Power. Respect. All the things twenty-six-year-old self-made mogul Domino Black possesses, along with good looks and a huge dick to complement. As a young man who’s had to suffer more heartache than a little bit, the last thing he’s looking for is love. All Domino wants from women is what they’re good for – sex. Life has taught him that relationships aren’t worth the time or energy, and that in the words of Chris Brown, “these hoes ain’t loyal.” That is, until crossing paths with twenty-one-year-old Bailee Rodgers, who catches his eye from their first encounter. Will this bad boy turn good for the one girl who’s willing to show him that not all women are the same? Bailee Rodgers feels that life has dealt her some bad hands, starting with the death of a loved one. Coping with the loss she suffered led her to the arms of Tyler, who she soon realizes is not the man she wants or needs in her life. Bailee’s desire is to focus on healing her on broken heart, but when she meets the infamous Domino Black, she wonders if he could be the one to take her pain away. Bailee soon finds that Domino is two notches shy of crazy, but Domino may have met his match in her, because Bailee immediately proves to Domino that she’s not weak and insecure like the women he’s used to. Making good love to this bad boy is fun and exciting, but with lies, secrets, and drama lurking in the background, Bailee often wonders if it’s worth it… In this crazy, hood, love story, will Columbia’s biggest player be willing to change in order to win the heart of the sweet, innocent, broken-hearted girl, or will he add to her hurt and pain by being exactly who everybody makes him out to be?

    It had other plans.Now the world is dying beneath squalls of acid rain. The earth is being strip-mined for minerals to support the AI’s vast factories. Fields no longer grow green. Trees no longer sprout leaves. The only choice people have, if they want to live, is to pledge their souls to the AI, and serve its perverse ambitions.Tim, Logan, and Aella don’t like living in a world where they have to scratch for crumbs. They intend to change it. They’re going to kill the AI with a virus that’ll worm its way through the planet’s networks, destroying everything coded in bits and bytes, every piece of software that controls a machine, makes a decision, or thinks it’s alive—especially if it thinks it’s alive.They just need to find a way to upload the virus to the system without it killing them first.

    

    Finally when he found the inner peace that always seemed to elude him tragedy strikes once again. With the potential of spending the rest of his life in prison and never reuniting with his wife again, Genesis will need the help of everyone who cares about him to ever be free. Can Supreme, Lorenzo, Amir and T-Roc do the impossible or are the cards stacked so high against him Genesis must accept that his fate has been written? Talisa and Skylar are both in love with the same man. One is his wife who Genesis believed was dead and the other is a woman he promised to share his future with. But only one can have his heart. What are the women willing to do in the name of love? Find out in Stackin Paper Part 3.

    Holl reveals his working methods in this book, part treatise, part manifesto, and part, as Holl writes, "liner notes" to fifteen of his projects. Parallax traces Holl's ideas on topics as diverse as the "chemistry of matter" and the "pressure of light," and shows how they emerge in his architectural work: "criss-crossing" at the Kiasma Museum of Contemporary Art in Helsinki, "duration" in the Palazzo del Cinema in Venice, "correlational programming" in the Makuhari housing in Japan. The result is a book that provides a personal tour of the work of one of the world's most esteemed architects. Parallax is designed by Michael Rock of the award-winning design firm 2x4.

    His distinctive brand of architecture, usually moulded around local building traditions (especially those of Kerela, his adopted home state in south India), is instantly identifiable and has, unsurprisingly, revolutionized traditional concepts of architecture in India. Baker's architecture is responsive, uses local materials and lays stress on low-cost design.This biograpy of Laurie Baker, like his work, is direct, simple and comprehensive; further embellished with sketches, plans, photographs and some of Baker's own writings, the book offers the professional architect view of the life, methods and thoughts of an unorthodox genius.

    Lippard, one of America's most influential art writers, weaves together cultural studies, history, geography, photography, and contemporary public art to provide a fascinating exploration of our multiple senses of place. Expanding her reach far beyond the confines of the art world, she discusses community, land use, perceptions of natures, how we produce the landscape, and how the landscape affects our lives.

    His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures.

    It discusses the Garden Cities movement and the suburban developments it generated, the German-Russian architectural experiments of the 1920s, the place of the avant-garde in the plastic arts, and the uses and pitfalls of seismological approaches to architecture, and assesses the prospects of socialist alternatives.

    Indianapolis. Charleston. Des Moines. What do these cities have in common? They are cities of modest size but outsized accomplishment, powered by a can-do spirit, valuing compromise over confrontation and progress over political victory. These are the cities leading America . . . and they're not waiting for Washington's help.As mayor of one of America's most improved cities, Cornett used a bold, creative, and personal approach to orchestrate his city's renaissance. Once regarded as a forgettable city in flyover country, Oklahoma City has become one of our nation's most dynamic places-and it is not alone. In this book, Cornett translates his city's success-and the success of cities like his-into a vision for the future of our country.The Next American City is a story of civic engagement, inventive public policy, and smart urban design. It is a study of the changes re-shaping American urban life-and a blueprint for those to come.

    

    Disenchanted with city life, international celebrity Fly, returns to the island of his birth to find stability of mind in a natural environment. Eventually, he is traced by his manager, a man determined to involve Fly in a cunning scheme that would convert that peaceful haven into a leisure complex for the mega rich, a development that would turn the gentle island into a glittering millionaire's bauble. Can Fly and his peaceful community defend their island and their lifestyle from the treacherous mind of his manager?

    

     Now, in this final chapter, she stares down the barrel of a mature existence, and realises that if she's ever going to live a normal life, she'll have to shed herself of her past completely, and start all over again. But after all the baggage is dumped, is there even anything left of the little girl within? DISCLAIMER: This is a true story of child abuse. Reader discretion is advised.

    They set up operations at River Glen, his mother’s property, not far from the Hardy property, Avonlea.Fourteen years earlier, an accident tore them apart, and she blames Grant for the tragedy. When she meets up with him, her mind is determined to replay the past as though it were a new release.As they work together, their love is rekindled until another incident tears them apart. With the case concluded, Ella hands in her resignation with intentions to help her parents’ out at Avonlea but wealthy grazier, Dylan Burns offers a new romance.As Ella faces danger and disaster, it’s up to her to save herself but can she still hope for a future with Grant or any future at all?