More interested in David Bowie and the Beatles than the Nordic sagas that shape the lives of the working-class peoples of Reykjavik, Paul retreats into his own fantastic, schizophrenic, painful world. His madness springs from bits of reality and brighter strikes of insanity. Out-of-work and aimless, tormented by bouts of drinking and ferocious tantrums, Paul walks Reykjavik's streets scaring his family lusting after women, recounting petty humiliations, and imagining the forces that both guide and haunt him. Paul's behaviors lead him to Klepp, a psychiatric hospital outside Reykjavik where he plays out his days in therapy and frantic conversation with its resident patients. Sparsely inhabited, Klepp tends to a variety of disturbed people creating comedic havoc.

    Read an exclusive excerpt at BookBrowse today.The hottest summer of the twentieth century. A tiny community of five houses in the middle of wheat fields. While the adults shelter indoors, six children venture out on their bikes across the scorched, deserted countryside.In the midst of that sea of golden wheat, nine year-old Michele Amitrano discovers a secret so momentous, so terrible, that he daren’t tell anyone about it. To come to terms with it he will have to draw strength from his own imagination and sense of humanity. The reader witnesses a dual story: the one that is seen through Michele's eyes, and the tragedy involving the adults of this isolated hamlet. The result is an immensely powerful, lyrical and skillfully narrated novel, its atmosphere reminiscent of Tom Sawyer, Stephen King's Stand By Me and Italo Calvino's Italian Fairy Tales. This is Ammaniti's third book, but his first to be published in the USA.

    A face-off between a man and a boy. The same blood runs through their veins. One, Daniele Mallarico, is a successful illustrator at the peak of his career. The other, Mario, is his four-year-old grandson who has barely learned to talk but has a few tricks up his loose-fitting sleeves all the same. The older combatant has lived for years in almost complete solitude. The younger one has been dumped with a grandfather he barely knows for 72 hours. Starnone’s sharp novella unfolds within the four walls (and a balcony!) of the apartment where the grandfather grew up, now the home of his daughter and her family, where the rage of an aging man meets optimism incarnate in the shape of a four-year-old child. Lurking, ever present in the conflict, is the memory of Naples, a wily, violent, and passionate city where the old man spent his youth and whose influence is not easily shaken.

    One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

    Underlying this libertine fantasy is a profound meditation on contemporary life: about the secret bond between slowness and memory, about the connection between our era's desire to forget and the way we have given ourselves over to the demon of speed. And about "dancers" possessed by the passion to be seen, for whom life is just merely a perpetual show emptied of every intimacy and every joy.

    From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on.As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

    Cast in memory of conjoined twins, the bells are said to ring on their own in times of danger. In 1879, young pastor Kai Schweigaard moves to the village, where young Astrid Hekne yearns for a modern life. She sees a way out on the arm of the new pastor, who needs a tie to the community to cull favor for his plan for the old stave church, with its pagan deity effigies and supernatural bells. When the pastor makes a deal that brings an outsider, a sophisticated German architect, into their world, the village and Astrid are caught between past and future, as dark forces come into play.   Lars Mytting, bestselling author of Norwegian Wood, brings his deep knowledge of history, carpentry, fishing, and stave churches to this compelling historical novel, an international bestseller sold in 12 countries. With its broad-canvas narrative about the intersection of religion, superstition, and duty, The Bell in the Lake is an irresistible story of ancient times and modern challenges, by a powerful international voice.

    The masterful narrative makes halt in Mexico, Siberia and East Berlin, climbing the summits and charting the abysses of the 20th century along the way. The result is both a stunning panorama and a monumental German novel that makes history itself tangible through the history of one family. A novel of immense stature, founded on its humanity, its precision and its humour.In Times of Fading Light focuses on three generations. The grandparents, still convinced Communists, return to the fledging East Germany at the beginning of the 1950s to do their part in establishing the new state. Their son returns from the other direction, having emigrated to Moscow and found himself banished to Siberia. He returns with his Russian wife to a country mired in petit bourgeois values, yet also brings with him an unwavering belief that they can be changed. The grandson, meanwhile, feels increasingly constricted in a heimat that was not of his choosing, and heads to the West on the very day that his grandfather, the family patriarch, turns 90. The glittering lights of a political utopia that once shone enticingly seem to be gradually fading as time wears unwaveringly on.

    The book was called The Reckoning, and it told the story of Jan Landzaat, a history teacher who went missing one winter after his brief affair with Laura, his stunning pupil. Jan was last seen at the holiday cottage where Laura was staying with her new boyfriend. Upon publication, M.'s novel was a bestseller, one that marked his international breakthrough.That was years ago, and now M.'s career is almost over as he fades increasingly into obscurity. But not when it comes to his bizarre, seemingly timid neighbor who keeps a close eye on him. Why? From various perspectives, Herman Koch tells the dark tale of a writer in decline, a teenage couple in love, a missing teacher, and a single book that entwines all of their fates. Thanks to The Reckoning, supposedly a work of fiction, everyone seems to be linked forever, until something unexpected spins the "story" off its rails. With racing tension, sardonic wit, and a world-renowned sharp eye for human failings, Herman Koch once again spares nothing and no one in his gripping new novel, a barbed tour de force suspending readers in the mysterious literary gray space between fact and fiction, promising to keep them awake at night, and justly paranoid in the merciless morning.

    There, in the company of a torture survivor, a lame dog, and other unforgettable characters, Maya Vidal writes her story, which includes pursuit by a gang of assassins, the police, the FBI, and Interpol. In the process, she unveils a terrible family secret, comes to understand the meaning of love and loyalty, and initiates the greatest adventure of her life: the journey into her own soul.

    Stripped of any preciousness or sentimentality, Natalia Ginzburg’s writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don’t more wives kill their husbands?

    She is observed at all times by the undetected narrator, the Woman in the Yellow Cardigan. From a distance the Woman in the Purple Skirt looks like a schoolgirl, but there are age spots on her face, and her hair is dry and stiff. Like the Woman in the Yellow Cardigan, she is single, she lives in a small, run-down apartment, and she is short on money. The Woman in the Yellow Cardigan lures her to a job where she herself works, as a hotel housekeeper; soon the Woman in the Purple Skirt is having an affair with the boss. Unfortunately, no one knows or cares about the Woman in the Yellow Cardigan. That's the difference between her and the Woman in the Purple Skirt.Studiously deadpan, highly original, and unsettling, The Woman in the Purple Skirt explores the dynamics of envy, the mechanisms of power in the workplace, and the vulnerability of unmarried women in a taut, voyeuristic narrative about the sometimes desperate desire to be seen.

    Estranged from his family, living alone with only his cat Cabbage for company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can set about tackling his bucket list, the Devil appears with a special offer: in exchange for making one thing in the world disappear, he can have one extra day of life. And so begins a very bizarre week . . .Because how do you decide what makes life worth living? How do you separate out what you can do without from what you hold dear? In dealing with the Devil our narrator will take himself – and his beloved cat – to the brink. Genki Kawamura's If Cats Disappeared from the World is a story of loss and reconciliation, of one man’s journey to discover what really matters in modern life.This beautiful tale is translated from the Japanese by Eric Selland, who also translated The Guest Cat by Takashi Hiraide. Fans of The Guest Cat and The Travelling Cat Chronicles will also surely love If Cats Disappeared from the World.

    He is turned away but not before learning that one of the most adept of the old priestesses, or sibyls, lives in disgrace in the mountains above the temple. In her rude goat-hut he seeks the meaning of his disastrous brush with the son of God. She reveals that she, too, has been touched by the son of a god, a very different son, not quite human, born of her own body. He dwells with her as a constant reminder of the betrayal of her mystical and erotic union with the divine, her punishment, and perhaps her redemption.

    A small child when he comes to England on a Kindertransport in the summer of 1939, one Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, the fleeting memories return to him, and obeying an instinct he only dimly understands, he follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.