Unicorns, edited by Holly Black and Justine Larbalestier and published by Simon and Schuster;"A Game of Firsts," originally published in The First Time, edited by Jessica Verday and Rhonda Stapleton;"Hare Moon," originally published in Kiss Me Deadly: 13 Tales of Paranormal Love, edited by Trisha Telep and published by Running Press Teens; later published in a slightly different form by Random House.

    Lovecraft and his circle. Marina Willett, M.D., has a problem. Her husband, Charlie, has become obsessed with H.P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends--or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears. The police say it's suicide. Marina is a psychiatrist, and she doesn't believe them.A tour-de-force of storytelling, The Night Ocean follows the lives of some extraordinary people: Lovecraft, the most influential American horror writer of the 20th century, whose stories continue to win new acolytes, even as his racist views provoke new critics; Barlow, a seminal scholar of Mexican culture who killed himself after being blackmailed for his homosexuality (and who collaborated with Lovecraft on the beautiful story The Night Ocean); his student, future Beat writer William S. Burroughs; and L.C. Spinks, a kindly Canadian appliance salesman and science-fiction fan -- the only person who knows the origins of The Erotonomicon, purported to be the intimate diary of Lovecraft himself.As a heartbroken Marina follows her missing husband's trail in an attempt to learn the truth, the novel moves across the decades and along the length of the continent, from a remote Ontario town, through New York and Florida to Mexico City.The Night Ocean is about love and deception -- about the way that stories earn our trust, and betray it.

    "Deep in a dark, snow-covered cemetery, a terrifying, moaning apparition rises from the same grave night after night. Even the most hardened caretakers won t go near the Spooner gravestone on their midnight rounds. Only one ghost hunter has the will to face the unknown, but at what price? In the chilling blackness, only Jessica Backman is prepared to answer the spectral cry from beyond when the graveyard speaks.

    An inveterate womaniser and rogue, he and his gang make a living on the wrong side of the law, avoiding the heavily armed flying frigates of the Coalition Navy. With their trio of ragged fighter craft, they run contraband, rob airships and generally make a nuisance of themselves. So a hot tip on a cargo freighter loaded with valuables seems like a great prospect for an easy heist and a fast buck. Until the heist goes wrong, and the freighter explodes. Suddenly Frey isn't just a nuisance anymore - he's public enemy number one, with the Coalition Navy on his tail and contractors hired to take him down. But Frey knows something they don't. That freighter was rigged to blow, and Frey has been framed to take the fall. If he wants to prove it, he's going to have to catch the real culprit. He must face liars and lovers, dogfights and gunfights, Dukes and daemons. It's going to take all his criminal talents to prove he's not the criminal they think he is ...

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    This collection embraces all the newest forms of fantasy in vogue, from urban fantasy and extreme dystopian fiction, to alternate history and entire new fantasy worlds.

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    Built in the 1780's to hide an aristocratic family and a mad duke during the French Revolution, the palace has lain hidden and forgotten ever since. Anouk, along with several other gifted teenagers, will be the first to set foot in it in over two centuries.Or so she thought.But nothing is as it seems, and the teens soon find themselves embroiled in a game far more sinister, and dangerous, than they could possibly have imagined. An evil spanning centuries is waiting for them in the depths. . .

    The world’s initial wonder and awe over the Alpha quickly turns ugly and paranoid and violent, and Lyric’s small town transforms into a military zone with humans on one side and Alpha on the other. When Lyric is recruited to help the crown prince, a boy named Fathom, assimilate, she begins to fall for him. But their love is a dangerous one, and there are forces on both sides working to keep them apart. Only, what if the Alpha are not actually the enemy? What if they are in fact humanity’s only hope of survival? Because the real enemy is coming. And it’s more terrifying than anything the world has ever seen.Action, suspense, and romance whirlpool dangerously in this cinematic saga, a blend of District 9 and The Outsiders.

    We also brought our demons. In Burning Girls and Other Stories, Veronica Schanoes crosses borders and genres with stories of fierce women at the margins of society burning their way toward the center. This debut collection introduces readers to a fantasist in the vein of Karen Russell and Kelly Link, with a voice all her own.Emma Goldman--yes, that Emma Goldman--takes tea with the Baba Yaga and truths unfold inside of exquisitely crafted lies. In Among the Thorns, a young woman in seventeenth century Germany is intent on avenging the brutal murder of her peddler father, but discovers that vengeance may consume all that it touches. In the showstopping, awards finalist title story, Burning Girls, Schanoes invests the immigrant narrative with a fearsome fairytale quality that tells a story about America we may not want--but need--to hear.Dreamy, dangerous, and precise, with the weight of the very oldest tales we tell, Burning Girls and Other Stories introduces a writer pushing the boundaries of both fantasy and contemporary fiction.With a foreword by Jane Yolen

    Now Bob Howard, Laundry agent, must travel to the quiet English countryside to deal with an outbreak of one of the worst horrors imaginable. For, as it turns out, unicorns are real. They're also ravenous killers from beyond spacetime...At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    So when a man is found dead with his body impossibly covered in a fungal rot, the local authorities know they are out of their depth.Fortunately this is Germany, where there are procedures for everything.Enter Investigator Tobias Winter, whose aim is to get in, deal with the problem, and get out with the minimum of fuss, personal danger and paperwork. With the help of frighteningly enthusiastic local cop, Vanessa Sommer, he’s quick to link the first victim to a group of ordinary middle aged men – and to realise they may have accidentally reawakened a bloody conflict from a previous century. But the rot is still spreading, literally and with the suspect list extending to people born before Frederick the Great solving the case may mean unearthing the city’s secret magical history.. . . so long as that history doesn’t kill them first.

    Because Arthur is no hero. He's a good cop, but prefers that action and heroics remain on the screen, safely performed by professionals. But then, secretive government agency MI37 comes calling, hoping to recruit Arthur in their struggle against the tentacled horrors from another dimension known as the Progeny. But Arthur is NO HERO! Can an everyman stand against sanity-ripping cosmic horrors?

    She's getting ready for college, living in a Brooklyn apartment, and hanging out with her best friend and roommate Del. But now it's all catching up with her: her mother's mysterious disappearance a decade before, her father's outlandish theories about a lost supernatural race, and Hayden's own dark dreams of strange symbols and rituals in the Colorado woods where she grew up.As soon as Hayden arrives at her hometown, her friend Del in tow, it begins: Neighbors whisper secrets about Hayden's mother; the boy next door is now all grown-up in a very distracting way; and Hayden feels the trees calling to her. And among them, deep in the woods, Hayden will discover something incredible—something that threatens reality itself.