As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    In addition, there are a host of characters culled from Bond's numerous short stories. Taken together, they constitute a magnificent evocation of the small-town India by one of the country's best storytellers.

    It's on India's southwestern coast, bounded by the Arabian Sea to the west and the Kaliamma River to the south and east. It's blessed with rich soil and scenic beauty, and it's been around for centuries. Of its 193,432 residents, only 89 declare themselves to be without religion or caste. And if the characters in Between the Assassinations are any indication, Kittur is an extraordinary crossroads of the brightest minds and the poorest morals, the up-and-coming and the downtrodden, and the poets and the prophets of an India that modern literature has rarely addressed. A twelve-year-old boy named Ziauddin, a gofer at a tea shop near the railway station, is enticed into wrongdoing because a fair-skinned stranger treats him with dignity and warmth. George D'Souza, a mosquito-repellent sprayer, elevates himself to gardener and then chauffeur to the lovely, young Mrs. Gomes, and then loses it all when he attempts to be something more. A little girl's first act of love for her father is to beg on the street for money to support his drug habit. A factory owner is forced to choose between buying into underworld economics and blinding his staff or closing up shop. A privileged schoolboy, using his own ties to the Kittur underworld, sets off an explosive in a Jesuit-school classroom in protest against casteism. A childless couple takes refuge in a rapidly diminishing forest on the outskirts of town, feeding a group of "intimates" who visit only to mock them. And the loneliest member of the Marxist-Maoist Party of India falls in love with the one young woman, in the poorest part of town, whom he cannot afford to wed. Between the Assassinations showcases the most beloved aspects of Adiga's writing to brilliant effect: the class struggle rendered personal; the fury of the underdog and the fire of the iconoclast; and the prodigiously ambitious narrative talent that has earned Adiga acclaim around the world and comparisons to Gogol, Ellison, Kipling, and Palahniuk. In the words of The Guardian (London), "Between the Assassinations shows that Adiga...is one of the most important voices to emerge from India in recent years." A blinding, brilliant, and brave mosaic of Indian life as it is lived in a place called Kittur, Between the Assassinations, with all the humor, sympathy, and unflinching candor of The White Tiger, enlarges our understanding of the world we live in today.

    Set in Michigan’s north woods, in Ohio’s interior, on islands, in casinos, and in distant cities, these stories are linked by the gone and not forgotten: former spouses, dead parents, and missing children. In pursuit of love and its redemptions, these are pilgrims haunted by memory, dogged by desire, made radiant by romance and its denouements.With the elegant prose of Frederick Busch and the Irish sensibility of William Trevor, Lynch masterfully creates a world where mirage and apparition are commonplace, where people searching for connection and old comforts find them both near at hand and oddly out of reach.

    Five characters, in very different circumstances—from a domestic cook in Mumbai, to a vagrant and his dancing bear, to a girl who escapes terror in her home village for a new life in the city—find out the meanings of dislocation and the desire for more.Set in contemporary India and moving between the reality of this world and the shadow of another, this novel of multiple narratives—formally daring, fierce, but full of pity—delivers a devastating and haunting exploration of the unquenchable human urge to strive for a different life.

    These 11 profoundly moving and finely crafted stories encapsulate wildly divergent themes of love and loss, containment and exclusion. In the title story, a parks & rec worker faces an assailant who does not leave the altercation intact. A medical researcher and his claustrophobic fiancée are locked in the trunk of their car after a failed carjacking (the thief can't drive standard). A young woman enters a pharmaceutical trial in the outer reaches of suburbia and slips between sleeping and waking with increasingly alarming ease. Pairing the cultural acuity of Lost in Translation with the compassion and reach of The World According to Garp, Heighton breathes new life into the short story, a genre that is finally coming into its own.

    Set onboard a ship during an unnamed war, the title story is a harrowing account of guilt and responsibility, showing Conrad at his most accomplished as a master of psychological penetration. Accompanying this is another study of the brutal turns of fortune visited on the unwary by war: 'The Warrior's Soul' takes place during Napoleon's invasion of Russia, and traces the interweaving relationship between a beautiful woman and the two men who love her. 'Prince Roman', meanwhile, is one of Conrad's earliest stories, and the only piece in his entire oeuvre that touches on his homeland, Poland. The collection concludes with 'The Black Mate', a witty and light-hearted illustration of life aboard ship." "Spanning Joseph Conrad's entire literary career, these four stories touch on some of his major interests - war, imperialism, life at sea - showing him at his most intimate and ambitious."

    As in her acclaimed novels The Siege and A Spell of Winter, world-class storyteller Helen Dunmore shows us with subtlety and humor precisely who her characters are and why we should care for them. In each taut, agile tale, they grow to surprise, concern, and move us as they negotiate situations that are often both mundane and bizarre: a cafeteria cook confronts her Polish pen pal in a meeting that is unexpectedly intense; a divorced mother gains insight from a parking meter; a boastful writer is put in his place in spectacular fashion; and in a chilling future, conception is ruthlessly controlled by the government. In several stories a soulful, curious woman named Ulli takes up residence in the reader's imagination -- stumbling across a strangely magnetic collector of religious icons, contemplating a youthful pregnancy, and remembering a troubled lover. In Ice Cream, Dunmore reveals both her poet's ear for the concise and piercing potentialities of language and the novelist's ambition of scope, proving her status as "a master of the shorter form" (The Sunday Telegraph). "Spellbinding ... She captures a moment in time and leaves us reeling at the echoes." -- Michael McLoughlin, The Irish News "Cool, elegant, and beautifully controlled, the stories collected in Ice Cream display Dunmore's virtuosity of language." -- Pamela Norris, The Independent on Sunday "All the senses are vibrantly alive in these stories." -- Katie Owen, The Sunday Telegraph

    Set during the period of Kim Il-sung and Kim Jong-il’s leadership, the seven stories that make up The Accusation give voice to people living under this most bizarre and horrifying of dictatorships. The characters of these compelling stories come from a wide variety of backgrounds, from a young mother living among the elite in Pyongyang whose son misbehaves during a political rally, to a former Communist war hero who is deeply disillusioned with the intrusion of the Party into everything he holds dear, to a husband and father who is denied a travel permit and sneaks onto a train in order to visit his critically ill mother. Written with deep emotion and writing talent, The Accusation is a vivid depiction of life in a closed-off one-party state, and also a hopeful testament to the humanity and rich internal life that persists even in such inhumane conditions.

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    Winner of the prestigious Drue Heinz Prize in 1993 -- selected by a panel chaired by Tobias Wolff -- O'Nan's collection In the Walled City features twelve stories that delve into the lives and souls of an astonishing range of characters, from an old Chinese grocer to a young policeman separated from his family and descending into madness. Intimate and generous, these stories brilliantly illuminate the connections that bind us and the obligations and sorrows of love.

    A chronicle of the final seven days of a town that is about to be razed to the ground by an invading army. The lonely voyage of an elephant from Kerala to a princess’s palace in Morocco. A fabled cook who flavours his food with precious stones. A coterie of international diplomats trapped in near-Earth orbit. These, and the other stories can be found in this collection.

    Here are stories culled from hundreds of writing programs such as the Iowa Writers’ Workshop and Johns Hopkins and from summer conferences such as Sewanee and Bread Loaf—as well as a complete list of contact information for these programs. This collection showcases tomorrow’s literary stars: Julie Orringer, Adam Johnson, William Gay, David Benioff, Rattawut Lapcharoensap, Maile Meloy, Amanda Davis, Jennifer Vanderbes, and John Murray are just some of the acclaimed authors whose early work has appeared in this series since its launch in 2000. The best new American voices are heard here first.

    In its harrowing chronicle of the breakup of a relationship, Interiors confirmed Cash's remarkable talents as a lyricist, with songs that were intelligent and astonishingly frank, songs that with their stark empathy transcended the self-involvement that had come to confine the work of many "confessional" singer-songwriters. The Wheel (1993) was further evidence that she had few equals in her field. As one of our most literate lyricists, Cash naturally began to turn to longer prose pieces, and in her first collection, Bodies of Water, she reveals the full breadth and depth of her talent. These stories are a series of portraits of the inner lives of women seeking self-forgiveness, resolution, and freedom in the face of the familiar betrayals of everyday existence. A mother spends a comically forlorn New Year's Eve alone with her young children. Alone in Paris, a traveler faces her loneliness as middle age approaches. A dinner party becomes a battleground of concealed disappointment. It is at the margins of reality and dreams, the boundaries between art and insanity, that Cash's characters come to learn that their redemption is to be found in facing the past, and finally, in retrieving power from it.

    In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam--and what seems at first a satire of turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise," an aging New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman's bond with a mother and her small son forces both women to a shattering decision. Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, "The Boat" is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.