He stole for kicks. He met Doris, daughter of a prosperous scrap merchant, who became his partner in love and thievery. He was caught after they robbed a shoe shop one night. He spent 3 yrs. in prison. Doris was pregnant, she married a mechanic, & both were killed in an accident. After Tony came out of prison he went straight. He never acknowledged his & Doris' child but knows the boy is well cared for by his grandfather." (from The New Yorker); Inspiration for the film, The Ragman's Daughter, a 1972 British crime-drama / romantic film directed by Harold Becker starring Simon Rouse and Victoria Tennant.

    His stories are singular, as detached and intimate as dreaming." --Marilynne RobinsonWelcome to the surreal and sublime human circus of Mark Mayer's Michener-Copernicus-winning debut, Aerialists, a fiercely inventive collection of nine stories in which classic carnival characters become ordinary misfits seeking grandeur in a lonely world.Under the luminous tent of Mayer's prose, we meet an unforgettable caravan: a heartsick boy finds a new mentor in a tough-talking female bodybuilder. A navy recruit grapples with the impending loss of his childhood by building an exact replica of his neighborhood in code. With the help of a flatulent dog, a boy tries to reunite his parents. A wilderness expert seduces his love interest with the promise of showing her an elusive mountain lion.The circus has always been a collection of American exaggerations--the bold, the beautiful, the freakish, the big. Aerialists finds these myths in everyday contemporary life. Mayer's deftly drawn characters illuminate small-scale spectaculars, and their attempted acts of daring and feats of strength are rendered with humor, generosity, and uncommon grace.

    Together, they make up what William Maxwell calls "a Natural History of home."Whether he is writing about a small town in turn-of-the-century Illinois or a precariously balanced enclave of the good life on the Upper East Side of Manhattan, Maxwell has the power to immerse us completely in his fictional worlds and to elicit our allegiance to his characters. The paper boy plying his route (and anxiously contemplating his awakening sexuality) under the all-seeing eye of God; the couple who come home one Christmas Day to find their home ransacked by burglars; the American tourist traveling through a France that has changed irreparably since his last visit --- as told by William Maxwell, their stories become our own, at once fresh and familiar, unsettling and deeply comforting. ~ from back cover of softcover edition

    Now readers can enjoy all three of Carol Shields’s short story collections – Various Miracles, The Orange Fish and Dressing Up for the Carnival – in one volume, along with the previously unpublished story, “Segue,” her last.With an eye for the smallest of telling details – a woman applying her lipstick so “the shape of pale raspberry fits perfectly the face she knows by heart” – and a willingness to explore the most fundamental relationships and the wildest of coincidences, Shields illuminates the absurdities and miracles that grace all our lives. From a couple who experiences a world without weather, to the gentle humor of an elderly widow mowing her lawn while looking back on a life of passion, to a young woman abandoned by love and clinging to a “slender handrail of hope,” Shields’s enormous sympathy for her characters permeates her fiction.Playful, charming, acutely observed and generous of spirit, this collection of stories will delight and enchant Carol Shields fans everywhere.Excerpt from The Collected Stories of Carol ShieldsLet me say it: I am an aging woman of despairing good cheer — just look into the imaginary camera lens and watch me as I make the Sunday morning transaction over the bread, then the flowers, my straw tote from our recent holiday in Jamaica, my smile, my upturned sixty-seven-year-old voice, a voice so crying-out and clad with familiarity that, in fact, I can’t hear it anymore myself, thank God; my ears are blocked. Lately everything to do with my essence has become transparent, neutral: Good morning, Jane Sexton smiles to one and all (such a friendly, down-to-earth woman). “What a perfect fall day.” “What glorious blooms!” “Why Mr. Henning, this bread is still warm! Can this be true?”From the Hardcover edition.

    Once out of the fray -- far from our cubicles and the relentless rat race -- and back into nature, we find time to ponder bigger questions. Peelle has crafted eight stories that capture these moments: summers riding horses, life as a carnival worker, kidding season on a farm. Quiet and telling, her stories are filled alternately with supreme joy and with deep sorrow, desperation and longing, dreams born and broken -- set in landscapes where the clock ticks more slowly. Her landscapes are the kind of places you want to run away from, or to which you wish you could return, if time hadn't irrevocably changed them. A single thread runs through each of these stories, the unspoken quest to answer one of life's most primal questions: Who am I?Peelle's writing is calm and smooth on the surface -- even soothing in its descriptions of daily life on a farm, for example -- but her words can hardly contain the depth of emotion that lies beneath them. So make some time and find a big tree to sit beneath, take a deep breath, and dive into this quietly impressive collection.

    The stories include tales of strippers, of their husbands and lovers and the helpless, ill-placed desire that is shot out of their customers, of a rape by a man of another man at a peep show in Times Square, the victim wordlessly accepting what happens to him while watching a woman dance behind glass, of fucking a woman wearing a fur coat and feeling unexplainable rage at her disregard of animal life. The story ends with the character running away into the night with the coat, "as if an animal rescued." In "Invisible Fish," a night clerk in a mall pet store tortures the animals at night until the whole place stinks of fear and rage. Dumbfounded, the store owners blugeon to death a chimpanzee, the only animal in the store that can imagine capable of such atrocities.

    From the good listener who begins to betray the secrets confided to her, to vignettes of a city storm or the slow halting of spring, these stories are gifts of originality and depth.

    How does she do it? No one knows. But here, in her newest collection, I Am the Brother of XX, she does it again. Like a magician or a master criminal, who can say how she gets away with it, but whether the stories involve famous writers (Calvino, Ingeborg Bachmann, Joseph Brodsky) or baronesses or 13th-century visionaries or tormented siblings bred up in elite Swiss boarding schools, they somehow steal your heart. And they don’t rest at that, but endlessly disturb your mind.

    These fifteen compact stories are meticulously observed glimpses of everyday life that expose the ominous lurking under the ordinary. While his wife sleeps, a husband prowls the Internet, obsessed with female serial killers; a bureaucrat tries to reinvent himself, exposing goodness as artifice when he converts to Buddhism in search of power; a woman sits on the edge of the bed where her lover lies, attempting to locate a motive for his violence within her own self-doubt. Shifting between moments of violence (real and imagined) and mundane contemporary life, these stories encompass the complexity of human emotions, our capacity for cruelty as well as compassion. Not so much minimalist as stealthy, Karate Chop delivers its blows with an understatement that shows a master at work.

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    In Toastmaster, a family's dinner outing is parsed from the point of view of a brainy 11-year-old who sees through the motivations of his flaky mother and demonstrates his powers of observation when a group of joking, drunken men enter the restaurant. Similarly, Big Girl allows an overweight wife who has sacrificed everything for her awful husband to tell her story while attaining the ultimate emancipation.Each tale is beautifully honed and captures in subtle detail and gentle irony the essential humanity of characters who might initially strike the reader as superficial or unsympathetic. House Tour, for instance, finds a cynical wife and mother contemplating her possible alcoholism when her house is overrun by an endearing group of similarly life-worn but irrepressible women who mistake her house for one on their home tour. Other tales about indomitable wives and mothers will be familiar to Smith's fans and round out this thoroughly enjoyable collection.

    Marriages unravel, well-laid plans dissolve, and placid lives are turned upside down in this sharp, funny, and profound collection of short fiction.

    Winner of the Dylan Thomas Award, this collection of short stories contains wry and defiant statements on the power and the beautiful transience of youth.

    Here, and in the towns beyond, the young live hard and wear the scars. Amongst them, there’s jilted Jimmy, whose best friend Tug is the terror of the town and Jimmy’s sole company in his search for the missing Clancy kid; Bat, a lovesick soul with a face like “a bowl of mashed up spuds” even before Nubbin Tansey’s boot kicked it in; and Arm, a young and desperate criminal whose destiny is shaped when he and his partner, Dympna, fail to carry out a job. In each story, a local voice delineates the grittiness of Irish society; unforgettable characters whose psychological complexities and unspoken yearnings are rendered through silence, humor, and violence.With power and originality akin to Wells Tower’s Everything Ravaged, Everything Burned and Claire Vaye Watkins’ Battleborn these six short stories and one explosive novella occupy the ghostly, melancholic spaces between boyhood and old age. Told in Barrett’s vibrant, distinctive prose, Young Skins is an accomplished and irreverent debut from a brilliant new writer.

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.