.S. Merwin. He taught at the University of Wyoming in Laramie. In late April 2009, Craig Arnold went missing on the Japanese island of Kuchinoerabu-jima, where he was working on a book about volcanoes as part of a Creative Artists' Exchange Fellowship from the Japan-United States Friendship Commission. He was forty-one years old.

    Cool, eloquent, raising two fatherless children, Claire has emerged as the most visible of the widows who became a potent political force in the aftermath of the catastrophe. She longs for her husband, but she has found her mission: she sits on a jury charged with selecting a fitting memorial for the victims of the attack. Of the thousands of anonymous submissions that she and her fellow jurors examine, one transfixes Claire: a garden on whose walls the names of the dead are inscribed. But when the winning envelope is opened, they find the designer is Mohammad Khan - Mo - an enigmatic Muslim-American who, it seems, feels no need to represent anyone's beliefs except his own. When the design and its creator are leaked, a media firestorm erupts, and Claire finds herself trying to balance principles against emotions amid escalating tensions about the place of Islam in America.A remarkably bold and ambitious debut, The Submission is peopled with journalists, activists, mourners, and bureaucrats who struggle for advantage and fight for their ideals. In this deeply humane novel, the breadth of Amy Waldman's cast of characters is matched by her startling ability to conjure individual lives from their own points of view. A striking portrait of a city - and a country - fractured by old hatreds and new struggles, The Submission is a major novel by an important new talent.

    In a war pitting brother against brother, two sisters choose their own battle. Joseph and Thomas are fresh recruits for the Confederate Army, daring to join the wild fray that has become the seemingly endless Civil War, sharing everything with their fellow soldiers—except the secret that would mean their undoing: they are sisters. Before the war, Joseph and Thomas were Josephine and Libby. But that bloodiest battle, Antietam, leaves Libby to find her husband, Arden, dead. She vows vengeance, dons Arden’s clothes, and sneaks off to enlist with the Stonewall Brigade, swearing to kill one Yankee for every year of his too-short life. Desperate to protect her grief-crazed sister, Josephine insists on joining her. Surrounded by flying bullets, deprivation, and illness, the sisters are found by other dangers: Libby is hurtling toward madness, haunted and urged on by her husband’s ghost; Josephine is falling in love with a fellow soldier. She lives in fear both of revealing their disguise and of losing her first love before she can make her heart known to him. In her trademark “vibrant” (Washington Post Book World) and “luscious” (Atlanta Journal-Constitution) prose, Kathy Hepinstall joins with her sister Becky to show us the hopes of love and war, the impossible-to-sever bonds of sisterhood, and how what matters most can both hurt us and heal us.

    In this distinct selection of stories marked by struggle and compassion, Pieces Like Pottery is a powerful examination of the sorrows of life, the strength of character, the steadfast of courage, and the resiliency of love requisite to find redemption. Filled with graceful insight into the human condition, each linked story presents a tale of loss and love mirroring themes from each of the five Sorrowful Mysteries. In Expect Dragons, James Hinri learns that his old high school teacher is dying. Wanting to tell Mr. Smith one last time how much his teaching impacted him, James drives across the country revisiting past encounters with his father's rejection and the pain of his youth. Disillusioned and losing hope, little did James know that Mr. Smith had one final lesson for him. In The Gravesite, Lisa and Mike's marriage hangs in the balance after the disappearance of their only son while backpacking in Thailand. Mike thinks the authorities are right--that Chris fell to his death in a hiking accident--but Lisa has her doubts. Her son was too strong to die this young, and no one can explain to her why new posts continue to appear on her son's blog. Twenty-Two looks in on the lives of a dock worker suffering from the guilt of a life not lived and a bartender making the best of each day, even though he can see clearly how his life should have been different. The two find their worlds collide when a past tragedy shockingly connects them. A collection of nine stories, each exquisitely written and charged with merciful insight into the trials of life, Pieces Like Pottery reminds us of the sorrows we all encounter in life and the kindness we receive, oftentimes from the unlikeliest of places.

    With the invasion of Iraq, however, the same elements that inspired the original - injustice, a senseless war, men of honor and duty caught in untenable positions - compelled him to revisit Billy Bad-Ass, Mule, and the hapless Meadows, and to see how his characters were faring in post-9/11 American life. The result is "Last Flag Flying", a story as tough and tender. sad and funny. as "The Last Detail". The boy Billy and Mule escorted to prison has come back into their lives, now a grieving man of 52, with a gut-wrenching request they cannot deny. What follows is a retracing of their steps from 34 years before, a journey from Norfolk, Virginia, to Portsmouth, New Hampshire, on a mission as heart-breaking - and as exhilarating - as the first.

    Published 20 years ago, this sequence of poems charts the progress of a love affair from the passionate honeymoon with the milk bottles turning to cheese on the doorstep, through the stage of quarrels, jealousy, recriminations and boredom, to the point where love is as nice as a cup of tea in bed.

    With one year still to complete at school, he decided to join the British army instead. Within four months he was leading 200 men to the front; within eight months he was dead. Published for the first time in their entirety, Wilbert’s letters paint a deeply moving portrait of a remarkable young man. Bright, optimistic and exuberant, his gentle character shines through ever word. Along with an introduction to Wilbert's life, the letters are accompanied by extensive, meticulously researched notes which are just a simple click away. They are there to add detail, context and colour for the reader who wants to understand more about particular aspects of the war. They include not just comments on military matters, but on a wide range other issues that together help paint a richer portrait of Wilbert and the times in which he was were living. In almost all cases, the notes provide direct links to resources that are freely available online. The links don't include Wikipedia (which can be easily accessed using the search facility in the Kindle), but they do include battalion diaries, recordings of old songs, war memoirs, military training manuals, official histories, trench maps, recordings of old war songs and much, much more. They enable every reader to embark on their own journey of historical discovery and exploration.

    Something is wrong.” Frederick Seidel—the “ghoul” (Chicago Review), the “triumphant outsider” (Contemporary Poetry Review)—returns with a dangerous new collection of poems. Nice Weather presents the sexual and political themes that have long preoccupied Seidel—and thrilled and offended his readers. Lyrical, grotesque, elegiac, this book adds new music and menace to his masterful body of work.

    Over the following years, it became his life's work as he continuously revised and expanded it. Freed from the restraints of tradition, Whitman's exuberance shines through every poem. His uplifting verses and powerful language provide a stunning experience unmatched by his contemporaries, and exercised and incredible influence on his fellow countrymen. The poems selected here take you on a whirlwind tour of emotions as he whisks you from celebrations of sexuality to his inspirational accounts of society.