This is the DEAD OF WINTER, exclusively available in eBook format.

    Cared for. Loathed. And … loved.⁣ Somewhere along the way, I’d found solace in the boy with brooding eyes.⁣ But everything happens in stages.⁣ And nothing good ever lasts.⁣

    The story Pages from a Young Girl's Journal won Aickman the World Fantasy Award in 1975. It was originally published in The Magazine of Fantasy & Science Fiction in 1973 before appearing in this collection.Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full, being more ambiguous than standard ghost stories. Throughout the stories the reader is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story (Pages from a Young Girl's Journal) but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.• The Swords • The Real Road to the Church • Niemandswasser • Pages from a Young Girl's Journal• The Hospice • The Same Dog • Meeting Mr. Millar • The Clock Watcher

    Clifton’s poems were widely celebrated during her lifetime, and she received wide acclaim for her work including the National Book Award, the Robert Frost Medal, and the Ruth Lilly Poetry Prize. Her poems continue to inspire a new generation of readers and writers in the 21st century.In How to Carry Water, formidable younger poet Aracelis Girmay (winner of the Whiting Award, GLCA Award, and the Isabella Gardner Poetry Award) introduces a selection of Clifton’s work that is simultaneously timeless and fitting for today’s tumultuous social and political moment.

    Vicious beasts stalk our twisted pasts. Lost souls haunt our deepest regrets. They are the blood on our hands. They are the obsessions in our heads. They are the vengeance in our hearts. They are the chilling shadows in the night. They are Miscreations: Gods, Monstrosities & Other Horrors. Edited by Bram Stoker Award-winning editors Doug Murano and Michael Bailey. Featuring a foreword by Alma Katsu, and illustrations throughout by HagCult.Contents: * Foreword (Miscreations: Gods, Monstrosities & Other Horrors) • essay by Alma Katsu * A Heart Arrythmia Creeping Into a Dark Room / short fiction by Michael Wehunt * Matryoshka / short fiction by Joanna Parypinski * Butcher's Blend / short fiction by Brian Hodge * Operations Other Than War / short fiction by Nadia Bulkin * One Day of Inside/Out / short fiction by Linda D. Addison * One Last Transformation / short fiction by Josh Malerman * Brains / short fiction by Ramsey Campbell * You Are My Neighbor / short fiction by Max Booth, III * The Vodyanoy / short fiction by Christina Sng * Imperfect Clay / short fiction by Lisa Morton * Spectral Evidence (2017) / short story by Victor LaValle * Ode to Joad the Toad [Antiquity] / short fiction by Laird Barron * Only Bruises Are Permanent / short fiction by Scott Edelman * My Knowing Glance / short fiction by Lucy A. Snyder * Paper Doll Hyperplane / short fiction by R. B. Payne * Not Eradicated in You / short fiction by Bracken MacLeod * Resurrection Points (2014) / novelette by Usman T. Malik * The Old Gods of Light / short fiction by Christina Sng * Sounds Caught in Cobwebs / short fiction by M. E. Bronstein * Umbra Sum / short fiction by Kristi DeMeester * A Benediction of Corpses / short fiction by Stephanie M. Wytovich * The Making of Asylum Ophelia / short fiction by Mercedes M. Yardley * Frankenstein's Daughter / short fiction by Theodora Goss .

    He's having a hard time getting started because his career is floundering, his girlfriend Roz has recently left him, and he is thinking about the great poets throughout history who have suffered far worse and deserve to feel sorry for themselves. He has also promised to reveal many wonderful secrets and tips and tricks about poetry, and it looks like the introduction will be a little longer than he'd thought. What unfolds is a wholly entertaining and beguiling love story about poetry: from Tennyson, Swinburne, and Yeats to the moderns (Roethke, Bogan, Merwin) to the staff of The New Yorker, what Paul reveals is astonishing and makes one realize how incredibly important poetry is to our lives. At the same time, Paul barely manages to realize all of this himself, and the result is a tenderly romantic, hilarious, and inspired novel.

    For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.

    Little does she realise, Haverscroft’s dark secrets will drive her to question her sanity, her husband and fatally engulf her family unless she can stop the past repeating itself. Can Kate keep her children safe and escape Haverscroft in time, even if it will end her marriage?Haverscroft is a gripping and chilling dark tale, a modern ghost story that will keep you turning its pages late into the night.

    Each letter invited its recipient to spend a week at Camp So-and-So, a lakeside retreat for girls nestled high in the Starveling Mountains. Each letter came with a glossy brochure with photographs of young women climbing rocks, performing Shakespearean theatre under the stars, and spiking volleyballs. Each letter was signed in ink by the famed and reclusive businessman and philanthropist, Inge F. Yancey IV.By the end of the month, twenty-five applications had been completed, signed, and mailed to a post office box in an obscure Appalachian town.Had any of these girls tried to follow the directions in the brochure and visit the camp for themselves on that day in February, they would have discovered that there was no such town and no such mountain and that no one within a fifty-mile radius had ever heard of Camp So-and-So.

    Follow in real time as the author grapples with the excitement, hesitation, and fear of asking yourself… did I just find the one? Raw and honest and written without thoughts of publication, this collection is perfect for romantics and skeptics alike."I thought the reckoning was shifting everyone’s lives and bringing a change so great it was rewriting the fabric of the universe. Turns out I was just falling in love. The two can feel very similar, I think."

    The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind—a kind of circus of the soul.

    Her family is dead, her country is dying, and when something foul comes to the city of Delphinium, the brittle, perilous existence she's built for herself is strained to breaking.When one of her ships arrives in dock, she counts herself lucky that it made it through the military blockades slowly strangling her city. But one by one, the crew fall ill with a mysterious sickness: an intense light in their eyes and obsessive behavior, followed by a catatonic stupor. Even as Evelyn works to exonerate her company of bringing plague into her besieged capital city, more and more cases develop, and the afflicted all share one singular obsession: her.Panicked and paranoid, she retreats to her estate, which rests on a foundation of secrets: the deaths of her family, the poisons and cures that hasten the dissolution of the remaining upper classes, and a rebel soldier, incapacitated and held hostage in a desperate bid for information. But the afflicted are closing in on her, and bringing the attention of the law with them. Evelyn must unearth her connection to the spreading illness, and fast, before it takes root inside her home and destroys all that she has built.

    / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.

    Illustrated with Adam de Souza’s brooding art, this book’s style is a totally original blend of nineteenth-century Gothic engravings meets moody film noir graphic novels. Headlined by the Korean tale of a carnivorous child, The Sister Who Ate Her Brothers is a truly thrilling gift for brave young readers.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.