R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Some of Howard’s best-known characters–Solomon Kane, Bran Mak Morn, and sailor Steve Costigan among them–roam the forbidding locales of the author’s fevered imagination, from the swamps and bayous of the Deep South to the fiend-haunted woods outside Paris to remote jungles in Africa.The collection includes Howard’s masterpiece “Pigeons from Hell,” which Stephen King calls “one of the finest horror stories of [the twentieth] century,” a tale of two travelers who stumble upon the ruins of a Southern plantation–and into the maw of its fatal secret. In “Black Canaan” even the best warrior has little chance of taking down the evil voodoo man with unholy powers–and none at all against his wily mistress, the diabolical High Priestess of Damballah. In these and other lavishly illustrated classics, such as the revenge nightmare “Worms of the Earth” and “The Cairn on the Headland,” Howard spins tales of unrelenting terror, the legacy of one of the world’s great masters of the macabre.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Each story begins with the setup of someone walking into a workplace with a gun. From there each author takes the tale wherever his twisted imagination leads him. Original.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    Here are gathered the best of their chilling, thrilling, upsetting, and unsettling experiments with our sexual psyches. And rest assured, flesh will tingle--but whether from horror or pleasure or a bit of both, we'll leave you to judge.From its opening pages, with King's blackly humorous portrait of a very, very mad housewife to its conclusion, where we find Barker's wholly shocking tale of a deadly quest into the heart of passion, I Shudder at Your Touch brings you a host of kinky, perverse, bizarre and creepy figures. You'll find a cricket-playing vampire, a sleek sea creature likely to give mermaids a bad name, a strangely seductive handyman who's equally adept at knocking down apartment walls and female inhibitions, and a plastic religious statue offering X-rated enlightenment from its perch atop the family TV.I Shudder at Your Touch features 22 daring writers who prefer to go too far, writers whose every tale will have you fighting back a scream...and a cry of delight.Contents:The revelations of 'Becka Paulson / Stephen King --Sea lovers / Valerie Martin --Psychopomp / Haydn Middleton --A glowing future / Ruth Rendell --The tiger returns to the mountain / T.L. Parkinson --Consanguinity / Ronald Duncan --Keeping house / Michael Blumlein --The Villa Desiree / May Sinclair --Cleave the vampire, or, a gothic pastorale / Patrick McGrath --The swords / Robert Aickman --Salon Satin / Carolyn Banks --How love came to Professor Guildea / Robert Hichens --Wings / Harriet Zinnes --The Basilisk / R. Murray Gilchrist --A quarter past you / Jonathan Carroll --The master builder / Christopher Fowler --Festival / Eric McCormack --Ladies in waiting / Huch B. Cave --Death and the single girl / Thomas M. Disch --Master / Angela Carter --The conqueror worm / Stephen R. Donaldson --Jacqueline Ess: her will and testament / Clive Barker

    His raw and experimental work lays bare the unimportance of our world and the sickening madness of the human condition. Like the greatest writers of cosmic horror, Ligotti bends reality until it cracks, opening fissures through which he invites us to gaze on the unsettling darkness of the abyss below.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the "The Possibility of Evil" and "The Summer People." In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There's something sinister in suburbia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    These suspenseful stories all appeared in Alfred Hitchcock's Mystery Magazine, and in the words of Hitch himself, they "are guaranteed to chill and unnerve." Bill Pronzini contributes "The Arrowmont Prison Riddle," Margaret B. Maron has "A Very Special Talent," Barry M. Malzberg offers "A Home Away from Home," and Patricia Matthews chronicles "The Fall of Dr. Scourby." Meet a girl who stalks Jack the Ripper, a clairvoyant writer of newspaper obituaries, a homicidal partygoer in a sanatorium, and a police detective who lives vicariously through the exploits of one of his most notorious suspects: they all populate these frightening pages. Caution: not recommended for late-night reading--except for the very brave CONTENTSKilled by Kindness ..... Nedra TyreJust a Minor Offense ..... John F. SuterA Home Away From Home ..... Robert BlochDeath of a Derelict ..... Joseph Payne BrennanThe Arrowmont Prison Riddle ..... Bill PronziniThe Dettweiler Solution ..... Lawrence BlockThe Whitechapel Wantons ..... Vincent McConnorCora's Raid ..... Isak RomunLife or Breath ..... Nelson deMilleA Private Little War ..... William BrittainHave You Ever Seen This Woman? ..... John LutzJoe Cutter's Game ..... Brian GarfieldA Cabin in the Woods ..... John CoyneThe Long Arm of El Jefe ..... Edward WellenKid Cardula ..... Jack RitchieCareer Man ..... James HoldingThe Perfidy of Professor Blake ..... Libby MacCallSea Change ..... Henry SlesarThe Blue Tambourine ..... Donald OlsonGraveyard Shift ..... William P. McGivernA Bottle of Wine ..... Borden DealMan Bites Dog ..... Donald HonigNever Trust an Ancestor ..... Michael ZuroyAnother War ..... Edward D. HochSparrow on a String ..... Alice Scanlan ReachThe Missing Tattoo ..... Clayton MatthewsThe Fall of Dr. Scourby ..... Patricia MatthewsThe Loose End ..... Stephen WasylykThat So-called Laugh ..... Frank SiskA Very Special Talent ..... Margaret B. MaronThe Joker ..... Betty Ren WrightThe Very Hard Sell ..... Helen NielsenThe Tin Ear ..... Ron GoulartThe Time Before the Crime ..... Charlotte EdwardsAfter the Unfortunate Accident ..... Barry N. MalzbergThe Grateful Thief ..... Patrick O'KeeffeThe Inspiration ..... Talmage PowellDeath is a Lonely Lover ..... Robert ColbyThe Witness was a Lady ..... Fletcher FloraScheme for Destruction ..... Pauline C. SmithTo the Manner Born ..... Mary BraundBlack Disaster ..... Richard O. LewisThe Marrow of Justice ..... Hal EllsonInnocent Witness ..... Irving SchifferWe're Really Not That Kind of People ..... Samuel W. TaylorPocket Evidence ..... Harold Q. MasurThe Death Desk ..... S.S. RaffertyA Left-handed Profession ..... Al NussbaumSecond Spring ..... Theodore MathiesonBank Night ..... Arthur PorgesThe Contagious Killer ..... Bryce WaltonBad Actor ..... Gary BrandnerFree Advice, Incorporated ..... Michael BrettThe Real Criminal ..... James M. GilmoreThe Hard Sell ..... William DolanThe Prosperous Judds ..... Bob BristowThe Dead Indian ..... Robert W. AlexanderThe China Cottage ..... August Derleth

    Brought together in this volume, these stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time. Readers familiar with the classic An Occurrence at Owl Creek Bridge will want to turn to Bierce's other Civil War stories. Also included here are his horror stories, among them The Death of Halpin Frayser and The Damned Thing, and such tall tales as Oil of Dog and A Cargo of Cat.

    His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes - dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness - have earned him a permanent place in the history of the macabre.In Tales of the Cthulhu Mythos, a pantheon of horror and fantasy's finest authors pay tribute to the master of the macabre with a collection of original stories set in the fearsome Lovecraft tradition.Contents:- Iä! Iä! Cthulhu Fhtagn! (1990) by Jim Turner [as by James Turner] - The Call of Cthulhu (1928) by H.P. Lovecraft- The Return of the Sorcerer (1931) by Clark Ashton Smith- Ubbo-Sathla (1933) by Clark Ashton Smith- The Black Stone (1931) by Robert E. Howard- The Hounds of Tindalos (1929) by Frank Belknap Long- The Space-Eaters (1928) by Frank Belknap Long- The Dweller in Darkness (1944) by August Derleth- Beyond the Threshold (1941) by August Derleth- The Shambler from the Stars (1935) by Robert Bloch- The Haunter of the Dark (1936) by H.P. Lovecraft- The Shadow from the Steeple (1950) by Robert Bloch- Notebook Found in a Deserted House (1951) by Robert Bloch- The Salem Horror (1937) by Henry Kuttner- The Terror from the Depths (1976) by Fritz Leiber- Rising with Surtsey (1971) by Brian Lumley- Cold Print (1969) by Ramsey Campbell- The Return of the Lloigor (1969) by Colin Wilson- My Boat (1976) by Joanna Russ- Sticks (1974) by Karl Edward Wagner- The Freshman (1979) by Philip José Farmer- Jerusalem's Lot (1978) by Stephen King- Discovery of the Ghooric Zone (1977) by Richard A. LupoffCover illustration by John Jude Palencar

    Offering up heart-pumping tales of suspense in all its guises are thirty-two of the most critically acclaimed and award-winning names in the business. From the signature characters that made such authors as David Morrell and John Lescroart famous to four of the hottest new voices in the genre, this blockbuster will tantalize and terrify.Lock the doors, draw the shades, pull up the covers and be prepared for Thriller to keep you up all night.

    Beneath the Moors and Darker Places, a companion to The Whisperer and Other Voices, collects nine of Lumley's best long short works, many of them unavailable for decades in any form.The Cthulhu Mythos of the immortal H. P. Lovecraft provides inspiration for much of Lumley's work, including "Dagon's Bell" and "Big C," both included here. The explosive creation of a new volcanic island off Iceland in 1967 led to "Rising with Surtsey," an homage not just to Lovecraft but to the great August Derleth. "David's Worm"-which takes an interesting view of "you are what you eat"-was published in a Year's Best Horror Stories and later adapted for radio in Europe.The collection also includes the macabre "The Second Wish," published here for the first time with the author's original, intended ending, and "The Fairground Horror," first published in The Disciples of Cthulhu twenty-five years ago and not seen since save for a small press edition.The title tale, Beneath the Moors, a complete short novel, has been unavailable in the US since its first publication by Arkham House in the early 1970s. It is considered to be one of Lumley's strongest short works; Tor is proud to restore this and the other pieces in this volume to Lumley's growing readership.