Emerging out oa a life in shich, the poet's words, "each day was the only day", Menasches work has a mysterious simplicity, a religious intensity, and a lingering emotional force.

    Danks AwardHapax is ancient Greek for "once, once only, once and for all," and "onceness" pervades this second book of poems by American expatriate poet A. E. Stallings. Opening with the jolt of "Aftershocks," this book explores what does and does not survive its "gone moment"-childhood ("The Dollhouse"), ancient artifacts ("Implements from the Grave of the Poet"), a marriage's lost moments of happiness ("Lovejoy Street"). The poems also often compare the ancient world with the modern Greece where Stallings has lived for several years. Her musical lyrics cover a range of subjects from love and family to characters and themes derived from classical Greek sources ("Actaeon" and "Sisyphus"). Employing sonnets, couplets, blank verse, haiku, Sapphics, even a sequence of limericks, Stallings displays a seemingly effortless mastery of form. She makes these diverse forms seem new and relevant as modes for expressing intelligent thought as well as charged emotions and a sense of humor. The unique sensibility and linguistic freshness of her work has already marked her as an important, young poet coming into her own.

    Poems discuss a journey across the ocean, a veterans' cemetery, money, an abandoned collection of dolls, and a man who escapes from his prison cell to commit a murder.

    This book brings together those enormously popular columns, some of which have been revised and expanded, to present a minicourse in world poetry. Poet’s Choice includes the work of more than one hundred poets from ancient times to the present—among them Sappho, W. B. Yeats, Czeslaw Milosz, Primo Levi, Robert Frost, Pablo Neruda, Amy Lowell, Mark Strand, and many more—and shares them with all of Hirsch’s inimitable enthusiasm and joy. Rich, relevant, and inviting, the book offers us the fruits of a life lived in poetry.

    Shakespeare sympathizes with the hunted hare. Marianne Moore tries to catch a jelly-fish. Virgil and Emily Dickinson contemplate Bees. Kipling lulls a baby seal to sleep. From East to West, from ancient times to modern, from Mei Yu Ch'en on swarming mosquitoes to William Cullen Bryant's solitary waterfowl and Rainer Maria Rilke's enchanted gazelle, from Auden on cats and dogs to E.E. Cummings's verse in the shape of a grasshopper to James Merrill's vision of the octopus, here--selected by John Hollander--are 136 poems that provide exhilarating access to literature's glorious lyric zoo.

     When Brian Doyle died of brain cancer at the age of sixty, he left behind dozens of books -- fiction and nonfiction, as well as hundreds of essays -- and a cult-like following who regarded his writing on spirituality as one of the best-kept secrets of the 21st century. Though Doyle occasionally wrote about Catholic spirituality, his writing is more broadly about the religion of everyday things. He writes with a delightful sense of wonder about the holiness of small things, and about love in all its forms: spiritual love, brotherly love, romantic love, friendly love, love of nature, and even the love of a nine-foot sturgeon. At a time when our world feels darker than ever, Doyle's essays are a balm for the tired soul. He finds beauty in the quotidian: the awe of a child the first time she hears a river, the whiskers a grieving widow misses seeing in her sink every day -- but through his eyes, nothing is ordinary. David James Duncan sums up Doyle's sensibilities best in his introduction to the collection: "Brian Doyle lived the pleasure of bearing daily witness to the glories hidden in people, places and creatures of little or no size or renown, and brought inimitably playful or soaring or aching or heartfelt language to his tellings." In a time when wonder seems to be in short supply, One Long River of Song, Doyle and Duncan invite readers to experience it in the most ordinary of moments, and allow themselves joy in the smallest of things.

    But when a neighbor invited him to lend a hand at the annual buffalo roundup, O'Brien was inspired to convert his own ranch, the Broken Heart, to buffalo. Starting with thirteen calves, "short-necked, golden balls of wool," O'Brien embarked on a journey that returned buffalo to his land for the first time in more than a century and a half.Buffalo for the Broken Heart is at once a tender account of the buffaloes' first seasons on the ranch and an engaging lesson in wildlife ecology. Whether he's describing the grazing pattern of the buffalo, the thrill of watching a falcon home in on its prey, or the comical spectacle of a buffalo bull wallowing in the mud, O'Brien combines a novelist's eye for detail with a naturalist's understanding to create an enriching, entertaining narrative.

    H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken.This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden's voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times.

    Whether recalling her former career as a naturalist experimenting on white rats or watching birds from her wheelchair, she draws the reader into unforgettable places rich in image and story. Lucia Perillo is the author of four books of poetry that have won the Norma Farber First Book Award, the Kate Tufts Prize, the Balcones Prize, and the Kingsley Tufts Award. Her critically acclaimed memoir, I’ve Heard the Vultures Singing: Field Notes on Poetry, Illness, and Nature, was published in 2007.

    His poetry, whether dealing with art, war, memories of childhood, or the loneliness of everyday life, is powerful and moving. A poet of colloquial language, ample generosity, and intimacy, Jarrell wrote beautifully "of the American landscape," as James Atlas noted in American Poetry Review, "[with] a broad humanism that enabled him to give voice to those had been given none of their own."The Complete Poems is the definitive volume of Randall Jarrell's verse, including Selected Poems (1955), with notes by the author; The Woman at the Washington Zoo (1960), which won the National Book Award for Poetry; and The Lost World (1965), "his last and best book," according to Robert Lowell. This volume also brings together several of Jarrell's uncollected or posthumously published poems as well as his Rilke translations.

    The influence of Hafez and Rumi is clear, and yet the poems descend into the wealth of Western history, referring at times to Monet, Giordano Bruno,Emerson, St. Francis, Newton, and Chekhov, as well as to events in Bly's own life. The leaping between joy and "ruin" produces a poetry which makes him, as Kenneth Rexroth noted, "one of the leaders in a poetic revival which has returned American literature to the world community."

    This book contains the poem “Grace”, which the Poetry Society of America chose for their Poetry in Motion series to entertain public transit passengers in major metropolitan areas.

    Native American Studies. FIRST INDIAN ON THE MOON opens with the section "Influences": "where I have been/ most of my lives/ is where I'm going/--Lucille Clifton." The stories and poems of Sherman Alexie, an enrolled Spokane/Coeur d'Alene Indian from Wellpint, Washington, have appeared widely, in such publications as Caliban, Esquire, The World, Beloit Poetry Journal, Red Dirt, Zyzzyva and Story. Alexie has won a National Endowment for the Arts Writing Fellowship, and lives in Spokane. "These elegiac poems and stories will break your heart. Watch this guy. He's making myth"--Joy Harjo.

    The man and woman in these poems are husband and wife, custodians of ordinary, aging human love. They are not figures in a love poem. Time is their essential witness, and not their destroyer. A New York Times Notable Book and a Newsday Favorite Book of 2001.

    A small collection of short stories, sold as part of the boxed set "One Hundred and Forty Five Stories in a Small Box: Hard to Admit and Harder to Escape, How the Water Feels to the Fishes, and Minor Robberies"