or to transport you into the bizarre world of Carcosa, and the King in Yellow. Banned, burned, yet never totally destroyed, the play lives on, eating away the fabric of society and rotting the veneer of civilization...Come and enjoy new visions of the King, expanding and deepening the fragments glimpsed in the award-winning True Detective television series, penned for your delight by a host of master scribes eager to guide you to a new world of delirium, despair, and madness.

    A cup full of tentacles mixed with existential nihilism and sprinkled with liberal quantities of gore, this is Lovecraftian horror with a bloody bent that few others have dared to explore. --Peter Rawlik, author of ReanimatorsThey called it the Event.The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse.The Rising has begun.A lone man who abandoned the world for his addictions searches a waterlogged Austin for something, anything to cling to. Little does he know that something else searches for him.In the Sonoran Desert, the downtrodden of the world search for a better life north of the border, only to see the desert become an ocean: an ocean that takes life and gives death.In the woods of Alabama, survivors escape to Fort Resistance, but soon discover that it isn't just the horrors of the deep places of the world that they need to fear; but rather a new and more deadly pestilence that has grown in their own ranks.In England, it's too late to fight, and all that's left is to survive. One man reaches for his own humanity, but what to do when humanity is an endangered species?And in the Pacific, He is rising.In The Abyssal Plain: The R'lyeh Cycle, authors William Holloway, Michelle Garza and Melissa Lason, Brett J. Talley, and Rich Hawkins have created a timely and uniquely modern reimagining of the Cthulhu Mythos.

    P. Lovecraft is the most important and influential horror writer of the twentieth century. His stories of occult nightmare and cosmic terror have drawn praise from William S. Burroughs, Angela Carter and Jorge Luis Borges and continue to inspire new generations of writers and artists.John Coulthart is one of H. P. Lovecraft's major visual interpreters. As an artist for David Britron's Lord Horror series, his work has been described as "shocking…harmful", "harrowing" and "brilliant" and has been banned on the grounds of obscenity by British law courts.This collection presents all of Coulthart's Lovecraft-inspired work from the past decade including two complete comic strip adaptations—The Haunter of the Dark and The Call of Cthulhu—over thirty pages of previously unseen drawings and paintings plus selections from the controversial Lord Horror series Hard Core Horror and Reverbstorm, which have been evolving Lovecraftian imagery in bold new directions.Material specially created for this volume includes The Great Old Ones, a kabbalah of Lovecraft's gods with accompanying evocations by Alan Moore, author of Watchmen, V for Vendetta, From Hell and many other graphic novel classics.

    Science Fiction and Fantasy. Graphic Novel. Contemporary visions of cosmic transformation, mutation and madness--many inspired directly by the life and writings of H.P. Lovecraft, others reflecting his strangely presentient themes in their own bizarre subtexts. Here the primal beings of Lovecraft's Cthulhu Mythos stalk a postmodern landscape of social collapse, ethnic cleansing, genetic engineering and nuclear devastation--nightmare prophecies from his ulp pages which have now come chillingly true.

     “The Great White Bed” – A senile old man makes a deal with a strange being for a new lease on life. What happens when a book reads you? “The Cellar Gods” – In the 1940s, a young medical student protects a beautiful Asian woman from prejudiced townsfolk, only to discover she is connected to mysterious entities from an unholy dimension. “The Locked Door” – The visions of a psychic threatens the existence of a secret order. “In the Gyre” – A research vessel investigating a growing pollution problem in the ocean finds that something else has discovered a use for our waste material—something designed for building, and growing, and multiplying. “The Gate and the Way” – Poking around the local spook house for redeemable cans and bottles, two brothers stumble upon cosmic horrors from beyond space and time. “I Cannot Begin To Tell You” – A desperate father kidnaps his infant son and flees to a remote cabin to wait out an apocalypse only he can perceive. Is the man psychotic? Or is the boy a conduit for an ancient malevolence from the depths of Time? “Cutter” – A man and boy are trapped in an abandoned house by plague of bizarre monsters. “Graveyard Orbit” – In the future, the deep space exploration vessel Wellington encounters the unthinkable orbiting the uncharted planet Osiris II. Amid the debris of a trillion alien corpses, the Wellington’s Captain Walker will stumble upon an unlikely ally—and potentially, the secrets of the universe. “The Weaponized Puzzle” – A Russian spy steals an alien artifact from the Australian Government which soon transforms into a prison, and Australian spy Harrison Peel must solve its various puzzles and confront its captive horrors to escape again. Fiction by Don Webb, Jeffrey Thomas, Brian M, Sammons, Peter Rawlik, William Meikle, Kevin Lucia, David Kernot, Scott R. Jones, C.J. Henderson, Cody Goodfellow, David Dunwoody, Shane Jiraiya Cummings and David Conyers. Cover illustration by Paul Mudie. This sampler collection provides links to the various author’s works, personal interviews, and further information on their e-books. Step inside, and discover the newest horror releases lurking in the nightmare lands of Lovecraft…

    To know them will be to know him. And thus we have decided to release a new and expanded third edition of Robert Bloch’s Mysteries of the Worm. This collection contains four more Mythos tales–”The Opener of the Way”, “The Eyes of the Mummy”, “Black Bargain”, and “Philtre Tip”–not included in the first two editions.

    The thing they bring ashore is certainly unusual. Big mistake thinking it couldn't survive on land. Bigger mistake thinking that it's the only one of its kind.

    When originally published in 1985 by Harry Morris’s Silver Scarab Press, the book was hardly noticed. In 1989, an expanded version appeared that garnered accolades from several quarters. Writing in the Washington Post, the celebrated science fiction and fantasy author Michael Swanwick extolled: “Put this volume on the shelf right between H. P. Lovecraft and Edgar Allan Poe. Where it belongs.”The revisions in the present volume of Songs of a Dead Dreamer have been calculated to make its stories into enhanced incarnations of the originals. This edition is and will remain definitive.For those already familiar with the stories in Songs of a Dead Dreamer, an invitation is extended to return to them in their ultimate state. For those new to the collection, it is submitted to engage them with some of the most extraordinary tales of their kind. In either case, this publication of Songs of a Dead Dreamer offers evidence for why Ligotti has been judged to be among the most important authors in the history of supernatural horror.

    

    Think of what you’ve just read.” Lovecraftian stories are the bread and butter of the true horror fan. During his lifetime, Lovecraft himself encouraged other writers to develop stories in the vein we now call Lovecraftian: horror, based around the idea that Earth had been colonized by malign aliens in the remote past, long before mankind arose and became civilized, who eventually became worshipped and feared as evil Gods by their human servitors. Eventually these aliens had been “banished” to another dimensional limbo by a benign Elder Race, but might one day return to reclaim the Earth “when the stars are right.” That deep seated unease threads through this collection of Richard. A Lupoff's short stories that seem to share a common universe. Praise for Richard A. Lupoff: "Lupoff writes with intelligence, humour, wisdom, and a zest for life." - Joe Gorges, author of Hammett. Richard A. Lupoff began his writing career as a print and broadcast journalist while attending university. After earning his degree he served twice in the United States Army, first as an enlisted man, then as an officer. Following military service he worked for twelve years in the computer industry, while also serving as a guest lecturer at universities including the University of California (Berkeley) and Stanford University. As author and editor he has written more than fifty volumes, ranging from science fiction, mystery, fantasy, horror, and mainstream fiction to the evolution of cartooning and comics. He is a past winner of the Hugo Award, and a finalist for the Nebula and Oscar Awards. He has achieved the rare distinction of being represented in “Best of the Year” anthologies in three fields: science fiction, mystery, and horror.

    P. Lovecraft—an entire universe of gods and monsters that hundreds of writers have imitated. But Shea has done a lot more than merely mimic Lovecraft’s prose or add a new god or “forbidden book” to the Mythos. In his Mythos tales, Shea has infused his own unique vision and perspective. The much-reprinted “Fat Face” takes us into the seedy underworld of prostitutes and drug dealers in San Francisco, while other tales such as “Dagoniad,” “Copping Squid,” and “Tsathoggua” vividly meld Lovecraftian cosmic horror with the contemporary world of California, with its swimming pools and beachcombers. Shea was also fascinated with Lovecraft’s novel of Antarctic horror, At the Mountains of Madness, and his stories “Under the Shelf” and “Beneath the Beardmore” take us to that frozen land of death and terror. The title story, “Demiurge,” is a previously unpublished novella that draws upon Lovecraft’s tales of psychic possession in its chilling portrayal of a nameless monster who may be the harbinger of the overthrow of the entire human race. Michael Shea (1946–2014) was the award-winning author of The Color out of Time, the Nifft the Lean series of fantasy novels, and the classic tales “Polyphemus” and “The Autopsy.” This volume of his complete Cthulhu Mythos tales has been assembled by S. T. Joshi, a leading authority on Lovecraft and the Mythos. This volume features wraparound cover artwork and five interior illustrations by renowned artist Aeron Alfrey (MADHOUSE).

    Cross-genre blowtorches with bad guys and worse guys. Love stories both dark and bittersweet. A brand new novella and extensive story notes. You’ll find this and more in the fifth collection from three-time Bram Stoker award-winner Norman Partridge, an author Locus calls “one of the most dependable, exciting, and entertaining practitioners of dark suspense and dark fantasy… emphasis on the dark.”In Lesser Demons, Partridge explores the kind of fiction that made him both a horror fan and a writer. Using the shotgun prose of a crime novel, the title story draws a deadly bead on H. P. Lovecraft’s Cthulhu Mythos. “The Iron Dead” introduces Chaney, a monster-hunting pulp hero with a mechanical hand built in hell. “Carrion” cuts a mean swath through Robert E. Howard territory, while “The Big Man” explores dark shadows of American life never imagined in the atom-age horror movies of the fifties.Part celebration, part reinvention, Lesser Demons only serves to underscore RevolutionSF’s verdict: “Norman Partridge is the finest writer of short horror fiction going.” Table of Contents Second Chance The Big Man Lesser Demons Carrion The Fourth Stair up from the Second Landing And What Did You See in the World? Road Dogs The House Inside Durston The Iron Dead A Few Words AfterDust jacket by Vincent Chong

    P. Lovecraft from authors who do not merely imitate, but reimagine, re-energize, and renew his concepts in ways relevant to today's readers. Fresh new fiction that explores our modern fears and nightmares. From the depths of R'lyeh to the heights of the Mountains of Madness, some of today's best weird fiction writers -- both established award-winning authors and exciting new voices -- THE MAMMOTH BOOK OF CTHULHU collects tales of cosmic horror that traverse terrain created by Lovecraft and create new eldritch geographies to explore . . . With stories by: Laird Barron, Nadia Bulkin, Amanda Downum, Ruthanna Emrys, Richard Gavin, Lois H. Gresh, Lisa L. Hannett, Brian Hodge, CaitlíR. Kiernan, John Langan, Yoon Ha Lee, Usman T. Malik, Helen Marshall, Silvia Moreno, Norman Partridge, W. H. Pugmire, Veronica Schanoes, Michael Shea, John Shirley, Simon Strantzas, Sandra McDonald, Damien Angelica Walters, Don Webb, Michael Wehunt, and A.C. Wise

    Lovecraft is one of the most influential modern horror writers. Lovecraft's fiction is a category unto itself. Eschewing the traditional werewolves, vampires, and ghosts of most horror fiction, he wrote of dread Elder Gods and cosmic, earth-shattering horrors. Lovecraft mined rich veins of terror uniquely his own, and wherever in the known and unknown universe his imagination sped, readers followed—fascinated, enrapt, and terrified by the scope of his dark vision.More than fifty years after his death, Lovecraft's fiction continues to influence each new generation of horror readers…and writers. Lovecraft's Legacy collects 13 stories by critically-acclaimed, award-winning horror and dark fantasy writers, including F. Paul Wilson, Brian Lumley, Gene Wolfe, and Gahan Wilson. With an introduction by Robert Bloch, author of Psycho, this splendid anthology pays well-deserved homage to the late, great master of the weird tale.

    Lovecraft and his successors. Here in the library, under lock and key, are some of the world’s most dangerous books, most famously the dreaded Necronomicon of the mad Arab, Abdul Alhazred. There was a notably unpleasant incident in the late 1920s, when a certain Wilbur Whateley tried to steal that particular volume, and met a hideous fate. Fortunately, that time at least, the head librarian and his colleagues were able to save the Earth from the dreadful danger of the Dunwich Horror. How safe are Miskatonic’s security precautions and what has perhaps disappeared from, or appeared in the collection since? What other creepy, maddening, extra-dimensional, or even sentient tomes reside on those forbidden shelves? What strange events have taken place among the stacks? Is there an inter-library loan system? Who, or what, comes after miscreants who fail to return books on time? In the modern, digital age, what would happen if some of the content escaped over the Internet? Are some of the books, or all of them, little more than slowly ticking time bombs? And what, dare we ask, can be found in the Cooking Section? If you learn all the secrets of the Miskatonic University Library, will you go mad—or just wish you had? A feast of bibliographical horrors by Don Webb, Adrian Cole, Dirk Flinthart, Harry Turtledove, P.D. Cacek, Will Murray, A.C. Wise, Marilyn Mattie Brahen, Douglas Wynne, Alex Shvartsman, James Van Pelt, Robert M. Price, and Darrell Schweitzer. If you learn all the secrets of the Miskatonic University Library, will you go mad—or just wish you had?