But his success is built on a lie—he isn’t the person he pretends to be.Growing up a poor Tunisian immigrant, crammed inside the walls of a grimy Paris apartment tower, Samir Tahar seemed destined for life as either a drug dealer or a delivery man—until he decided “he was going to cut through the bars of his social jail cell, even if he had to do it with his teeth.” At law school in Montpelier, France, he became fast friends with Jewish student Samuel Baron. The two were inseparable until the irresistible Nina, torn between the men, ultimately chose Samuel. Samir fled to America, where he assumed Samuel’s identity and background while his former friend remained stuck in a French suburb, a failed, neurotic writer seething at Samir’s overseas triumphs.Decades later, the three meet again in this dark, powerful story of a deeply tangled love triangle that becomes subsumed by the war on terror. Called “a masterful novel...unquestionably one of the season’s best” (Paris Match) and “a work of great magnitude” (Le Figaro), The Age of Reinvention is an intriguing tale about the wonderful possibilities and terrible costs of remaking oneself.

    We follow her story from the perspective of five different characters, who also talk about themselves, as well as the troubled Slovenian times before and during World War II; times that swallowed, like a Moloch, not only the people of various beliefs involved in historical events, but also those who lived on the fringes of tumultuous events, which they did not even fully comprehend—they only wanted to live. But “only” to live was an illusion: it was a time when, even under the seemingly safe and idyllic shelter of a manor house in Slovenia, it was impossible to avoid the rushing train of violence.

    Awarded the prestigious Prix des cinq continents upon publication as the best book written in French outside of France, Eve Out of her Ruins is a harrowing account of the violent reality of life in her native country by the figurehead of Mauritian literature.The book featurues an original introduction by Nobel Prize winner J.M.G. Le Clézio, who declares Devi "a truly great writer."Ananda Devi (b. 1957, Trois-Boutiques, Mauritius) is a novelist and scholar. She has published eight novels as well as short stories and poetry, and was featured at the PEN World Voices Festival in New York in 2015. She was made a Chevalier des Arts et des Lettres by the French Government in 2010.

    Awakening locked in a windowless room in a topless tower, he finds himself trapped—the subject in one of the stranger’s eerie paintings. Heavily influenced by nonsense literature such as Lewis Carroll’s Alice in Wonderland and the surrealist movement in South America, The Topless Tower features all the typical hallmarks of Silvina Ocampo’s fantastical writing. With subtle inflections of language and tremendous displays of imagination running riot, Ocampo’s writing is beautifully translated here by James Womack.

    Somlata has just married into the dynastic but declining Mitra family. At eighteen, she expects to settle into her role as a devout wife in this traditional, multi-generational family. But then Somlata, wandering the halls of the grand, decaying Mitra mansion, stumbles upon the body of her great aunt-in-law, Pishima.A child bride widowed at twelve, Pishima has finally passed away at the ripe old age of seventy. But she isn’t letting go just yet. Pishima has long harbored a grudge against the Mitras for keeping her in perpetual widowhood, never allowed to fall in love.. Now, her ghost intends to meddle in their lives, making as much mischief as possible. Pishima gives Somlata the keys to her mysterious box of gold to keep it out of the Mitras’ hands. However, the selfless Somlata, witnessing her new family waste away their wealth to the brink of bankruptcy, has her own ideas.

    He was one of the colonels closest to the Supreme Commander. When they meet, years later, far from their country of birth, a strange, equivocal relationship develops between them. Both their shared past of suffering and old romantic passions come rushing back accompanied by recollections of the perverse logic of violence that dominated the dicatorship under which they lived. The Man Who Snapped His Fingers is a novel of ideas, exploring power and memory by an important female writer from a part of the world where female voices are routinely silenced.

    Her partner, El, is a forensic scientist who analyzes the bones of victims of state violence and is recovering from an explosion at a work site that almost killed him. Consumed by writer’s block, Ella finds herself wishing that she would become ill, which would provide time for writing and perhaps an excuse for her lack of progress. Then she begins to experience mysterious symptoms that doctors find undiagnosable.As Ella’s anxiety grows, the past begins to exert a strong gravitational pull, and other members of her family come into focus: the widowed Father, the Stepmother, the Twins, and the Firstborn. Each of them has their own experience of illness and violence, and eventually the systems that both hold them together and atomize them are exposed.Lina Meruane’s Nervous System is an extraordinary clinical biography of a family, full of affection and resentment, dark humor and buried secrets, in which illness describes the traumas that can be visited not just upon the body, but on families and on the history of the countries—present and past—that we live in.

    Here, brought together in one volume for the first time, in a masterly new translation by the award-winning translators Richard Pevear and Larissa Volokhonsky.The Steppe—the most lyrical of the five—is an account of a nine-year-old boy’s frightening journey by wagon train across the steppe of southern Russia. The Duel sets two decadent figures—a fanatical rationalist and a man of literary sensibility—on a collision course that ends in a series of surprising reversals. In The Story of an Unknown Man, a political radical spying on an important official by serving as valet to his son gradually discovers that his own terminal illness has changed his long-held priorities in startling ways. Three Years recounts a complex series of ironies in the personal life of a rich but passive Moscow merchant. In My Life, a man renounces wealth and social position for a life of manual labor.The resulting conflict between the moral simplicity of his ideals and the complex realities of human nature culminates in a brief apocalyptic vision that is unique in Chekhov’s work.(Book Jacket Status: Jacketed) From the Hardcover edition.

    Andrée is small for her age, but walks with the confidence of an adult. Under her red coat, se hides terrible burn scars. And when she imagines beautiful things, she gets goosebumps... Secretly Sylvie believes that Andrée is a prodigy about whom books will be written. The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But they can't stay like this forever. Written in 1954, five years after The Second Sex, the novel was never published in Simone de Beauvoir's lifetime. This first English edition includes an afterword by her adopted daughter, who discovered the manuscript hidden in a drawer, and photographs of the real-life friendship which inspired and tormented the author.

    The Carnivorous Lamb, originally written in French, won the Prix Hermes, and this, its 1984 English translation, was widely acclaimed.

    Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an S.S. officer and stolen from her by the German authorities during the War as part of Himmler's clandestine 'Lebensborn' project, which strove for a 'racially pure' Germany. Haya's reflection on her Catholicized Jewish family's experiences deals unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, as well as witness accounts of atrocities that took place on her doorstep. A broad collage of material is assembled, and the lesser-known horror of Nazi occupation in northern Italy is gradually unveiled. Written in immensely powerful language, and employing a range of astonishing conceptual devices, Trieste is a novel like no other. Dasa Drndic has produced a shattering contribution to the literature of our twentieth-century history.

    Their erotic and ideological vicissitudes are driven by a reality they cannot control, like that of Homer’s characters. Invisible gods intervene in their lives to intertwine their physical attraction and intellectual admiration, courage and fear, secrets and unexpected complicity. They build their difficult and beautiful love in one of the most turbulent and romantic scenarios of Latin American history. They swim with the current; they enjoy it and enlarge it. But they are also dragged along by eddies that leave them breathless and turn their world upside down. Aguinis’ titles tend to be paradoxical. However, for this novel, he has preferred to place emphasis on the multiple meanings of the word passion. Passion refers to love, and also to the strength of ideals, to suffering, pleasure, salvation and the yearning for freedom. The emotional combat of the protagonists runs in parallel with the dizzying brilliance of concrete situations. This is what allows the suspense to grab the reader from the first page to the very end. A free-flowing, sweeping, and thrilling rhythm dominates the text, like that of musical passions. It should come as no surprise that this novel—where the voices of the female protagonist, her lover, and the omniscient writer alternate—has been written following Bach’s counterpoint model. From a distance, ineffable, we still hear the resounding epic of another war where the liberators sang to a different Carmela—also a torch, also a passion. Aguinis portrays his creations skillfully and renders them indelible. His skill in handling emotions does leaves no line void of poetry or consequences. And his extremely accurate style is a grounding that turns this work—situated in exceptional times—into one of the best love stories to mark out the course of literature.

    In the title novella and six subsequent stories, Lind distorts and refashions reality to make the deepest horrors of the twentieth century his own.Set during World War II, "Soul of Wood" is the story of Wohlbrecht, a peg-legged veteran of World War I, who smuggles Anton Barth, a paralyzed Jewish boy, to a mountain hideout after the boy's parents have been sent to their deaths. Abandoning the helpless boy to the elements, Wohlbrecht returns to Vienna, where, having been committed to an insane asylum, he helps the chief psychiatrist to administer lethal injections to other patients. But Germany is collapsing, and the war will soon be over. The one way, Wohlbrecht realizes, that he can evade retribution is by returning to the woods to redeem "his" hidden Jew. Others, however, have had the same bright idea.

    Who better than Ukraine's most famous novelist - who writes in Russian - to illuminate and present a balanced portrait of this most bewildering of modern conflicts?

    After this first encounter, Tsukiko and Sensei continue to meet. Together, they share edamame beans, bottles of cold beer, and a trip to the mountains to eat wild mushrooms. As their friendship deepens, Tsukiko comes to realise that the solace she has found with Sensei might be something more.