From the primitive peasant who kills without understanding that he is destroying life to the anxious antihero of Notes from Underground—who both craves and despises affection—the writer's often-tormented characters showcase his evolving outlook on our fate.Thomas Mann described Dostoyevsky as "an author whose Christian sympathy is ordinarily devoted to human misery, sin, vice, the depths of lust and crime, rather than to nobility of body and soul" and Notes from Underground as "an awe- and terror- inspiring example of this sympathy."

    One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

    The Gambler explores the compulsive nature of gambling, one of Dostoevsky's own vices and a subject he describes with extraordinary acumen and drama. Both works are new translations, specially commissioned for the World's Classics series.

    John Waggoner's superb translation of and commentary on Joly's Dialogue--the first faithful translation in English--seeks not only to update the sordid legacy of the Protocols but to redeem Joly's original work for serious study in its own right, rather than through the lens of antisemitism. Waggoner's work vindicates a man who was neither an antisemite nor a supporter of the kind of tyrannical politics the Protocols subsequently served and presents Maurice Joly, once much maligned and too long ignored, as one of the nineteenth century's foremost political thinkers.