After being orphaned as a young girl, Asghar grapples with coming-of-age as a woman without the guidance of a mother, questions of sexuality and race, and navigating a world that put a target on her back. Asghar's poems at once bear anguish, joy, vulnerability, and compassion, while exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests in our relationships with friends and family, and in our own understanding of identity. Using experimental forms and a mix of lyrical and brash language, Asghar confronts her own understanding of identity and place and belonging.

    When she was eight, her parents sold her into slavery. Shyima then moved two hours away to Egypt’s capitol city of Cairo to live with a wealthy family and serve them eighteen hours a day, seven days a week. When she was ten, her captors moved to Orange County, California, and smuggled Shyima with them. Two years later, an anonymous call from a neighbor brought about the end of Shyima’s servitude—but her journey to true freedom was far from over.A volunteer at her local police department since she was a teenager, Shyima is passionate about helping to rescue others who are in bondage. Now a US citizen, she regularly speaks out about human trafficking and intends to one day become an immigration officer. In Hidden Girl, Shyima candidly reveals how she overcame her harrowing circumstances and brings vital awareness to a timely and relevant topic.

    But when she's sent a picture of her boyfriend kissing another girl, she knows she's got to act. What follows is a mad, twelve-hour dash around London - starting at 8pm in Crystal Palace (so far away from civilisation you can't even get the Tube there) then sweeping through Camden, Shoreditch, Soho, Kensington, Notting Hill . . . and ending up at 8am in Alexandra Palace.Along the way Sunny meets a whole host of characters she never dreamed she'd have anything in common with - least of all the devilishly handsome (and somewhat vain) French 'twins' (they're really cousins) Jean Luc and Vic. But as this love-letter to London shows, a city is only a sum of its parts, and really it's the people living there who make up its life and soul. And, as Sunny discovers, everyone - from friends, apparent-enemies, famous bands and even rickshaw drivers - is willing to help a girl on a mission to get her romantic retribution.

    The Atlas of Beauty is a collection of her photographs that celebrates women from fifty countries across the globe and shows that beauty is everywhere, regardless of money, race or social status, and comes in many different sizes and colours. Mihaela's portraits feature women in their native environments, from the Amazon rain forest to markets in India, London city streets and parks in Harlem, creating a mirror of our varied cultures and proving that beauty has no rules.'Stunning . . . aims to challenge the ideals of beauty dictated by the women's fashion magazine industry' Independent'A startling and revealing project' Daily Mail'Scrolling through "The Atlas of Beauty", beauty becomes not a universal standard, but a complicated tapestry' Huffington Post

    Ellis and Vada have a friendship so consuming it’s hard to tell where one girl ends and the other begins. It’s intense. It’s a little codependent. And nothing can tear them apart.Until an accident on an icy winter road changes everything.Vada is left deeply scarred, both emotionally and physically. Her once-promising art career is cut short. And Ellis pulls away, unwilling to talk about that night. Everything Vada loved is gone.She’s got nothing left to lose.So when she meets some smooth-talking entrepreneurs who offer to set her up as a cam girl, she can’t say no. All Vada has to do is spend a couple hours each night stripping on webcam, and the “tips” come pouring in.It’s just a kinky escape from reality until a client gets serious. “Blue” is mysterious, alluring, and more interested in Vada’s life than her body. Online, they chat intimately. Blue helps her heal. And he pays well, but he wants her all to himself. No more cam shows. It’s an easy decision: she’s starting to fall for him. But the steamier it gets, the more she craves the real man behind the keyboard. So Vada pops the question:Can we meet IRL?Blue agrees, on one condition. A condition that brings back a ghost from her past. Now Vada must confront the devastating secrets she's been running from—those of others, and those she's been keeping from herself...

    Armed with a legal education from Oxford, Perveen also has a tragic personal history that makes her especially devoted to championing and protecting women's rights. Mistry Law is handling the will of Mr. Omar Farid, a wealthy Muslim mill owner who has left three widows behind. But as Perveen goes through the papers, she notices something strange: all three have signed over their inheritance to a charity. What will they live on if they forefeit what their husband left them? Perveen is suspicious. The Farid widows live in purdah: strict seclusion, never leaving the women's quarters or speaking to any men. Are they being taken advantage of by an unscrupulous guardian? Perveen tries to investigate and realizes her instincts about the will were correct when tensions escalate to murder. It's her responsibility to figure out what really happened on Malabar Hill, and to ensure that nobody is in further danger.

    . . . Tamila Soroush wanted it all. But in the Islamic Republic of Iran, dreams are a dangerous thing for a girl. Knowing they can never come true, Tami abandons them. . . . Until her twenty-fifth birthday, when her parents give her a one-way ticket to America, hoping she will “go and wake up her luck.” If they have their way, Tami will never return to Iran . . . which means she has three months to find a husband in America. Three months before she’s sent back for good.From her first Victoria’s Secret bra to her first ride on a motor scooter to her first country line-dance, Tami drinks in the freedom of an American girl. Inspired to pursue her passion for photography, she even captures her adventures on film. But looming over her is the fact that she must find an Iranian-born husband before her visa expires. To complicate matters, her friendship with Ike, a young American man, has grown stronger. And it is becoming harder for Tami to ignore the forbidden feelings she has for him.It’s in her English as a second language classes that Tami finds a support system. With the encouragement of headstrong Eva, loyal Nadia, and Agata and Josef, who are carving out a love story of their own, perhaps Tami can keep dreaming—and find a way to stay in America.

    She plans to spend every last moment with her two best friends before they go off to the opposite ends of Texas for school. But when Ellen is grounded for the entire summer by her (sometimes) evil stepmother, all her plans are thrown out the window.Determined to do something with her time, Ellen (with the help of BFF Melissa) convinces her parents to let her join the local muggle Quidditch team. An all-gender, full-contact game, Quidditch isn't quite what Ellen expects. There's no flying, no magic, just a bunch of scrappy players holding PVC pipe between their legs and throwing dodgeballs. Suddenly Ellen is thrown into the very different world of sports: her life is all practices, training, and running with a group of Harry Potter fans.Even as Melissa pulls away to pursue new relationships and their other BFF Xiumiao seems more interested in moving on from high school (and from Ellen), Ellen is steadily finding a place among her teammates. Maybe Quidditch is where she belongs.But with her home life and friend troubles quickly spinning out of control--Ellen must fight for the future that she wants, now she's playing for keeps.

    Willow Wilson—already an accomplished writer on modern religion and the Middle East at just twenty-seven—leaves her atheist parents in Denver to study at Boston University, she enrolls in an Islamic Studies course that leads to her shocking conversion to Islam and sends her on a fated journey across continents and into an uncertain future.She settles in Cairo where she teaches English and submerges herself in a culture based on her adopted religion. And then she meets Omar, a passionate young man with a mild resentment of the Western influences in his homeland. They fall in love, entering into a daring relationship that calls into question the very nature of family, belief, and tradition. Torn between the secular West and Muslim East, Willow records her intensely personal struggle to forge a “third culture” that might accommodate her own values without compromising the friends and family on both sides of the divide.

    At the heart of the narrative -- told from Yunah's intimate, engaging point of view -- is an unforgettable event from their childhood: an accident that disfigured Inah for life, and the overwhelming sadness and guilt Yunah feels at having been spared. Now that Inah and Yunah are adults, each in search of her own identity while trying to remain true to traditional family values, they must find a way to negotiate their past and become the people they dare -- and dream -- to be. Emotionally charged and thought-provoking, Translations of Beauty is an insightful saga of the immigrant experience that will resonate with all readers.

    Tired of her job and the domestic grind, and bewildered by her teenage daughter, one night Jenny stumbles into a vigilante rescue. Suddenly her world is exciting again - and she's a hero. In the costume, she can be anyone she wants. And so her secret life begins. But when a real villain appears, Jenny's need for adventure begins to cost her dearly. As she starts to see less and less clearly through the mask, she finds her fantasy life becoming frighteningly real.We all want to be extraordinary, and we all have a moment in our lives when we realise that we're not. Vigilante is about a woman who refuses to accept it gracefully...

    Because yes, I do know that Owen would never do that, but I also know Hannah would never lie about something like that."Mara and Owen are about as close as twins can get. So when Mara's friend Hannah accuses Owen of rape, Mara doesn't know what to think. Can the brother she loves really be guilty of such a violent crime? Torn between the family she loves and her own sense of right and wrong, Mara is feeling lost, and it doesn't help that things have been strained with her ex-girlfriend and best friend since childhood, Charlie.As Mara, Hannah, and Charlie navigate this new terrain, Mara must face a trauma from her own past and decide where Charlie fits in her future. With sensitivity and openness, this timely novel confronts the difficult questions surrounding consent, victim blaming, and sexual assault.

    She made a compelling argument about the fluidity of partnerships, and how families today come in a myriad of designs. In her first book, Bello broadens her insights as she examines the idea of partnership in every woman’s life, and her own. She examines the myths that so many of us believe about partnership—that the partnership begins when the sex begins, that partnerships are static, that you have to love yourself before you can be loved, and turns them on their heads. Bello explores how many different relationships—romantic, platonic, spiritual, familial, educational—helped define her life. She encourages women to realize that the only labels we have are the ones we put on ourselves, and the best, happiest partnerships are the ones that make your life better, even if they don’t fit the mold of “typical.” Throughout this powerful and engaging read, Bello shares intimate stories and lessons on how she has come to discover her happiest self, accept who she is, and live honestly and freely, and tells the stories of those who came to her after her Times’ columns, grateful that someone gave voice to their life choices.Love is Love is not a memoir about an actress. It is a frank, raw, and honest book about the way every woman questions the roles she plays in love, work, and life, filled with wisdom, questions, and insights relevant to us all.

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

     Born a boy but raised a girl, Joe was 25 years old and still living as Joella when he discovered the full truth about his beginnings. For decades, doctors believed baby boys born without a penis should be classified as girls. When he was eight, Joe's plight attracted worldwide media attention – and touched the heart of Princess Diana. She's A Boy is Joe's story; a true survivor who has overcome unthinkable physical and emotional challenges and come out the other side with a firm sense of who he really is.