Although social realities -- racial and ethnic tensions, sexual harassment, and abuse -- make up their background, these are really love stories in which people discover and forgive one another. A daughter finds her father's kindness extends beyond her and their family; a wife discovers and forgives the affair between her husband and best friend; and, in the title story which takes the form of a letter to an almost-lover, the narrator winds through swirling eddies of memory and language to relate her present and past lives and the loves that have informed them.Written with a masterful sureness of hand and heart, these captivating, intimate stories display Sena Jeter Naslund's extraordinary presence as one of today's most rewarding writers of fiction.

    She was given an explanation. Nevertheless, she persisted.Three short lines, fired over social media in response to questions of why Senator Elizabeth Warren was silenced on the floor of the United States Senate, for daring to read aloud the words of Coretta Scott King. As this message was transmitted across the globe, it has become a galvanizing cry for people of all genders in recognition of the struggles that women have faced throughout history.Three short lines, which read as if they are the opening passage to an epic and ageless tale.We have assembled this flash fiction collection featuring several of the best writers in SF/F today, including Seanan McGuire, Charlie Jane Anders, Maria Dahvana Headley, Jo Walton, Amal El-Mohtar, Catherynne M. Valente, Brooke Bolander, Alyssa Wong, Kameron Hurley, Nisi Shawl and Carrie Vaughn. Together these authors share unique visions of women inventing, playing, loving, surviving, and – of course – dreaming of themselves beyond their circumstances.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    A disused London Underground lift goes way beyond the bottom floor.A psychic boy discovers what terrors are buried in the fallow field.A handshake seals a midnight fate in an old farming dispute.A corpse must be buried by dawn.BLACK GATE TALES: Fourteen short stories of dread, hope, death and wonder.

    The wizened, bird-like Inspector Cockrill of the Kent police starred in Green for Danger, one of the greatest detective novels to emerge from World War II, but The Spotted Cat is the first collection of all of the short stories about him. Five of the stories have never previously appeared in a Brand volume, and one of them is published here for the first time. The book also includes a genuine find -- a previously unpublished three-act detective drama featuring Cockrill.

    Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.The Collected Stories is a 1994 National Book Award Finalist for Fiction.

    This collection ranges over the verse, stories, essays, and journalism of one of the twentieth century's most quotable authors.

    From the famous proto-feminist tale "The Story of an Hour" to the subtly sexy "A Respectable Woman," Chopin sheds light on the frustrations, desires, and dreams of her own era and their reverberations today. Artist Gemma Correll's quirky illustrations provide a perfect modern counterpoint to Chopin's classic prose.(

    We must hold the truth to account in the midst of sensationalism and international political turmoil. Nasty Women is a collection of essays, interviews and accounts on what it is to be a woman in the 21st century.People, politics, pressure, punk - From working class experience to racial divides in Trump’s America, being a child of immigrants, to sexual assault, Brexit, pregnancy, contraception, identity, family, finding a voice online, role models and more, Laura Jane Grace of Against Me!, Zeba Talkhani, Chitra Ramaswamy are just a few of the incredible women who share their experience here.Keep telling your stories, and tell them loud.

    Volume One, presenting the first five writers to receive the award, features the fiction of: Robert A. HeinleinJack WilliamsonClifford D. SimakL. Sprague de CampFritz Leiber

    SNAFU: Wolves at the Door will bring the bite, with soldiers fighting for their lives against were-animals. * * * * * In the blackest night or under the full moon, danger is lurking. It’s survival at all costs when you’re fighting against an enemy that could tear you apart – or convert you to the other side. Against the backdrop of an untamed wilderness or the dark depths of the city, the ultimate clash between the forces of man and nature rages on. Whether battling the monster within or a war around them – these soldiers may find the cost could prove too great.

    Since then her work has been translated throughout the world. Edna O'Brien has called Tolstaya "an enchantress." Anita Desai has spoken of her work's "richness and ardent life." Mixing heartbreak and humor, dizzying flights of fantasy and plunging descents to earth, Tolstaya is the natural successor in a great Russian literary lineage that includes Gogol, Yuri Olesha, Bulgakov, and Nabokov.White Walls is the most comprehensive collection of Tolstaya's short fiction to be published in English so far. It presents the contents of her two previous collections, On the Golden Porch and Sleepwalker in a Fog, along with several previously uncollected stories. Tolstaya writes of lonely children and lost love, of philosophers of the absurd and poets working as janitors, of angels and halfwits. She shows how the extraordinary will suddenly erupt in the midst of ordinary life, as she explores the human condition with a matchless combination of unbound imagination and unapologetic sympathy. A New York Review Books Original "Tolstaya carves indelible people who roam the imagination long after the book is put down." --Time

    Although fellow novelists William Dean Howells and Hamlin Garland immediately recognized genius in the twenty-one-year-old author of Maggie: A Girl of the Streets, in 1893 most readers were unwilling to accept its unconventional theme and were uneasy with a style that was at once darkly naturalistic and vividly impressionistic. Today Maggie is esteemed as an American classic, the first of an impressive group of works in which Crane explored the underside of urban life, portraying the rise of the metropolis as it alters not just the human environment but human nature itself. This volume includes "George's Mother" and eleven other tales and sketches of New York written between 1892 and 1896. Together in their dignified realism these tales confirm Crane's place as the first modern American writer.

    A story set in the far antiquity of Bakker's fictional world world of Eärwa, the setting for his Prince of Nothing and Aspect Emperor series.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    More than three hours of recordings in each collection capture the intimacy of live performance, with stories that are alternately exciting, poignant, and funny, making this the perfect accompaniment to any number of daily activities--driving, cooking, exercising, relaxing, or intently listening. Timeless Classics includes, among others, James Thurber's "The Night the Ghost Got In," read by Isaiah Sheffer; Edith Wharton's "Roman Fever," read by Maria Tucci; Jack London's "Make Westing," read by Steven Gilborn; D. H. Lawrence's "The Rocking Horse Winner," read by John Shea; Shirley Jackson's "The Lottery," read by Marian Seldes; Richard Connell's "The Most Dangerous Game," read by Charles Keating; and Raymond Carver's "Cathedral," read by James Naughton.