The musician answers, "The most beautiful sound is the sound of ma, of silence."But Yoshio lives in Tokyo, Japan: a giant, noisy, busy city. He hears shoes squishing through puddles, trains whooshing, cars beeping, and families laughing. Tokyo is like a symphony hall!Where is silence?Join Yoshio on his journey through the hustle and bustle of the city to find the most beautiful sound of all.

    They will have to learn about sharing and cooperation for everyone to be happy. Full-color illustrations.

    . . . It's all done with a commendable amount of taste, imagination, and style."--School Library Journal (starred review)"A beautifully convincing tale."--The New York Times Book Review"Using elements of traditional Japanese art, the illustrator has made marvelously imaginative pictures."--The Horn Book"Lent's pictures are a lively blend of finely detailed, delicate drawings and rip-roaring good humor."--The Boston Globe"A good read-aloud with lots of suspense."--LearningAwards: ALA Notable Children's Book Child Study Association Book of the Year The Horn Book Fanfare

    Though well meaning, George's curiosity always gets him into trouble. Young readers can easily relate, and Rey's cheerful illustrations celebrate Curious George's innocence.

    J. Funnybunny in this humorous and touching Beginner Book by Marilyn Sadler and Roger Bollen. It’s Not Easy Being a Bunny tells the “tail” of P.J. and his quest to become something other than what he is. Is it more fun to be a bear, a bird, or a pig? Read along as P.J. tries to determine who he is—and where he belongs. Originally created by Dr. Seuss, Beginner Books encourage children to read all by themselves, with simple words and illustrations that give clues to their meaning."Sick of being a bunny, P. J. Funnybunny takes off to become a bear. Hibernation gets dull, so he tries being a bird. And so it goes, with beavers, pigs, possums, and skunks--till P. J. realizes that bunnyhood is for him. The short, repeating text is ideal for beginners and the bright, humorous cartoons will get immediate attention."-- School Library Journal.

    There was no dessert in his lunch bag. And, on top of all that, there were lima beans for dinner and kissing on TV!This handsome new edition of Judith Viorst's classic picture book is sure to charm readers of all ages.

    When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard this act of disillusionment as betrayal on his part- their retribution is deliberate and horrifying.

    The little boy was called Hansel, and the little girl's name was Gretel.So begins this classic Grimm tale of two innocent children, abandoned in the forest by their cruel mother, who happen upon the enchanting gingerbread house of a wicked witch. Hansel's cunning and little Gretel's courage foil the witch's evil plan to fatten them up and eat them, and in the best fairy tale tradition, they and their loving father live happily ever after.

    But at its core, Margery Williams’s classic story is about stark realities: humans are brusque and unreliable, toys wear out, and—above all—one is either real or one is not. “He hasn’t got any hind legs!” sneers a real rabbit in the original version’s woodland scene. “ ‘Fancy a rabbit without any hind legs!’ And he began to laugh.” In Sakai’s (In the Meadow) retelling, those cruel truths are considerably softened and pared down—where Williams sometimes seemed to prolong the afflictions of her hero, Sakai touches on them only long enough to give her story some emotional heft before moving on. Sakai’s illustrations, richly textured paintings done in acrylic and oil pencil, retain the original’s Edwardian setting, while cushioning the story’s sharp edges with blankets of smudgy, luminous color. Throughout, Sakai emphasizes the rabbit’s stiff, toylike unreality, showing him lying forgotten in the garden beside a shovel or propped up against a tree. It’s an elegant condensation, but in the process, much of the emotional power has been dialed down. Ages 4–up.

    Contains Blinky Bill, Blinky Bill Grows Up, and Blinky Bill and Nutsy.

    Little Nutbrown Hare shows his daddy how much he loves him: as wide as he can reach and as far as he can hop. But Big Nutbrown Hare, who can reach farther and hop higher, loves him back just as much. Well then Little Nutbrown Hare loves him right up to the moon, but that's just halfway to Big Nutbrown Hare's love for him.

    It is approximately 30 pages in length and best viewed in color.Find out what happens to the crazy frog when he runs into one of his loved ones!

    Pictures and text of moving and harmonious simplicity". - Saturday Review.

    Imogene, the cook, and the kitchen maid, however, make the best of things, finding unusual uses for Imogene's new horns. Meanwhile, the problem appears to be solved when Imogene awakes the next morning antler-free. But the family (and the reader) are in for a surprise when Imogene comes down to breakfast.

    Now available again after three decades, DON'T BUMP THE GLUMP! and Other Fantasies was originally published in 1964, the same year as his most famous picture book, THE GIVING TREE.