But a house of her own, where she could truly take root, has eluded her. With this collection—spanning nearly three decades, and including never-before-published work—Cisneros has come home at last. Ranging from the private (her parents' loving and tempestuous marriage) to the political (a rallying cry for one woman's liberty in Sarajevo) to the literary (a tribute to Marguerite Duras), and written with her trademark sensitivity and honesty, these poignant, unforgettable pieces give us not only her most transformative memories but also a revelation of her artistic and intellectual influences. Here is an exuberant, deeply moving celebration of a life in writing lived to the fullest—an important milestone in a storied career.

    Her alienation grows when her mother is swept up in an evangelical church, replete with abstinent salsa dancers and baptisms for the dead. But there, Francisca meets the magnetic Carmen: head of the youth group and the pastor’s daughter. As her mother’s mental health deteriorates, Francisca falls for Carmen and is saved to grow closer with her, even as their relationship hurtles toward a shattering conclusion.

    She's a blogger, she's a Cuban, and she's a worldwide sensation.Yoani Sánchez is an unusual dissident: no street protests, no attacks on big politicos, no calls for revolution. Rather, she produces a simple diary about what it means to live under the Castro regime: the chronic hunger and the difficulty of shopping; the art of repairing ancient appliances; and the struggles of living under a propaganda machine that pushes deep into public and private life. For these simple acts of truth-telling her life is one of constant threat. But she continues on, refusing to be silenced—a living response to all who have ceased to believe in a future for Cuba.

    His life until then is the subject of Waiting for Snow in Havana, a wry, heartbreaking, intoxicatingly beautiful memoir of growing up in a privileged Havana household -- and of being exiled from his own childhood by the Cuban revolution.That childhood, until his world changes, is as joyous and troubled as any other -- but with exotic differences. Lizards roam the house and grounds. Fights aren't waged with snowballs but with breadfruit. The rich are outlandishly rich, like the eight-year-old son of a sugar baron who has a real miniature race car, or the neighbor with a private animal garden, complete with tiger. All this is bathed in sunlight and shades of turquoise and tangerine: the island of Cuba, says one of the stern monks at Carlos's school, might have been the original Paradise -- and it is tempting to believe.His father is a municipal judge and an obsessive collector of art and antiques, convinced that in a past life he was Louis XVI and that his wife was Marie Antoinette. His mother looks to the future; conceived on a transatlantic liner bound for Cuba from Spain, she wants her children to be modern, which means embracing all things American. His older brother electrocutes lizards. Surrounded by eccentrics, in a home crammed with portraits of Jesus that speak to him in dreams and nightmares, Carlos searches for secret proofs of the existence of God.Then, in January 1959, President Batista is suddenly gone, a cigar-smoking guerrilla named Castro has taken his place, and Christmas is canceled. The echo of firingsquads is everywhere. At the Aquarium of the Revolution, sharks multiply in a swimming pool. And one by one, the author's schoolmates begin to disappear -- spirited away to the United States. Carlos will end up there himself, alone, never to see his father again.Narrated with the urgency of a confession, Waiting for Snow in Havana is both an exorcism and an ode to a paradise lost. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died -- and then are somehow, miraculously, reborn.

    The Boys from Dolores illuminates the elite island society from which Fidel Castro and his brother Raul emerged.The Colegio de Dolores was a Jesuit boarding school in Santiago, Cuba's rich and ancient second city, where Fidel and Raul were educated in the 1930s and '40s. Patrick Symmes begins his story here, tracking down dozens of Fidel's schoolmates glimpsed in a single period photograph. And it is through their stories--their time at the Colegio; the catastrophic effects of the revolution on their lives; their fates since--that Symmes opens a door onto a Cuba, and a time in Castro’s life, that have been deliberately obscured from us. Here too is the elusive Raúl Castro, a cipher destined to rule Cuba in Fidel’s place.We see Castro in his formative youth, an adolescent ruling the classrooms of the Colegio and running in the streets of Santiago. Symmes traces the years in which the revolution was conceived, won, and lost, describing the changes it wrought in Santiago and in the lives of Fidel’s own classmates: we follow them through the maelstrom of the 1960s, as most fight to leave Cuba and a few stay behind. And here, in Santiago today, Symmes finds Castro’s most lasting achievement, the creating and sustaining of a myth-soaked revolutionary idealism amid the harshest realities of daily life.Wholly original in its approach, The Boys from Dolores is a powerfully evocative, eye-opening portrait of Cuba--and of the Castro brothers--in the twentieth century.

    --Hanoi to Hoboken: a round trip ticket --Living with other women --Take a lesbian to lunch --The last straw --The shape of things to come --Roxanne Dunbar --Gossip --Leadership vs. stardom --The last picture show --A manifesto for the feminist artist --Love song for feminists from Flamingo Park --I am a woman --The good fairy --It's all Dixie cups to me --The lady's not for burning.

    A sumptuous feast of a novel, it relates the bizarre history of the all-female De La Garza family. Tita, the youngest daughter of the house, has been forbidden to marry, condemned by Mexican tradition to look after her mother until she dies. But Tita falls in love with Pedro, and he is seduced by the magical food she cooks. In desperation, Pedro marries her sister Rosaura so that he can stay close to her, so that Tita and Pedro are forced to circle each other in unconsummated passion. Only a freakish chain of tragedies, bad luck and fate finally reunite them against all the odds.

    Now, haunted by atrocities long-forgotten, her foul-mouthed spirit visits her nephew, Ramon, in modern-day New Jersey. Her hope: That her presence will prompt her descendant to unearth their painful family history.Ramon launches a haphazard investigation into the story of his ancestor, unaware of the forces driving him on his search. Along the way, he falls in love, discovers a new sense of his own identity, faces a run-in with a murderous gangster, and learns of each "lost saint" who helped Marisol during her imprisonment under Batista's reign.Uplifting and evocative, The Book of Lost Saints is a meditation on family, forgiveness, and the violent struggle to be free.

    A miraculous sign, perhaps, but one the down-to-earth Amalia does not trust. Through Amalia, we take a vivid and moving tour of the "other Hollywood," populated by working-class Mexican Americans, as John Rechy blends tough realism with religious and cultural fables to take us into the life of a Chicano family in L.A. Epic in scope and vision, The Miraculous Day of Amalia Gomez is classic Rechy.

    In this companion book to his 26-part Public Television series, he takes us, with boyish enthusiasm, through Mexican markets, street stalls and home kitchens to bring us the great dishes of Mexico, one “plate” at a time.Rick Bayless has been acclaimed widely as America's foremost proponent of Mexico's thrillingly diverse cuisine. In this companion book to his 26-part Public Television series, he takes us, with boyish enthusiasm, through Mexican markets, street stalls and home kitchens to bring us the great dishes of Mexico, one “plate” at a time. And each “plate” Rick presents here is a Mexican classic. Take guacamole, for instance. After teaching us the essentials for a perfect, classic guacamole, Rick shows how to spin contemporary interpretations, like his Roasted Poblano Guacamole with garlic and parsley. Rick's cuisine is always lively, but rooted in strong traditions. Always the teacher, Rick begins each “plate” with some never-before-found features: traditional benchmarks (Rick's idea of the best guacamole), when to think of the recipes (weeknight dinners or casual party food), and advice for American cooks (Rick's insight into the ingredients that make the dish). He rounds out each “plate” with suggestions for working ahead. To complete the journey into the Mexican mindset, Rick, with help from his testers, ends each “plate” with a question-and-answer section detailing just about everything a home cook might want to know: What are the best cuts of beef for grilled tacos? The best cheeses for quesadillas? Is one grill better than another? Rick draws from his years of living in Mexico, pulling us into the Mexican kitchen, to teach us how to create authentic Mexican dishes in our American kitchens. Rick is an Indiana Jones of the stove, a Julia Child of Mexican cuisine in black jeans and a T-shirt. Rick's goal: to enable folks all across the United States to create dishes that weave in the rich tapestry of Mexican flavor with ingredients that are widely available. He always provides ingredients that make the dish authentic, but he also delivers with the right substitute if an ingredient is hard to find. Experience food you can't wait to make in a new and user-friendly cookbook that contains the full range of dishes—Starters, Snacks and Light Meals; Soups, Stews and Sides; Entrées; Desserts and Drinks. Rick serves up such classic Mexican plates as Tomatillo-Braised Pork Loin, Quick-Fried Shrimp with Sweet Toasty Garlic, Chiles Rellenos, Cheesy Enchiladas Suizas, and Mexican Vanilla-Scented Flan. And for an exciting taste of the unexpected, try Rick's contemporary interpretations of the classics—Crispy Potato Sopes with Goat Cheese and Fresh Herbs, Grilled Salmon with Lemon-and-Thyme-Scented Salsa Veracruzana, Broiled Flank Steak with Tomato-Poblano Salsa and Rustic Cajeta Apple Tarts with Berry “Salsa.” Food and friends, food and family. Good cooking, for Rick, is the unspoken animator of friends and family as they gather to share a meal. Rick's recipes lend themselves to weeknight family meals or celebrations. Take part in a tamalada, the tamal-making party before the party, or the ritual of a barbacoa, an earthy experience that Rick has made possible with a kettle grill in the backyard. 24 color photographs of finished dishes Photographs of Mexican location shots throughout

    This new, expanded edition features exclusive, unpublished photos taken by the 23-year-old Ernesto on his journey across a continent, and a tender preface by Aleida Guevara, offering an insightful perspective on the man and the icon.Features of this edition include:A preface by Che Guevara’s daughter AleidaIntroduction by Cintio Vintier, well-known Latin American poetPhotos & maps from the original journeyPostcript: Che’s personal reflections on his formative years: “A child of my environment.”  Published in association with the Che Guevara Studies Center, Havana

    Dating her is bad news, especially if you're a boy with a boat.But Rosa feels more caught than cursed. Caught between cultures and choices. Between her abuela, a beloved healer and pillar of their community, and her mother, an artist who crashes in and out of her life like a hurricane. Between Port Coral, the quirky South Florida town they call home, and Cuba, the island her abuela refuses to talk about.As her college decision looms, Rosa collides - literally - with Alex Aquino, the mysterious boy with tattoos of the ocean whose family owns the marina. With her heart, her family, and her future on the line, can Rosa break a curse and find her place beyond the horizon?

    It is 2001, and inflation is spiraling out of control in Argentina as Bruno Cadogan, an American graduate student specializing in Borges, arrives in Buenos Aires. Cadogan is on the trail of Julio Martel, an elusive tango singer rumored to be even better than Carlos Gardel, the greatest singer of the 1920s and '30s. Martel has never recorded and his strange, powerful performances, at seemingly arbitrary sites around the city, are always unannounced.Cadogan finds lodging in a boarding house rumored to be the setting of the famous Borges story "The Aleph," and soon finds himself drawn into the tangle of legends surrounding the singer's life. As the economic tension grows and the city hovers on the verge of riots, Bruno begins to believe that Martel's increasingly rare performances are in fact far from random—that they instead form a map of the darkest moments in the city's past.

    As the sole descendant of his family line he is not sure what to do or where he should go, but in the midst of this uncertainty, he holds fast to what his grandfather always told him: 'No man knows who he is until he knows his past, the history of his country.'As he sets out to find the lost village of Pata de Puerco and the meaning of the magical pig's-foot amulet he has inherited, the search for his country's hidden history becomes entangled with his search for the truth about himself.Through a vivid, if not entirely reliable, retelling of the stories of his ancestors we live the tumultuous history of Cuba through Oscar's eyes, from the arrival of slaves through the wars of independence, to Bacardi rum, dictatorship, revolution and, finally, to a freedom of sorts.

    This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.”—Jose Antonio Vargas, from Dear America