As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons’ wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First published by the Hogarth Press in 1940. Twilight in Delhi was widely acclaimed by critics and hailed in India as a major literary event. Long since considered a landmark novel, it is now available in the U.S. as a New Directions Classic. Twilight in Delhi has also been translated into French, German, Portuguese, Spanish, and Urdu.

    Commander Grant Stevens, intelligence officer and Navy SEAL, is assigned to the black ops division of the Naval Investigative Service. His present mission: prevent the USS Bronson, the newest, most sophisticated destroyer in America's arsenal from being hijacked. Stevens and his friend, Senior Chief Joe Adler, will take on Russian commandos and an old KGB nemesis, as they hunt for and try to flush out a Russian mole, who could be buried deep in the heart of the U.S. Navy itself.

    She is also unpredictable, enigmatic, funny and tragic. And then one day, she vanishes, leaving behind a heartbroken husband and desolate daughter. Irenie refuses to accept that Yasmeen is gone; she haunts the house with the scents and sounds of her dazzling mother in an effort to maintain the illusion of her presence. Five years after her mother's disappearance, Irenie discovers a box of letters, beautiful, intimate love letters, which reveal a different Yasmeen, a woman who, all her life, was in love with a man named Ahmed. Why did the two never get together? What really happened to Yasmeen? On a quest for answers she suspects her father, James, has long suppressed, she travels to Islamabad, where she uncovers a trove of secrets for which she may not be ready. Over the course of a summer, father and daughter find that they must help each other move out of Yasmeen's shadow and forge their own stories. Simultaneously intricate and expansive, shattering and uplifting, this is a sophisticated debut about obsessive love, family ties and a desperate search for closure.

    When Nadine learns that the Indian woman she thought her nanny is, in fact, her mother, she rebels against her English father and he arranges for her to be wed to an Australian merchant many years older. She is whisked off to her new husband's plantation in Malaya but as the Second World War rages throughout the East, Nadine is taken captive by the Japanese. She is held at a camp in Sumatra with other women and forced to entertain the soldiers and satisfy their desires. In the most unlikely circumstances, Nadine finds an ally and protector in a Japanese—American major caught up in the war. The two bond over their conflicted identities and gradually fall in love. But can Nadine survive long enough to find happiness? Don't miss this emotional and powerful saga about a woman's determination to beat the odds, perfect for fans of Renita D'Silva, Dinah Jefferies and Julia Gregson.

    . .Taking as its starting point the classic 'wheel of balance' life-coach model, this beautifully packaged collection of extracts and short poems gathers wisdom old and new in a perfect gift for anyone who needs comfort in this f**ked up world of ours.'This is not a poetry book as you know it, this is a life raft.' Emerald Street on Poems for a World Gone to Sh*t.

    The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

    But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy.  A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy.  They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.

    This prodigious narrative, composed by the poet Ferdowsi between the years 980 and 1010, tells the story of pre- Islamic Iran, beginning in the mythic time of Creation and continuing forward to the Arab invasion in the seventh century. As a window on the world, "Shahnameh" belongs in the company of such literary masterpieces as Dante's "Divine Comedy," the plays of Shakespeare, the epics of Homer- classics whose reach and range bring whole cultures into view. In its pages are unforgettable moments of national triumph and failure, human courage and cruelty, blissful love and bitter grief.In tracing the roots of Iran, "Shahnameh" initially draws on the depths of legend and then carries its story into historical times, when ancient Persia was swept into an expanding Islamic empire. Now Dick Davis, the greatest modern translator of Persian poetry, has revisited that poem, turning the finest stories of Ferdowsi's original into an elegant combination of prose and verse. For the first time in English, in the most complete form possible, readers can experience "Shahnameh" in the same way that Iranian storytellers have lovingly conveyed it in Persian for the past thousand years.

    Channeling "the primal vision of Hart Crane" (Harold Bloom), Adam Fitzgerald helped welcome the modernist aethetic into the twenty-first century. Part Technicolor, part nitrous oxide, Fitzgerald's chimerical poems confront "a surging ocean of sound and language" (Maureen McLane). In these forty-eight poems, he conducts a madcap symphony of language, memory, and fantasy with the "exhilarating assurance of nonstop invention" (Timothy Donnelly).

    It is a formidable world and the people who live there are constantly subjected to extremes—both of geography and of culture.The Wandering Falcon begins with a young couple, refugees from their tribe, who have traveled to the middle of nowhere to escape the cruel punishments meted upon those who transgress the boundaries of marriage and family. Their son, Tor Baz, descended from both chiefs and outlaws, becomes “The Wandering Falcon,” a character who travels throughout the tribes, over the mountains and the plains, in the towns and tents that comprise the homes of the tribal people. The media today speak about this unimaginably remote region, a geopolitical hotbed of conspiracies, drone attacks, and conflict—now, told in the rich, dramatic tones of a master storyteller, this stunning, honor-bound culture is revealed from the inside.Jamil Ahmad has written an unforgettable portrait of a world of custom and compassion, of love and cruelty, of hardship and survival, a place fragile, unknown, and unforgiving.

     It also explores the circumstances surrounding the true-life event of my grandmother's gift of a concubine to my grandfather on his birthday to enhance the chance of an heir to the Family.

    

    Crossman is determined to whip his men into shape and not only survive, but win.

    Share the experiences of fighting men under punishing conditions, extreme temperatures, and intense monsoon rains as they search for the enemy in the rugged mountains and teeming lowlands. Relive all the terror, humor, and sadness of one man’s tour of duty with real-life action in spectacular stunning detail.

     It starts when Stella, an archaeologist specializing in Anasazi culture, finds David, a young Navajo boy who stumbles onto their dig site in a remote corner of the Navajo Reservation. David's coat is smeared with blood and he's in shock from something he's seen, revealing nothing but his name. Soon Stella and the other archaeologists will discover that something is chasing David, an unimaginable ancient evil that will stop at nothing to get him. After Stella escapes the dig site with David, driving north into Colorado, right into a blizzard, she's carjacked by a gang of criminals fleeing a botched bank robbery. All of them take refuge from the snowstorm in what they believe is an abandoned cabin. But after they find the owner's mutilated body stuffed into a freezer, they realize that something is out there in the blizzard waiting for them. The Ancient Enemy wants things . . . you have to give it what it wants or bad things will happen. Very bad things.