Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fugue like and field like densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languages rich, ludicrous, exact, and also American in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

    Cloud's, Maine, Homer Wells has become the protege of Dr. Wilbur Larch, its physician and director. There Dr. Larch cares for the troubled mothers who seek his help, either by delivering and taking in their unwanted babies or by performing illegal abortions. Meticulously trained by Dr. Larch, Homer assists in the former, but draws the line at the latter. Then a young man brings his beautiful fiancee to Dr. Larch for an abortion, and everything about the couple beckons Homer to the wide world outside the orphanage ...

    Joe Allston is a cantankerous, retired literary agent who is, in his own words, "just killing time until time gets around to killing me". His parents and his only son are long dead, leaving him with neither ancestors nor descendants, tradition nor ties. His job, trafficking the talent of others, has not been his choice. He has passed through life as a spectator, before retreating to the woods of California in the 1970s with only his wife, Ruth, by his side. When an unexpected postcard from a long-lost friend arrives, Allston returns to the journals of a trip he has taken years before, a journey to his mother's birthplace where he once sought a link with his past. Uncovering this history floods Allston with memories, both grotesque and poignant, and finally vindicates him of his past and lays bare that Joe Allston has never been quite spectator enough.

    This was a war to make the world safe for democracy. And if democracy was made safe, then nothing else mattered - not the millions of dead bodies, nor the thousands of ruined lives... This is no ordinary novel. This is a novel that never takes the easy way out: it is shocking, violent, terrifying, horrible, uncompromising, brutal, remorseless and gruesome... but so is war. Winner of the National Book Award.

    Was it an accident, a murder, a suicide? The circumstances of her death were never resolved, but O’Hara seized upon the tragedy to imagine the woman’s down-and-out life in New York City in the early 1930s. “O’Hara understood better than any other American writer how class can both reveal and shape character,” Fran Lebowitz writes in her Introduction. With brash honesty and a flair for the unconventional, BUtterfield 8 lays bare the unspoken and often shocking truths that lurked beneath the surface of a society still reeling from the effects of the Great Depression. The result is a masterpiece of American fiction.

    Their marriage, forged in the fervor of anti-Vietnam-war protests, now bears the fractures of time, both personal and historical, with the couple trapped in an existence of morning coffee and solitary jogging and separate offices. For Robert and Darla, the cracks remain under the surface, whereas the divisions in Robert’s own family are more apparent: he has almost no relationship with his brother Jimmy, who became estranged from the family as the Vietnam War intensified. Robert and Jimmy’s father, a veteran of WWII, is coming to the end of his life, and aftershocks of war ripple across their lives once again, when Jimmy refuses to appear at his father’s bedside. And an unstable homeless man whom Robert at first takes to be a fellow Vietnam veteran turns out to have a deep impact not just on Robert, but on his entire family.

    Brik enlists his friend Rora -- a war photographer from Sarajevo -- to join him in retracing Averbuch's path.Through a history of pogroms and poverty, and a prism of a present-day landscape of cheap mafiosi and even cheaper prostitutes, the stories of Averbuch and Brik become inextricably intertwined, creating a truly original, provocative, and entertaining novel that confirms Aleksandar Hemon as one of the most dynamic and essential literary voices of our time.

    But the group is a powerful mix of competing ambitions and its idealism finds little satisfaction in farmwork. Instead, of changing the world, the members of the Blithedale community individually pursue egotistical paths that ultimately lead to tragedy. Hawthorne's tale both mourns and satirizes a rural idyll not unlike that of nineteenth-century America at large.

    After the ceremony, the women begin their adult lives: traveling to Europe, tackling the worlds of nursing and publishing, and finding love and heartbreak in the streets of New York City. Through the years, some of the friends grow apart and some become entangled in each other's affairs, but all vow not to become like their mothers and fathers. It is only when one of them dies that they all come back together again to mourn the loss of a friend, a confidante, and most importantly, a member of the group.

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    Originally an important hunting ground for the Ojibway, the city of Minneapolis draws from nearby reservations many Native people, people who infuse the city with a strong and ongoing Native presence as well as a potent indigenous past. This story brings to life the people who live in or around this midwestern city. And like a modern city itself, it portrays people of all backgrounds and is a mixture of vibrant cultures and ideas. But also like a modern city, it has an edge, troubled by violence."New York Times" bestselling author Louise Erdrich has twice won the National Magazine Award and her work has been included in both the O. Henry and the Best American collections several times.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.To Paradise is a fin de siècle novel of marvellous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love – partners, lovers, children, friends, family and even our fellow citizens – and the pain that ensues when we cannot.

    In the pared-down style that has since become his hallmark, Carver showed us how humour and tragedy dwelt in the hearts of ordinary people, and won a readership that grew with every subsequent brilliant collection of stories, poems and essays that appeared in the last eleven years of his life.

    These poems explore a more emotional side of Charles Bukowski.