So for his own sake, and the safety of those around him, he lives by rigid rules he's written for himself, practicing normal life as if it were a private religion that could save him from damnation.Dead bodies are normal to John. He likes them, actually. They don't demand or expect the empathy he's unable to offer. Perhaps that's what gives him the objectivity to recognize that there's something different about the body the police have just found behind the Wash-n-Dry Laundromat---and to appreciate what that difference means.Now, for the first time, John has to confront a danger outside himself, a threat he can't control, a menace to everything and everyone he would love, if only he could.Dan Wells' debut novel is the first volume of a trilogy that will keep you awake and then haunt your dreams.

    A rookie FBI agent in dangerous, uncharted territory. An extraordinary hero for the ages.Odessa Hardwicke's life is derailed when she's forced to turn her gun on her partner, Walt Leppo, a decorated FBI agent who turns suddenly, inexplicably violent while apprehending a rampaging murderer. The shooting, justified by self-defense, shakes the young FBI agent to her core. Devastated, Odessa is placed on desk leave pending a full investigation. But what most troubles Odessa isn't the tragedy itself-it's the shadowy presence she thought she saw fleeing the deceased agent's body after his death. Questioning her future with the FBI and her sanity, Hardwicke accepts a low-level assignment to clear out the belongings of a retired agent in the New York office. What she finds there will put her on the trail of a mysterious figure named John Silence, a man of enormous means who claims to have been alive for centuries, and who is either an unhinged lunatic, or humanity's best and only defense against unspeakable evil.

    But Cade is no ordinary civil servant. Bound by a special blood oath, he is a vampire. Cade battles nightmares before they can break into the daylight world of the American dream, enemies far stranger-and far more dangerous-than civilians have ever imagined.Blood Oath is the first in a series of novels featuring Nathaniel Cade-the President's vampire.

    . . until now.But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before.

    At The Seattle Mirror, he is competing for the single full-time job being offered through the paper's intense intern program. But unlike the program's other young reporters, who attended big name schools and worked at other big metro dailies, Wade put himself through community college, and lacked the same experience. Wade struggles with his haunting past as he pursues the story of Karen Harding, a college student whose car was found abandoned on a lonely stretch of highway in the Pacific Northwest. How could this beloved young woman with the altruistic nature simply vanish? Wade battles mounting odds and cut-throat competition to unearth the truth behind Karen Harding's disturbing case. Her disappearance is a story he cannot give up, never realizing the toll it could exact from him. The Dying Hour is a bone-chilling, mesmerizing page-turner that introduces readers to an all-too-human young hero who journeys into the darkest regions of the human heart to confront a nightmare. The International Thriller Writers (ITW), selected The Dying Hour as a finalist for a Thriller Award for Best Paperback Original, 2006. Rick Mofina is a former journalist who has interviewed murderers on death row, flown over L.A. with the LAPD and patrolled with the Royal Canadian Mounted Police near the Arctic. He's also reported from the Caribbean, Africa and Kuwait's border with Iraq. His books have been published in nearly 30 countries, including an illegal translation produced in Iran. His work has been praised by James Patterson, Dean Koontz, Michael Connelly, Lee Child, Tess Gerritsen, Jeffery Deaver, Sandra Brown, James Rollins, Brad Thor, Nick Stone, David Morrell, Allison Brennan, Heather Graham, Linwood Barclay, Peter Robinson, Håkan Nesser and Kay Hooper. The Crime Writers of Canada, The International Thriller Writers and The Private Eye Writers of America have listed his titles among the best in crime fiction. As a two-time winner of Canada's Arthur Ellis Award, a three-time Thriller Award finalist and a two-time Shamus Award finalist, the Library Journal calls him, “One of the best thriller writers in the business."

    But the most important invention of all was the one that Miles claimed came from the mind of Thomas Edison himself--a machine that allowed one to speak with loved ones long passed. Smuggled out of Edison's laboratory, the blueprints were passed down to Miles, and he's been using them to protect Eva, her mother, Lily, and her brother, Errol, ever since.Then, one night when a storm is raging and the river is threatening to flood, the machine whirrs to life on its own. Danger, it says. You're in terrible danger. The next thing Eva knows is waking up on the side of the river and seeing her mother's grim face. Eva's father and brother are dead, their house has been washed away and an evil man is searching for them both. They need to hide.Eva changes her name to Necco--a candy she always loved--and tries to put everything in her past behind her as she adapts to her new life off the grid. But when her boyfriend is murdered and her mother disappears, she knows that the past is starting to catch up to her.What really happened the night of the flood? As Necco searches for the truth, her journey unites her with two women who are on desperate quests of their own. And as the trio follows the clues to solving the mystery of Necco's past, they discover that sometimes it's the smallest towns that hold the strangest secrets.

    senator. In a heated race against time, Storm chases Volkov's shadow from Paris, to the lair of a computer genius in Iowa, to the streets of Manhattan, then through a bullet-riddled car chase on the New Jersey Turnpike. In the process, Storm uncovers a plot that could destroy the global economy--unleashing untold chaos--which only he can stop.

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

    Ben thought he had the neighbor from hell. He didn’t know how right he was. . . .   Ben McKelvie believes he’s moving up in the world when he and his fiancée buy a house in the cushy Washington, D.C., suburb of Barcroft. Instead, he’s moving down—way down—thanks to Madeleine Roux, the crazy neighbor whose vermin-infested property is a permanent eyesore and looming hazard to public health.   First, Ben’s fiancée leaves him; then, his dog dies, apparently killed by a predator drawn into Barcroft by Madeleine’s noxious menagerie. But the worst is yet to come for Ben, for he’s not dealing with any ordinary wild animal. This killer is something much, much worse. Something that couldn’t possibly exist—in this world.   Now, as a devilish creature stalks the locals, Ben resolves to take action. With some grudging assistance from a curator at the Smithsonian’s National Zoo and the crackpot theories of a self-styled cryptozoologist, he discovers the sinister truth behind the attacks, but knowing the Beast of Barcroft and stopping it are two different animals.

    But when she unexpectedly finds herself in the middle of a police investigation into a brutal murder, Kate makes a shocking discovery: she has the ability to identify killers just by looking into their eyes.Trying to grasp the implications of this revelation, Kate is drawn deep into a world of terror. She is tracked down by Jack Raines, a mysterious author with shadowy connections to those who share her ability. He tells Kate that her unique vision also makes her a target, and only he can help her.Now, hot on Jack and Kate’s heels are a force of super-predators, vicious and bloodthirsty killers who will stop at nothing until Kate is dead. But even as she fights for her life, Kate still isn’t sure if Jack is really her salvation, or another killer coming to slaughter her.An explosive mix of action and suspense, Nest is a landmark new novel from worldwide bestselling author Terry Goodkind, and a complete reinvention of the contemporary thriller. Travel with Goodkind on a dangerous journey to the back alleys of the darknet, to the darkest corners of our minds, and to the very origins of what it is to be human.

    Ex-cop Henry Shore has been Chief Park Ranger at Crater Lake National Park for eight years and he likes his park and his life the way it’s been. Safe. Tranquil. Predictable. But he’s about to be tested in so many ways. First the earthquakes begin…people begin to go missing…then there’s some mysterious water creature that’s taken up residence in the caves below Crater Lake and it’s not only growing in size, it’s aggressive and cunning…and very hungry. And it’s decided it likes human beings. To eat.And it can come up onto land.So Henry, with the help of his wife, Ann; a young paleontologist named Justin; and a band of brave men must not only protect his park and his people from the monster but somehow find where it lives and destroy it…before it can kill again. ***

    Sophie Dunston knows all too well how dreams can kill. As one of the nation’s top sleep therapists, she specializes in the life-threatening night terrors that her ten-year-old son, Michael, suffers from. But she is also an expert in another kind of terror–the kind that can turn a dream life into a living nightmare in the blink of an eye.Someone is watching. He’s a shadowy figure from out of her darkest fears and he hasn’t forgotten her. In one shocking moment of violence, he’d shattered Sophie’s world forever and left her with only one thing to live for: her son. But the nightmare isn’t over for Sophie Dunston. It’s just begun. He’s been waiting. Sophie was supposed to die the first time around, but fate intervened. This time he’ll make sure that not even a miracle will save her.It wasn’t a miracle that saved Jock Gavin, but it was pretty close. A semiretired hit man, commando, and jack-of-all-deadly-trades, he knows what Sophie is up against–and that she’ll need help. But the man he’s chosen for the job is as unpredictable as he is dangerous. Matt Royd is a wild card–hard, cool, merciless–and putting him into play changes the game completely. But to whose advantage?Sophie will soon find out. She will have to trust Royd because she has no choices left. Because the bogeyman haunting her dreams is all too real and he’s on the hunt again. Because the nightmare he’s got planned for Sophie won’t end when she wakes up screaming. It won’t end. Ever.From the Hardcover edition.

    Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.

    And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic.This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.

    It was one of many rules imposed by her cold, distant father. Now, in a final act of desperation, her father has exorcised his demons. But when Laurie returns to claim the estate with her husband and ten-year-old daughter, it’s as if the past refuses to die. She feels it lurking in the broken moldings, sees it staring from an empty picture frame, hears it laughing in the moldy greenhouse deep in the woods…At first, Laurie thinks she’s imagining things. But when she meets her daughter’s new playmate, Abigail, she can’t help but notice her uncanny resemblance to another little girl who used to live next door. Who died next door. With each passing day, Laurie’s uneasiness grows stronger, her thoughts more disturbing. Like her father, is she slowly losing her mind? Or is something truly unspeakable happening to those sweet little girls?