Speculative fiction is the literature of questions, of challenges and imagination, and what better to question than the ways in which gender and sexuality have been rigidly defined, partitioned off, put in little boxes? These seventeen stories explore the ways in which identity can go beyond binary from space colonies to small college towns, from angels to androids, and from a magical past to other worlds entirely, the authors in this collection have brought to life wonderful tales starring people who proudly define (and redefine) their own genders, sexualities, identities, and so much else in between.

    Born from Levithan's tradition of writing a story for his friends each Valentine's Day, this collection brings all of them to his readers for the first time. With fiction, nonfiction, and a story in verse, there's something for every reader here.Witty, romantic, and honest, teens (and adults) will come to this collection not only on Valentine's Day, but all year round.

    From the beach towns of Normandy to the streets of New Orleans, these thirteen vignettes introduce us to a covetous French painter, a sleepless wanderer of the night, a guitar-playing gypsy, and a host of others who yearn for and dive into the turbulent depths of romantic experience.

    Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.

    J. Charles ups the ante in her Society of Gentlemen series with a sizzling eBook short story. The youngest son and the blackest sheep in his family, Lord Gabriel Ashleigh never imagined he could sink so low. Though he’s a notoriously bad gambler, he takes on the formidable but strangely alluring Francis Webster, only to lose everything: all his money, the lovely estate he inherited from his aunt, and any hope of future happiness. So it’s a shock when Webster summons him to a private game for a chance to win back his possessions. The stake? If he fails, Ash must surrender his body. Francis has been waiting years for this moment. At Eton, Ash’s elder brother harassed him relentlessly. Now, consumed by lust and rage, Francis is only too happy to exploit Ash’s foolish indiscretions. But as Francis strips the magnificently built youth—first of his family assets, then his clothes—he begins to wonder whether he’s been plotting revenge . . . or exquisite seduction. Praise for the Society of Gentlemen series “The Regency period gets more rakish than ever in the Society of Gentlemen series. I’ll read anything K. J. Charles writes!”—New York Times bestselling author Kate Pearce Includes a special message from the editor, as well as an excerpt from another Loveswept title.

    Decades later, when Eliza Hamilton collected his soldiers' stories, she discovered that while the war was won at Yorktown, the battle for love took place on many fronts...PROMISED LAND by Rose LernerDonning men's clothing, Rachel left her life behind to fight the British as Corporal Ezra Jacobs--but life catches up with a vengeance when she arrests an old love as a Loyalist spy.At first she thinks Nathan Mendelson hasn't changed one bit: he's annoying, he talks too much, he sticks his handsome nose where it doesn't belong, and he's self-righteously indignant just because Rachel might have faked her own death a little. She'll be lucky if he doesn't spill her secret to the entire Continental Army.Then Nathan shares a secret of his own, one that changes everything...THE PURSUIT OF... by Courtney MilanWhat do a Black American soldier, invalided out at Yorktown, and a British officer who deserted his post have in common? Quite a bit, actually.* They attempted to kill each other the first time they met.* They're liable to try again at some point in the five-hundred mile journey that they're inexplicably sharing.* They are not falling in love with each other.* They are not falling in love with each other.* They are.... Oh, no.THAT COULD BE ENOUGH by Alyssa ColeMercy Alston knows the best thing to do with pesky feelings like "love" and "hope": avoid them at all cost. Serving as a maid to Eliza Hamilton, and an assistant in the woman's stubborn desire to preserve her late husband's legacy, has driven that point home for Mercy—as have her own previous heartbreaks.When Andromeda Stiel shows up at Hamilton Grange for an interview in her grandfather's stead, Mercy's resolution to live a quiet, pain-free life is tested by the beautiful, flirtatious, and entirely overwhelming dressmaker.Andromeda has staid Mercy reconsidering her worldview, but neither is prepared for love—or for what happens when it's not enough.

    But he has two problems: the Selbys have no connections or money and Robert is really a housemaid named Charity Church. She’s enjoyed every minute of her masquerade over the past six years, but she knows her pretense is nearing an end. Charity needs to see her beloved friend married well and then Robert Selby will disappear…forever. May not be who you think… Alistair, Marquess of Pembroke, has spent years repairing the estate ruined by his wastrel father, and nothing is more important than protecting his fortune and name. He shouldn’t be so beguiled by the charming young man who shows up on his doorstep asking for favors. And he certainly shouldn’t be thinking of all the disreputable things he’d like to do to the impertinent scamp. But is who you need… When Charity’s true nature is revealed, Alistair knows he can’t marry a scandalous woman in breeches, and Charity isn’t about to lace herself into a corset and play a respectable miss. Can these stubborn souls learn to sacrifice what they’ve always wanted for a love that is more than they could have imagined?

    When the only romance in her life consists of Hallmark movie marathons, she’s pretty sure things could not get more discouraging. When a knock sounds at the door, Holly suddenly finds herself face-to-face with a stranger. A hot, handsome butch named Nic. When the chemistry sparks between them, Holly is faced with a tantalizing new dilemma – will she be naughty or nice? Need a little something to warm you up for a spell on a cold winter’s night? This steamy short story is exactly what you need. *** Includes a preview of KC Luck’s full-length novel “Welcome to Ruby’s” ***

    From the author's vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde's work is cyclical. It especially relates the linkage of women who have shaped her . . . Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page.--Off Our Backs

    The essays in this collection, which include her last writings and span the length of her extraordinary career, reveal Jordan as an incisive analyst of the personal and public costs of remaining committed to the ideal and practice of democracy. Willing to venture into the most painful contradictions of American culture and politics, Jordan comes back with lyrical honesty, wit, and wide-ranging intelligence in these accounts of her reckoning with life as a teacher, poet, activist, and citizen.

    Herculine was designated female at birth. A pious girl in a Catholic orphanage, a bewildered adolescent enchanted by the ripening bodies of classmates, a passionate lover of a schoolmistress, she's suddenly reclassified as male. Alone & desolate, he commits suicide, aged 30, in a miserable Paris attic. Here's a lost voice of the sexual past in an erotic diary. Provocative, articulate, eerily prescient as she imagines her corpse under the probing instruments of scientists, Herculine brings a disturbing perspective to our notions of sexuality. Foucault, who discovered these memoirs in the archives of the French Department of Public Hygiene, presents them with the graphic medical descriptions of Herculine's body before & after death. In a striking contrast, a painfully confused young person & the doctors who examine her try to sort out the nature of masculine & feminine at the dawn of the age of modern sexuality. "Herculine Barbin can be savored like a libertine novel. The ingenousness of Herculine, the passionate yet equivocal tenderness which thrusts her into the arms, even into the beds, of her companions, gives these pages a charm strangely erotic...Michel Foucault has a genius for bringing to light texts & reviving destinies outside the ordinary."--Le Monde, 7/1978

    Twenty erotic writers explore the taboo territory of daddy fantasies, with stories about gay male leather daddies, dyke daddies, submissive daddies, and a dozen other variations.

    Part-fable, part-manifesto, the book takes place in Ramrod, an empire in decline, and introduces us to the communities of the faggots, the women, the queens, the queer men, and the women who love women who are surviving the ways and world of men. Cherished by many over the four decades since its publication, The Faggots and Their Friends Between Revolutions offers a trenchant critique of capitalism, assimilation, and patriarchy that is deeply relevant today.

    It tells the astonishing story of sex in the West from the ancients to the moderns in a precise account of developments in reproductive anatomy and physiology. We cannot fail to recognize the players in Thomas Laqueur's story--the human sexual organs and pleasures, food, blood, semen, egg, sperm--but we will be amazed at the plots into which they have been woven by scientists, political activists, literary figures, and theorists of every stripe.Laqueur begins with the question of why, in the late eighteenth century, woman's orgasm came to be regarded as irrelevant to conception, and he then proceeds to retrace the dramatic changes in Western views of sexual characteristics over two millennia. Along the way, two "master plots" emerge. In the one-sex story, woman is an imperfect version of man, and her anatomy and physiology are construed accordingly: the vagina is seen as an interior penis, the womb as a scrotum, the ovaries as testicles. The body is thus a representation, not the foundation, of social gender. The second plot tends to dominate post-Enlightenment thinking while the one-sex model is firmly rooted in classical learning. The two-sex story says that the body determines gender differences, that woman is the opposite of man with incommensurably different organs, functions, and feelings. The two plots overlap; neither ever holds a monopoly. Science may establish many new facts, but even so, Laqueur argues, science was only providing a new way of speaking, a rhetoric and not a key to female liberation or to social progress. Making Sex ends with Freud, who denied the neurological evidence to insist that, as a girl becomes a woman, the locus of her sexual pleasure shifts from the clitoris to the vagina; she becomes what culture demands despite, not because of, the body. Turning Freud's famous dictum around, Laqueur posits that destiny is anatomy. Sex, in other words, is an artifice.This is a powerful story, written with verve and a keen sense of telling detail (be it technically rigorous or scabrously fanciful). Making Sex will stimulate thought, whether argument or surprised agreement, in a wide range of readers.

    Set in the 1880s at the dawn of the age of electricity and based on the bizarre historical fact that doctors used vibrators to treat 'hysterical' women (and some men), the play centers on a doctor and his wife and how his new therapy affects their entire household. In a seemingly perfect, well-to-do Victorian home, proper gentleman and scientist Dr. Givings has innocently invented an extraordinary new device for treating "hysteria" in women (and occasionally men): the vibrator. Adjacent to the doctor's laboratory, his young and energetic wife tries to tend to their newborn daughter-and wonders exactly what is going on in the next room. When a new "hysterical" patient and her husband bring a wet nurse and their own complicated relationship into the doctor's home, Dr. and Mrs. Givings must examine the nature of their own marriage, and what it truly means to love someone.This laugh out loud, provocative and touching play premiered at Berkely Rep and subsequently marked Sarah Ruhl's Broadway debut opening at the Lyceum Theatre on November 19th, 2009.