Dive into the second collection of Behind Dark Doors, filled with stories of suspense, horror, paranormal and supernatural, from the dark mind of short story award-winning author Susan May.SCENIC ROUTEWhen a young family stop overnight at a quaint country bed-and-breakfast what they don’t know is that something is wrong in Broken Springs, population 402.HIDE-AND-SEEKHenry doesn't like playing hide-and-seek because his siblings don’t play nicely. Until the day he discovers there are worse things than being found. Not being found.HARASSMENT DAYDammit, thinks Edwin, when he sees those people have followed him onto the train and they’ve even gotten off at his station. What can he do to be rid of them for good?THE MONSTER RULESWhen Harry’s best friend shares the Monster Rules he learns how to stay safe at night until he's awoken by strange, scratching noises. Luckily, he knows what to do.WHERE WE ONCE WERETamara dreamed of visiting her distant ancestors' 1897-time line for her PhD research paper. What she discovers is a family secret two hundred years in the making.DESPERATETwo agitated women run into freeway traffic. Both are horrifically injured and should be dead, but they’re determined to get to the other side. What awaits them there?⭐⭐⭐⭐⭐ "Short stories at their best"⭐⭐⭐⭐⭐ "5.0 out of 5 stars It totally lived up to the hype!"⭐⭐⭐⭐⭐ "I absolutely loved this collection!"

    Students carried the book around with them. And people on the run found the length of each story (no more than 2000 words) perfect respites from their busy lives.Responding to America's love affair with the short-short, editors Shapard and Thomas consulted nearly two-hundred magazines and chose the sixty stories, written in English or translated, that they considered best. Ranging across countries and cultures, the selection includes a number of new stories from the Pacific Rim.Well-known writers—William Maxwell, Margaret Atwood, Don DeLillo, Mark Richard—join lesser-known writers—Molly Giles, Andrew Lam, Judy Troy—who will be (or should be) better known. Each story revels in its own element of surprise; each, whether traditional or experimental, proves that a tale told quickly offers pleasure long past its telling. Students and lovers of literature take note: this is serious writing that's fun to read.

    For Vincent, it is the latest in a string of violent events his family has faced since moving to England. But Vincent knows something that the thugs don't: he has in him the spirit of his father who, once upon a time in a far off country, also faced down fear to prove he was Grade A. Stroke of Luck: During a summer cricket match, Alan meets Rachel, and they start a relationship - but soon Alan discovers he is having an affair with a married woman. Though not a happily married one. Rachel's husband abuses her physically and psychologically and Rachel is at her wits' end. Alan vows to protect her - but her husband is not the only one who is a threat. Rachel is being secretly watched... The Walls: When Chris spots a beautiful woman across a crowded restaurant on his business trip to Texas, he never imagines that she would be interested in him, let alone be waiting for him when he returns to his hotel later that evening.As the two strangers talk, the true and haunting reason for their visits comes to light...

    In her debut collection of fifteen short stories, Amina Cain makes ordinary worlds strange and spare and beautiful. A woman carves invisible images onto ice, a pair of black wings appears in front of a house, and a restless teacher sits in a gallery of miniature rooms. As Miranda Mellis describes, "The revelatory pleasure and hope [in these stories] emanate from an artistry driven by ethical desire." "I highly recommend reading I Go To Some Hollow," says Bhanu Kapil, "because of what it teaches you about love, and the relationship between love and writing." I GO TO SOME HOLLOW is published as part of the TrenchArt: Tracer Series, with an Introduction by Bhanu Kapil and collaborative visual art by Ken Erhlich and Susan Simpson.

    From the author of A Bell For Adano and Hiroshima comes this final collections of stories.

    In her debut collection, Sarah Jean Alexander asks (and answers) the hardest questions about love and loneliness and 21st century human survival. Wildlives excavates the depths of heartbreak, hope, and helplessness that can exist between two people in a small, human world.http://biglucks.bigcartel.com/product...

    Each story follows the life of a person living on a fictitious council estate in London. The stories illustrate the realities and struggles that ordinary people go through at a time when people are feeling disenfranchised and are frustrated at not having their voices heard. Ranging from a humorous look at the gentrification of London to the realities of living with addiction the stories place the reader in the shoes of each character allowing them to feel their emotions.

    Henry’s “The Gift of the Magi,” William Faulkner’s “A Rose for Emily,” Charlotte Perkins Gilman’s “The Yellow Wallpaper,” and James Thurber’s “The Secret Life of Walter Mitty,” have been long regarded as literary classics, while others, such as Frank Stockton’s “The Lady or the Tiger?” and Ellis Parker Butler’s “Pigs Is Pigs,” are lesser known but well worth discovering.The carefully selected stories, each preceded by an illuminating headnote, powerfully illustrate the varied richness of our national literature and history. This beautifully packaged volume, containing the unforgettable classic short stories that evoke our shared American tradition and national identity, makes the perfect gift for the short story aficionado and novice alike.

    It is a recipe for womanhood that changes with the whim of the seasons and the political climate. It is a feverish fistful of musings, a comedy of errors, an instruction manual, a compass, an overheard conversation in the ladies' loo, whispered secrets over a (second) bottle of wine. It is a lamentation, an homage to fellow women, at once a celebration of things to come and a mourning of things lost. It is a redefinition of what it is to be magical and otherwordly. It exposes the complex and contradictory impulses of the human spirit, the ugly tangle of emotions we must deal with in ourselves and also as a wider society. With frankness, humour and a decided fuck-you to fear, Vanessa digs deeper than she ever has to find something resembling sorcery.

    The straight road has never had so many turns as Glory hooks up with other casualties from the chemical generation. There?s ex-Sister Jacqueline who fled the convent of the Sisters of Patience with the baby Jesus under her arm, ever relapsing gun freak Dooley who wants to be sober but is always drunk and Zemecki, so immersed in his lonely torpor that he can only express love for his ex-girlfriend?s cat. In this streetwise and sardonic book, Glory finds love and work whilst steering clear of self-pity and ?happy-talk?: she very determinedly goes and gets some. Winner of the prestigious Whiting Award for young writers, Emily Carter is that rare combination: a writer who can do very dark lightly.

    'My only concern', John McGahern once said, 'is that I get the sentence right and describe my world clearly and deeply.''The Country Funeral' witnesses three brothers, John, Philly and Fonsie Ryan, as they travel west from Dublin to Gloria Bog - the heart of the territory where so many of McGahern's stories take place - to attend the funeral of their uncle. Depicting the customs and rituals of the day, McGahern exquisitely traces how the brothers react to the area in unexpected and tender ways, and face their own feelings about the transience of life.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    There is something very familiar about Simon that brings Eleanor great peace, and Simon feels the same way. But when Eleanor's boyfriend, Abe, sees her talking to Simon, his jealousy is unleashed, and he warns her to stay away from Simon. Eleanor refuses, planning to break up with Abe - until an emergency changes her plan. But Eleanor cannot stop thinking about Simon and is shocked when he reveals a secret about their childhood years. Torn between Abe and Simon, Eleanor prays to Gott for an answer. Should she leave the possessive Abe and run to Simon?

    

    An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore.

    In this collection he explores the dark depths of the human condition, offering tales of death, disaster and - just occasionally - redemption.