But behind this archetypal small-town landscape lies a complicated past.Starting with the town's founding as a religious promised land, music journalist and poet Daniel Wolff plots a course through 130 years of entwined social and musical history, touching on John Philip Sousa, Count Basie, Frank Sinatra, and Frankie Lymon on the way to the town Bruce was born to run from. Out of the details of local history-the boardwalk in the Gilded Age; the celebrities who passed through, from Stephen Crane to Martin Luther King; sensational murder trials; the birth of Mob control; and a devastating mid-century "race riot"-emerges a universal story of one small town's fortunes. Told with grace and full of fascinating detail, Daniel Wolff's tour across thirteen decades of the Fourth of July in Asbury Park captures all the allure and heartbreak of the American dream reduced to blight and decay, with gentrification as the one hope for a return to its glory days.

    Preston Lauterbach recounts the rise and fall of Beale Street through the life of the South’s first black millionaire, an ex-slave who built an underworld dynasty in the booming river town and created a space for black culture to flourish. A thrilling narrative history, Beale Street Dynasty tells an intriguing, previously unknown story about race in an American city.

    Sandy’s mother, Annjee, works as a housekeeper for a rich white family, while his father traverses the country in search of work. Not Without Laughter is a moving examination of growing up in a racially divided society. A rich and important work, Hughes deftly echoes the Black American experience with this novel.

    Magisterial in scope, with a strong you-are-there quality, The Children is a story one of America's preeminent journalists has waited years to write, a powerful book about one of the most dramatic movements in American history. They came together as part of Rev. James Lawson's workshops on nonviolence, eight idealistic black students whose families had sacrificed much so that they could go to college. They risked it all, & their lives besides, when they joined the growing civil rights movement. Halberstam shows how Martin Luther King Jr recruited Lawson to come to Nashville to train students in Gandhian techniques of nonviolence. We see the strength of the families the Children came from, moving portraits of several generations of the black experience in America. We feel Diane Nash's fear before the first sit-in to protest segregation of Nashville lunch counters. Then we see how Diane Nash & others--John Lewis, Gloria Johnson, Bernard Lafayette, Marion Barry, Curtis Murphy, James Bevel, Rodney Powell--persevered until they ultimately accomplished that goal. After the sit-ins, when the Freedom Rides to desegregate interstate buses were in danger of being stopped because of violence, it was these same young people who led the bitter battle into the Deep South. Halberstam takes us into those buses, lets us witness the violence the students encountered in Montgomery, Birmingham, Selma. He shows what has happened to the Children since the 60s, as they have gone on with their lives.

    Why entrust your memories to hastily taken snapshots--or worse yet, none at all? Let professional photographer (and mom) Me Ra Koh help you capture the moments with 40 beautiful "photo recipes" anyone can do, with any camera. Telling your baby's story in pictures has never been easier!

    Rewind your Mickey Mouse watch back to the 1950s and travel with us through the decades as the wondrous story of Disneyland unfolds via fascinating, behind-the-pixie dust stories and incredible imagery. Like a visit to the park itself, it's a trip you'll never forget, ensuring that the spirit of Disneyland will remain--then, now, and forever. Filled with color photos of how the park looked at its opening and through the changes of the years up to the present day in 2005.

    In Black Men, an integral text for anyone with vested interest in building healthy, thriving Black families and communities, Madhubuti takes aim at some of the critical issues facing the African American family. He offers useful, pointed, practical solutions for overcoming these obstacles and challenges.

    They traveled together in Hurston’s dilapidated car through the rural South collecting folklore, worked on the play Mule Bone, and wrote scores of loving letters to each other. They even had the same patron: Charlotte Osgood Mason, a wealthy white woman who insisted on being called “Godmother.”Paying them lavishly while trying to control their work, Mason may have been the spark for their bitter falling-out. Was the split inevitable when Hughes decided to be financially independent of their patron? Was Hurston jealous of the woman employed as their typist? Or was the rupture over the authorship of Mule Bone? Yuval Taylor answers these questions while illuminating Hurston’s and Hughes’s lives, work, competitiveness and ambition.

    Henry Clay, Daniel Webster, Dolley Madison, Henry James as a boy with his father, Horace Greeley, Edgar Allan Poe, the Prince of Wales, and Jenny Lind were among the dignitaries photographed in Mathew Brady's studio. But it was during the Civil War that he became the founding father of what is now called photojournalism and his photography became an enduring part of American history.The Civil War was the first war in history to leave a detailed photographic record, and Mathew Brady was the war's chief visual historian. Previously, the general public had never seen in such detail the bloody particulars of war--the strewn bodies of the dead, the bloated carcasses of horses, the splintered remains of trees and fortifications, the chaos and suffering on the battlefield. Brady knew better than anyone of his era the dual power of the camera to record and to excite, to stop a moment in time and to draw the viewer vividly into that moment.He was not, in the strictest sense, a Civil War photographer. As the director of a photographic service, he assigned Alexander Gardner, James F. Gibson, and others to take photographs, often under his personal supervision; he also distributed Civil War photographs taken by others not employed by him. Ironically, Brady had accompanied the Union army to the first major battle at Bull Run, but was so shaken by the experience that throughout the rest of the war he rarely visited battlefields, except well before or after a major battle. The famous Brady photographs at Antietam were shot by Gardner and Gibson.Few books about Brady have gone beyond being collections of the photographs attributed to him, accompanied by a biographical sketch. MATHEW BRADY will be the biography of an American legend--a businessman, an accomplished and innovative technician, a suave promoter, a celebrated portrait artist, and, perhaps most important, a historian who chronicled America during its finest and gravest moments of the 19th century.

    stood in front of the Lincoln Memorial looking out over thousands of troubled Americans who had gathered in the name of civil rights and uttered his now famous words, "I have a dream . . ." It was a speech that changed the course of history.This fortieth-anniversary edition honors Martin Luther King Jr.'s courageous dream and his immeasurable contribution by presenting his most memorable words in a concise and convenient edition. As Coretta Scott King says in her foreword, "This collection includes many of what I consider to be my husband's most important writings and orations." In addition to the famed keynote address of the 1963 march on Washington, the renowned civil rights leader's most influential words included here are the "Letter from a Birmingham Jail," the essay "Pilgrimage to Nonviolence," and his last sermon, "I See the Promised Land," preached the day before he was assassinated.

    Now known as the Wereth Eleven, these brave African-American soldiers left their homes to join the Allied effort on the front lines of WWII. As members of the 333rd Field Artillery Battalion, they provided crucial fire support at the Siege of Bastogne. Among the few who managed to escape the Nazi’s devastating Ardennes Offensive, they found refuge in the small village of Wereth, Belgium. A farmer and supporter of the Allies took the exhausted and half-starved men into his home. When Nazi authorities learned of their whereabouts, they did not take the soldiers prisoner, but subjected them to torture and execution in a nearby field. Despite their bravery and sacrifice, these eleven soldiers were omitted from the final Congressional War Crimes report of 1949. For seventy years, their files—marked secret—gathered dust in the National Archive. But in 1994, at the site of their execution, a memorial was dedicated to the Wereth Eleven and all African-American soldiers who fought in Europe. Drawing on firsthand interviews with family members and fellow soldiers, The Lost Eleven tells the complete story of these nearly forgotten soldiers, their valor in battle and their tragic end.

    Full page B&W photos

    Collier & Son hardcover, too early for ISBN. Emilie Baker Loring (Love Came Laughing by). Diane Vernon falls in love with a mysterious stranger and is thrown into a world of desperate espionage.

    The first book followed a few of the black converts who knew Joseph Smith personally, including Elijah Abel, who received the priesthood with Smith's knowledge and approval, and Jane Manning James, who lived as a family member in the Smith home. The second novel picks up their story for the Mormon trek west to the Salt Lake Valley under Brigham Young's leadership, and also chronicles the Civil War and the growing emigrations to California. The novel succeeds not only in opening a door on the early black Mormon experience; it also places that experience within the larger context of national race relations. Readers will get refresher courses on Dred Scott, Civil War politics, slave auctions, lynch mobs, blackface minstrelsy and more. One of the Mormon authors (Gray) is African-American, and his own ancestors figure in the novels. The story seems driven more by the historical record than by the need for a smooth plot, as evidenced by the detailed historical notes at the end of every chapter. Although these may distract readers seeking easy escapist fiction, they lend the novel weight and credibility. Given how little is known of early black converts to Mormonism and of their experiences living in Utah, this trilogy is a treasure. It is a badly needed history lesson coated with a layer of imagination a combination that has proved enormously popular in the works of Gerald Lund.

    This text is based on the actual incident surrounding the rebellion aboard the slave ship Amistad and the subsequent trial in the US courts.