As Thomas Jefferson’s oldest daughter, she becomes his helpmate, protector, and constant companion in the wake of her mother’s death, traveling with him when he becomes American minister to France.It is in Paris, at the glittering court and among the first tumultuous days of revolution, that fifteen-year-old Patsy learns about her father’s troubling liaison with Sally Hemings, a slave girl her own age. Meanwhile, Patsy has fallen in love—with her father’s protégé William Short, a staunch abolitionist and ambitious diplomat. Torn between love, principles, and the bonds of family, Patsy questions whether she can choose a life as William’s wife and still be a devoted daughter.Her choice will follow her in the years to come, to Virginia farmland, Monticello, and even the White House. And as scandal, tragedy, and poverty threaten her family, Patsy must decide how much she will sacrifice to protect her father's reputation, in the process defining not just his political legacy, but that of the nation he founded.

    But instead of finding solace in the region's quiet hills and medieval ruins, she falls in love with Raoul, a man whose very existence challenges everything she knows about life--and about her husband's death. As Raoul reveals the story of his past to Lia, she becomes entangled in the echoes of an ancient murder, resulting in a haunting and suspenseful journey that reminds Lia that the dead may not be as far from us as we think. Steeped in the rich history and romantic landscape of rural France, In Another Life is a story of love that conquers time and the lost loves that haunt us all.

    Holles, desperate for an escape from his hopeless situation and almost certain execution, sees no option but to accept the Duke of Wellington’s rather dubious commission – to abduct a famous actress and bring her before him. However, as events take an unexpected turn, Holles is presented with the opportunity to be reinstated to his former glory.

    . . A LARD raised his head. It was a pleasant voice, though a little drunken, and the words came clearly enough, a trifle blurred about the con sonants, to the high window of the Maison du Poirier. The window was open, for the June night was hot, and there were few noises after ten oclock in the Place du Parvis Notre Dame. Time goes by, And naught do I. Time comes again, . . . Et ne fais rien Abelards smile broadened. I am very sure, my friend, said he, that you do not. But at any rate he had found a good tune. The listeners ear was quick. He began not ing it on the margin of his manuscript, while his brain busied itself fitting Latin words to the original a pity to waste so good a tune and so profound a sentiment on a language that was the breath of a day, Fugit hora, Absque mora, Nihil facio . . . Not to that tune. The insinuating, if doomed, vernacu lar lilted again. Abelard realized that he was spoiling the 3 PETER ABELARD margin of his Commentary on Ezekiel, and turned back resolutely. Now, as Augustine says, our concern with any man is not with what eloquence he teaches, but with what evidence. But the thread of his argument was broken he got up and came over to the window. The singing had stopped, but he could see the tonsured head below him, glimmeringlike a mushroom in the dusk, while the legs tacked uncertainly across the broad pavement of the Parvis Notre Dame on their way to the cheerful squalors of the Petit Pont. Suddenly they halted the moon had come out from a drifting haze, and the singer, pausing on the edge of a pool of light, peered at it anxiously, and then lifted up his eyes. The voice rose again, chastened, this time in the venerable cadences of the hymn for dawn Jam lucis orto sidere Statini oportct bibere. The blasphemous pup, said Abelard. He leaned out, to hear the rest of it Now risen is the star of day. Let us arise and drink straightway. That we in peace this day may spend, Drink we and drink, nor make an end. This was a better parody, because a simpler, than the one he had made upon it himself ten years ago, to illus trate for his students the difference between the acci dents and the essential, the accidents being the words, the essential the tune. Lord, the Blessed Gosvins face when he began singing it Doubtless he would be the Blessed Gosvin some day so holy a youth could not fail of a 4 THE CLOISTER OF NOTRE DAME sanctified old age. St. Gosvin perhaps the youngster was Prior already at ... he had forgotten where. The im pudent, smooth-faced prig. Abelards mind was running down a channel it knew and did not like the moment in the classroom at St. Genevieve, when Gosvins reedy treble had interrupted the resonant voice from the rostrum with those innocent questionings, answered contemptuously, the masters eyes half averted and his mind less than half attentive, till the sudden horrid silence brought him to his senses and he realized that he was trapped, even as he had so often trapped that good old goat, William of Champeaux. He had recovered, magnificently but for the moment he had felt the hounds at his throat. And the cheering had been too vehement they knew. Somebody on the lie de Cite that night made a song about David and Goliath, not a very good song, but the name had stuck to him since, though not many remembered the origin of it. A pity, all the same, that Gosvin took to the cloister. It w r ould be very pleasant to have him lecturing to empty benches at St. Genevieve, while at Notre Dame the stu dents wedged open the doors and stood thick on the stairs...

    She’ll marry whoever her father chooses, likely to add to her father’s holdings and secure her family’s future, regardless of who her heart desires. However, she’s met the man of her dreams…and he’s her father’s sworn enemy. An Intrepid Soldier Lieutenant Richard Osborne always does his duty and knows that when he rescues the beautiful Highland lass, he should have turned in her and her family. He can’t do it, and not just because he’s not sure that he can doom her to the fate she’ll receive. His superiors will not agree with his decision though, and the duty-bound Richard must make a hard choice: his career or his honor. A Forbidden Romance The handsome soldier and beautiful lass fall in love…but their love may be no match for the cold and cruel father known as the Earl of Duncliffe. He is determined to preserve their family honor now that Arabella’s reputation is ruined, even if it means marrying her off to the first option on the table. Now Richard must choose between what his head and heart believe of the situation…because a wrong choice will ruin both of their futures. Should Arabella do her duty and protect her younger siblings by marrying the detestable and unfeeling man her father has chosen? Or follow her heart—even if the handsome soldier only wants her hand in order to protect her? Can Richard trust Arabella’s declaration of love when he learns that it may be her choice to marry someone else, or is she lying in order to protect someone? "The Highlander's Trust" is a standalone historical Scottish romance novel of approximately 60,000 words. No cliffhangers, pure content and an awesome happily ever after, guaranteed to ignite your imagination in one sitting. Get This Book FREE With Kindle Unlimited! Enjoy!

    But if she thinks she’s safe at home, she is wrong.Her scheming brother wants to marry her off to a fortune-hunter, and he won’t take no for an answer. Out on a lonely walk, Catherine is attacked and left for dead.Could this be her brother’s doing?Catherine won’t wait to find out. Her childhood friend, Martin Lacey, lives in the manor house across the woods, and there was a time when he would have done anything for her.But in the turmoil of Restoration England, nothing lasts forever. Will turning up at Martin’s door be the saving of her — or the end?

    But in 19th century France, one courtesan created sensation not only through the scandalous deeds that sprung from her lifestyle but also through her death. Yet, what her contemporaries didn’t know was that her fame wasn’t born thanks to her beauty, but from a woman’s utter determination to overcome a childhood of endless torture, abandonment, and mistreatments; from a soul's desperate need to forget her past. The story of Marie Duplessis, the woman behind masterpieces such as Alexandre Dumas Fils' The Lady with the Camellias and Verdi's Traviata, is the story of a peasant girl who surpassed all suppressions her era imposed on its women, to become one of the most famous individuals 19th century Europe had ever known.

    Three o'clock struck. A sweet voice, abrupt and clear, broke the silence of the solemn scene. "Hubert. Where is Hubert? I must see him." "Tell him to come," said Dr. Evans to Dr. Letsom, "but do not tell him there is any danger."[...]".

    In modern life, she rebels against the curfews and restrictions of her day, seeing them as unfair hardships. But now in this alien world with its buffalo stampedes, wild Indians, and deadly pestilence, she is about to find out what real hardships are. To get home, she must set aside her Rude Girl persona and learn how to survive.On the trek, Paula meets young Daniel Langdon, hunter and part-time scout, and an infatuation quickly becomes a great passion. She realizes this is the love of her life and to get home she will have to leave him behind. In the tradition of Outlander, The Far Journey is a grand epic of love and tragedy, loyalty and betrayal, peril and survival. Throughout, Paula Masters is tested in body and soul and must discover the strength and toughness inside her. "It has all the elements that make a good book hard to put down." Foster Cline, M. D., author of Parenting with Love and Logic."What a grand, mind-bending tale Tom Reppert has spun!" Jim Payne, author of One Inch above the Water."An Intriguing story that captures you from the first page." Sara Vinduska, author of Reflections.

    When she accepts a position teaching in a Freedman’s School, it threatens the only marriage offer Ruth Ann is likely to receive. She's forced to choose between life as a lonely spinster or reinventing herself to secure a respectable proposal. Determined to rise above his meager beginnings, Benjamin Coulter’s reputation as a fast learner and hard worker earns him the opportunity to apprentice with a surveyor for the railroad—a position that will garner the respect he craves. After a chance encounter with Ruth Ann Sutton, Benjamin is smitten with her pretty face, quick wit, and feisty personality. When others ridicule his choice, will Benjamin listen to his heart or put ambition first?

    But with family to care for, circumstances have driven her to pickpocketing. In Celia’s harsh world, it’s a small step from picking pockets to prostitution. When a young man offers her a fortune to spend a week with him, she takes the money and runs. But Celia’s conscious can’t allow her to forget the money she stole, and she is soon brought face-to-face with her past . . .

    In his most dazzling novel since the groundbreaking New York Times bestseller An Instance of the Fingerpost, Iain Pears tells the story of John Stone, financier and arms dealer, a man so wealthy that in the years before World War One he was able to manipulate markets, industries, and indeed entire countries and continents.A panoramic novel with a riveting mystery at its heart, Stone’s Fall is a quest to discover how and why John Stone dies, falling out of a window at his London home.Chronologically, it moves backwards–from London in 1909 to Paris in 1890, and finally to Venice in 1867– and in the process the quest to uncover the truth plays out against the backdrop of the evolution of high-stakes international finance, Europe’s first great age of espionage, and the start of the twentieth century’s arms race.Like Fingerpost, Stone’s Fall is an intricately plotted and richly satisfying puzzle–an erudite work of history and fiction that feels utterly true and oddly timely–and marks the triumphant return of one of the world’s great storytellers.

    But when Charity arrived at their hotel in the picturesque French town of Avignon, she had no way of knowing that she was to become the principal player in the last act of a strange and brutal tragedy. Most of it had already been played. There had been love--and lust--and revenge and fear and murder.Very soon her dreams turn into a nightmare, when by befriending a terrified boy and catching the attention of his enigmatic, possibly murderous father, Charity has inadvertently placed herself center stage. She becomes enmeshed in the schemes of a gang of murderers. And now the killer, with blood enough on his hands, is waiting in the wings.

    Yet her decision is less a matter of faith than fear, for Joan is plagued by mysterious voices that speak of the future, and by visions that mark those about to die. The sanctuary of the nunnery promises respite from these unwanted visitations . . . or so she prays. Her chaperone is Michael Murray, a young widower who, though he still mourns the death of his wife, finds himself powerfully drawn to his charge. But when the time-traveling Comte St. Germain learns of Joan’s presence in Paris, and of her link to Claire Fraser—La Dame Blanche—Murray is drawn into a battle whose stakes are not merely the life but the very soul of the Scotswoman who, without even trying, has won his heart.

    But Dana is ambitious and resourceful, and when the opportunity comes to own their own tearoom she persuades her friend to join her.No one is willing to rent property to a couple of girls, however, especially during the Depression. So when Caitlin's new man friend says he'll back them, they are delighted and soon the tearoom is thriving.Then fate intervenes, and soon the girls find themselves fighting to survive in a world on the brink of war.