In crackling prose, she describes homes ruled by bullies, psychopaths, and delinquents; families whose conflict resolution techniques range from grand theft to homicide; kids who have nowhere to go and a lifetime to get there.

    From illusions of permanence and ownership to the pain of estrangement, Liar masterfully explores feelings familiar to anyone who has ever loved — and lost. Crosbie also goes beyond this territory, examining the lover’s own complicity in her joy and suffering. Liar is a grotesque, beautiful meditation on the nature of love.

    Four stories. Each one set in the enchanting world of the South. These are the kinds of stories your grandmother told you from a front porch swing. Ice Melts in Spring by Linda W. Yezak When Kerry Graham's boss forces her to return to the Gulf of Mexico where her husband drowned years ago, she feels only spring's chill and not the warmth of the Texas sun. Can the joy of a reclusive author and the compassion of a shrimp-boat preacher thaw Kerry's frigid heart? Lillie Beth in Summer by Eva Marie Everson With the untimely death of his wife, Dr. James Gillespie believes God has abandoned him. He also believes he's never met anyone like the young widow Lillie Beth, whose beloved Granny lies dying at home, and who sees a God who sweeps hope through a farmhouse window. Can a young woman whose husband died in Vietnam restore a faith that is all but dead. Through an Autumn Window by Claire Fullerton Because her larger than life mother Daphne Goodwyn is dead, forty-year-old Cate returns to Memphis with one thought in mind: something always goes wrong at a Southern funeral. But surrounded by the well-mannered society that raised her, the nostalgic rites of a three-day, autumn mourning bring the unexpected gift of the end of sibling rivalry. A Magnolia Blooms in Winter by Ane Mulligan With Broadway stardom within her reach, Morgan James returns home in winter to help an old friend. Maybe it s just nostalgia, but when she sees him again, an old flame rekindles. When she s called back to NYC to take the lead in a new musical, will fame be worth losing the man she loves?

    Her work as a translator draws her into an underworld of family-controlled drug cartels operating out of South America, and she falls in love with a son in one such family. Pregnant, she is kidnapped to an island off the coast of Colombia and slowly tricked into a dependence on cocaine. Her narrative - violent and bizarre, but also riveting, erotic and filled with the heady flamboyance of orchids - runs parallel to her account of life in "Death Clinic," as Death Row is called at the Heaven Valley Facility for Women. It is a moving story of friendship amongst three female inmates - portrayed with devastating wit - who share only the fact that they each have a date with the executioner.Cargo of Orchids swings through comedy and tragedy to shed a gradual, eerie light on the questions of guilt and innocence and moral ambiguity that lie at its heart.Excerpt from Cargo of Orchids:"Despite the freight of anger she carries, Rainy seems so frail it is hard to imagine her giving birth to anything heavier than tears. Rainy gave birth to twins and six months later left them on the railway tracks. She claims it prejudiced the jury. If she'd smothered them or driven them off a pier, it would have been more socially acceptable.-- But abandoning your kids on the tracks wasn't in fashion. She wishes now she'd gone out drinking for the evening instead, but she didn't have enough money to hire a babysitter and pay for the beer."

    A series of minority governments, and endless Quebec referendums (designed to lose narrowly, to keep the money coming) have left Canada almost ungovernable. When the Governor General resigns in disgrace and the House of Windsor implodes in London, a media baron launches the idea of a Canadian king or queen elected by lottery.It starts as a joke — except that the lucky winner, King John, a bright and charismatic guy from Toronto, knows exactly what people want. Soon Quebec is gone, while Toronto’s surprise bid to leave Canada is averted by shifting his official residence, the new seat of power, to the Toronto waterfront. Many good things happen, and the politicians go along for the ride. And the blockades of Native lands are ended for good, after John is heroically wounded keeping the peace at risk to his life.His popularity soars and Canadian morale soars with it. Soon the rest of the world is taking notice of this model leader. In the United States, the blue states look enviously northward. Then Canada’s king, ignoring assassination threats, goes on a formal visit to Washington. . .From the Hardcover edition.

    You feel like you're falling into a dream."This is the story of Esther, who lives in the Pennines with her father. Esther is obsessed with experimenting with different ways to pass out: from snorting Daz powder at school to attempted autoasphyxiation in a serviced apartment in north London. But what happens when you take something too far? And what has Esther's mother, a beautiful dancer wasting away in her bedroom, to do with it all?The Lost Art of Sinking is a dark comedy about losing yourself. Sensual, funny and exquisitely written, this bold novella introduces a fresh new literary voice in Naomi Booth. Shortlisted for the MMU Novella Award 2014.

    She is the beautiful daughter of an affluent estate manager, he the rebellious son of dispossessed peasants. With her father’s men in pursuit and a sizable price on Jim’s head, they board a ship set for Canada to start a new life and put the troubles of the old country behind them.Thousands of miles away in rural Ontario, they find the feuds and vendettas of Ireland are very much alive. Jim must make a place for his young family not just with his back, but with his fists.Fifteen years later, the Donnelly family have become one of the most powerful in Lucan Township, loved by some and hated by others. Jim and Johannah’s sons are notorious as both fighters and lovers and torment the townspeople, swinging shillelaghs, burning barns and seducing daughters.But certain citizens of Lucan have had enough. At midnight on February 3, 1880, a mob of thirty armed men in women’s clothing and carnival masks ride out for the Donnelly farm. Sustained by whisky and the blessings of the local priest, their goal is to wipe the Donnelly family from the face of the earth. Yet there is an eye witness and during the trial that follows, it becomes clear that in small town Ontario of the late 1800s, order is valued above truth.Eventful and conveyed with cinematic detail, Cursed! Blood of the Donnellys is an engaging and historically enlightening read.

    Why not try some microfiction short stories instead? These bite-sized, slice-of-life short stories are crafted with only one hundred words, so they go by in a flash. Perfect for time-challenged fiction lovers, these humorous yet thought-provoking stories can be read when you’re waiting in line, riding the bus, or whenever you need a short mental break. Go on. Try some flash fiction. Grab your copy of 100 Tiny Tales today! 100 Tiny Tales: Short Stories Told in Exactly One Hundred Words is written by K. Kris Loomis, a native South Carolinian and the author of the novels, The Sinking of Bethany Ann Crane and The Murder of Leopold Beckenbauer, as well as the short story collection, The Monster In the Closet and Other Stories. Kris is also a nonfiction author who writes books about yoga, meditation, and the time she spent living in South America, including After Namaste: Off-the-Mat Musings of a Modern Yogini and Thirty Days in Quito: Two Gringos and a Three-Legged Cat Move to Ecuador. When Kris isn’t at her standing desk writing, she can be found playing chess, folding an origami crane, or practicing a Beethoven sonata on the piano. She lives in Rock Hill, South Carolina with her husband and two cats. You can connect with Kris at her website, www.kkrisloomis.com or her Amazon Author page, or find her on Facebook, Twitter, or Instagram @kkrisloomis.

    Enough room for story and character development, yet short enough to get straight to the bloody point! This book from Bram Stoker Award-nominee Jeff Strand contains five of his macabre tales, collected together for the first time. You'll find nerve-wracking suspense, insane humor, a cute dog, and plenty of weirdness, especially in the last one. STALKING YOU NOW - The reprehensible man in the restaurant doesn’t know that somebody at another table is watching him. Somebody filled with hatred. Somebody waiting for him to be alone. Somebody with duct tape and a gun. It’s a night for vengeance. And a hell of a lot more. AN APOCALYPSE OF OUR OWN – Missy and Kevin are friends. Just friends. But now people are leaking blood from their eyeballs and turning into homicidal oozing mutants. Fortunately, Kevin has access to an underground shelter, but now they’re trapped down there. Can the Friend Zone survive the end of the world? FAINT OF HEART – Rebecca's husband doesn't return from his weekend camping trip. And when somebody shows up at the house, it’s not him. At gunpoint, Rebecca learns what has happened. Two men have kidnapped Gary. He went through a weekend of pure hell. They’ll give him back to her, but first, Rebecca has to relive his entire experience, step by horrific step…and survive… KUTTER - Charlie Stanlon is a serial killer. A ghastly, vicious sociopath who chains women to a table in his basement and tortures them to death. He has no friends. He has no family. He despises his co-workers. His only pleasure in life is to cause pain and terror. Until the day he finds an adorable Boston Terrier and takes it home… FACIAL - Greg has just killed the man he hired to kill one of his wife’s many lovers. He’s now got a dead body in his office. Carlton, Greg’s brother, desperately needs a dead body. It’s kind of related to the lion corpse that he found in his basement. This is the normal part of the story...

    Five families. One block.Ask yourself: How well do you know your neighbours? How well do you know your own family? Ultimately, how well do you know yourself? How deeply do the threads of your own life entwine with those around you? Do you ever really know how tightly those threads are knotted? Do you want to know?

    In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

    At the worst of the Prairie dust bowl of the 1930s, a young man appears out of a blizzard and forever alters the lives of two sisters. There is the beautiful, fastidious Lucinda, and the tricky and tenacious Norma Joyce, at first a strange, self-possessed child, later a woman who learns something of self-forgiveness and of the redemptive nature of art. Their rivalry sets the stage for all that follows in a narrative spanning over thirty years, beginning in Saskatchewan and moving, in the decades following the war, to Ottawa and New York City. Disarming, vividly told, unforgettable, this is a story about the mistakes we make that never go away, about how the things we want to keep vanish and the things we want to lose return to haunt us.

    As a successful writer with an established career, a comfortable home and a supportive group of friends, her life was full. But then, 30 years after he broke her heart the first time, he walked into a book signing and back into her life. Spurred on by the idyll of a first love made good, they reconnect through emails—the bits and bytes of their messages re-forming into a real electricity between them. He is smitten. She is enthralled.    But, strangely, love has left her with a nasty case of writer’s block. She gathers all the strength she can find in the text around her—using optimistic horoscopes, evasive fortune cookies and the inanely unhelpful suggestions of books on writer’s block—to fight against the understanding that a love can’t be sustained on language alone. Then, in a surprising and wickedly delicious resolution, she recognizes that truth and fiction can be one and the same in matters of the heart, and that in a “he said, she said” story, the writer always gets the last word.    At A Loss For Words is another brilliant expression of Diane Schoemperlen’s gift for building the minutiae of everyday life into a profound understanding of women, men, love and imagination.

    Madeleine Thien’s characters in some way want to make amends, to understand the events that have shaped their lives. A young woman searches back in time for the pivotal moment when her family lost faith in itself. Two sisters keep a vigil outside their former house, hoping their long-absent mother will appear one last time. A wife helps her husband grieve for the woman he has loved since childhood. A daughter remembers the simple ritual she once shared with her father and the moment when her unconditional love for him was called into question. Compassionate and revealing, delicate and wise, these stories chart the uneven progress of love and lay bare the heartbreaking truths at the core of our closest bonds.

    For the farming Pye family, life is a Greek tragedy where the sins of the fathers are visited on the sons, and terrible events occur—offstage. Centerstage are the Morrisons, whose tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive. Orphaned young, Kate Morrison was her older brother Matt’s protegee, her fascination for pond life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the state of her own emotional life. And she thinks she’s outgrown her siblings—Luke, Matt, and Bo—who were once her entire world. In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leapt to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.