When lovely Linda Martin first arrives at Château Valmy as an English governess to the nine-year-old Count Philippe de Valmy, the opulence and history surrounding her seems like a wondrous, ecstatic dream. But a palpable terror is crouching in the shadows. Philippe's uncle, Léon de Valmy, is the epitome of charm, yet dynamic and arrogant, his paralysis little hindrance as he moves noiselessly in his wheelchair from room to room. Only his son Raoul, a handsome, sardonic man who drives himself and his car with equally reckless abandon, seems able to stand up to him. To Linda, Raoul is an enigma, though irresistibly attracted to him, she senses some dark twist in his nature. When an accident deep in the woods nearly kills Linda's innocent charge, she begins to wonder if someone has deadly plans for the young count.

    It's not her first time starting over, but her efforts at a new beginning aren't helped by an anonymous local blog that dishes about the scandalous events that caused her marriage to fail.Merilee finds some measure of peace in the cottage she is renting from town matriarch Sugar Prescott. Though stubborn and irascible, Sugar sees something of herself in Merilee--something that allows her to open up about her own colorful past.Sugar's stories give Merilee a different perspective on the town and its wealthy school moms in their tennis whites and shiny SUVs, and even on her new friendship with Heather Blackford. Merilee is charmed by the glamorous young mother's seemingly perfect life and finds herself drawn into Heather's world.In a town like Sweet Apple, where sins and secrets are as likely to be found behind the walls of gated mansions as in the dark woods surrounding Merilee's house, appearance is everything. But just how dangerous that deception can be will shock all three women....

    There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white'The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    The solitary Englishwoman Grey comes to Japan looking for a rare piece of footage that is said to document a particularly monstrous episode of the 1937 Nanking Massacre. Her quest will take her to a reclusive scholar and a wheelchair-bound gangster who clings to life with the aid of a mysterious elixir, and to a handsome American whose interest in Grey may be more sinister than romantic. The result is a work of spine-chilling suspense, masterful historical detail, and otherworldly beauty.

    They served together in the war as part of a shadowy unit called the Magic Men.Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Changing times mean that variety is not what it once was, yet Max is reluctant to leave this world to help Edgar investigate. But when the dead girl turns out to be known to him, Max changes his mind.Another death, another magic trick: Edgar and Max become convinced that the answer to the murders lies in their army days. When Edgar receives a letter warning of another ‘trick’, the Wolf Trap, he knows that they are all in danger…

    But life in Ceylon is not what Gwen expected.The plantation workers are resentful, the neighbours treacherous, and there are clues to the past - a dusty trunk of dresses, an overgrown gravestone in the grounds - that her husband refuses to discuss.Just as Gwen finds her feet, disaster strikes. She faces a terrible choice, hiding the truth from almost everyone, but a secret this big can't stay buried forever....

    She lives on her own in a faded mansion just outside Marlow, there’s no man in her life to tell her what to do or how much whisky to drink, and to keep herself busy she sets crosswords for The Times newspaper. One evening, while out swimming in the Thames, Judith witnesses a brutal murder. The local police don’t believe her story, so she decides to investigate for herself, and is soon joined in her quest by Suzie, a salt-of-the-earth dog-walker, and Becks, the prim and proper wife of the local Vicar.Together, they are the Marlow Murder Club.When another body turns up, they realise they have a real-life serial killer on their hands. And the puzzle they set out to solve has become a trap from which they might never escape…

    Three women who, in some way or another, know the meaning of betrayal...For team leader Rachael Lambert the project is the perfect opportunity to rebuild her confidence after a double-betrayal by her lover and boss, Peter Kemp. Botanist Anne Preece, on the other hand, sees it as a chance to indulge in a little deception of her own. And then there is Grace Fulwell, a strange, uncommunicative young woman with plenty of her own secrets to hide...When Rachael arrives at the cottage, however, she is horrified to discover the body of her friend Bella Furness. Bella, it appears, has committed suicide - a verdict Rachael finds impossible to accept.Only when the next death occurs does a fourth woman enter the picture - the unconventional Detective Inspector Vera Stanhope, who must piece together the truth from these women's tangled lives...

    Sophie Lefèvre must keep her family safe while her adored husband, Édouard, fights at the front. When their town falls to the Germans, Sophie is forced to serve them every evening at her hotel. From the moment the new Kommandant sets eyes on Sophie’s portrait—painted by her artist husband—a dangerous obsession is born. Almost a century later in London, Sophie’s portrait hangs in the home of Liv Halston, a wedding gift from her young husband before his sudden death. After a chance encounter reveals the portrait’s true worth, a battle begins over its troubled history and Liv’s world is turned upside all over again.

    Her aunt Vera Hillyard, a rigidly respectable woman, was convicted and hanged for the crime, but the reason for her desperate deed died with her. Thirty years later, a probing journalist pushes Faith to look back to the day when her aunt took knife in hand and walked into a child's nursery. Through the eyes of a woman trying to understand an unspeakable, inexplicable family tragedy, Barbara Vine leads us through a shadow land of illicit lust, intimate sins, and unspoken passions—to a shattering and illuminating climax, as inevitable as it is unexpected. In this enthralling masterpiece, a great crime writer has achieved both a flawlessly crafted novel of psychological suspense and a deeply probing work of literary art.

    Three days later, he’s found with a bullet in his head and a gun in his hand—a discovery that sends tremors through this conservative community, already unnerved by growing rumors of Satanic worship in the region.In the wake of this incident, bright but lonely Hannah Dexter is befriended by Lacey Champlain, a dark-eyed, Cobain-worshiping bad influence in lip gloss and Doc Martens. The charismatic, seductive Lacey forges a fast, intimate bond with the impressionable Dex, making her over in her own image and unleashing a fierce defiance that neither girl expected. But as Lacey gradually lures Dex away from her safe life into a feverish spiral of obsession, rebellion, and ever greater risk, an unwelcome figure appears on the horizon—and Lacey’s secret history collides with Dex’s worst nightmare.By turns a shocking story of love and violence and an addictive portrait of the intoxication of female friendship, set against the unsettled backdrop of a town gripped by moral panic, Girls on Fire is an unflinching and unforgettable snapshot of girlhood: girls lost and found, girls strong and weak, girls who burn bright and brighter—and some who flicker away.

    That's all it takes.She stabbed little Robbie Harris. To change a life -She's living under a new name.For ever.She's reformed. So they say . . . Joanna is going to regret the day she ever said a word.

    But with so many victims in her close circle, young socialite Allene questions if the flu is really to blame. All appear to have been poisoned—and every death was accompanied by a mysterious note.Desperate for answers and dreading her own engagement to a wealthy gentleman, Allene returns to her passion for scientific discovery and recruits her long-lost friends, Jasper and Birdie, for help. The investigation brings her closer to Jasper, an apprentice medical examiner at Bellevue Hospital who still holds her heart, and offers the delicate Birdie a last-ditch chance to find a safe haven before her fragile health fails.As more of their friends and family die, alliances shift, lives become entangled, and the three begin to suspect everyone—even each other. As they race to find the culprit, Allene, Birdie, and Jasper must once again trust each other, before one of them becomes the next victim.

    She used to be able to tell what they were thinking, feeling, if they were lying…But it's as though every day, every minute even, she knows them a little less. Her boys aren’t boys anymore, they’re becoming men - men she’s not sure she recognises, men she’s not sure she can trust.So when one of her son’s classmates is killed in suspicious circumstances, people start asking questions.Was it really a hit and run? A car-jacking gone wrong? Or something much more sinister?Now Jackie must separate the truth from the lies.How did that boy end up on the road?And where was her son that night?