If you could buy these imaginative playthings in stores, they would fly off the shelves! This book features stuffed animals, including a luscious lamb and a gigantic giraffe, and finger-puppet fruits that will delight babies and toddlers. With step-by-step directions, clear diagrams and drawings, and gorgeous photographs, knitters of all levels will find it easy to make the Pull-Toy Mama Duck and Ducklings, the set of Russian nesting dolls, and the Princess and the Pea Set. Even older kids will enjoy these, as well as the Felted Bouncy Ball, a felted version of a Super Ball that's perfect for indoor play. A series of five reversible toys—a frog that turns into a turtle, a mouse that changes into a cat, an egg in a nest that transforms into a blue bird, and so on—showcases the creativity that makes Susan B. Anderson a rising star in the knitting world.

    Exquisite drape married with figure-hugging silhouettes show off a woman’s curves in a most ladylike manner, creating flirtatious and flattering fits to please any knitter. Loosely based on ultra-feminine styles from fashion history, the designs in Romantic Hand Knits have an undeniably modern appeal. • A lace camisole is lengthened and reinvented as a lovely summer slip dress • A late-eighteenth-century corset cover inspires the design for a lacy fitted top with elbow-length sleeves• Silk stockings favored by Elizabethan ladies of the royal court return in a sexy and fresh incarnationWith the new fibers available today, knitting guru Annie Modesitt knits up fabrics that cling delicately to a woman’s body, creating an elegant hand-tailored look. Now every woman will be able to create fitted garments that make her look as pretty, desirable, and sexy as she feels.For knitters who want to heat things up in a whole new way, the alluring designs in Romantic Hand Knits will help them light the fires. An interview with Annie ModesittWhat’s your philosophy on the “romantic look”?There is a certain cultural shorthand that implies that “romantic” means lots of lace, billowy skirts, low-cut bodices, and a little more leg than usual–sexy with an extra layer. But I think that, like everything deeply personal, romance has its own specific look for each person. Romance is not so much about being desirable to another as it is about reveling in and celebrating our own hearts’ desires.In the introduction to Romantic Hand Knits, you say that romance is about dreams and hope, and how in knitting, as in romance, much of the joy is in the dream. How has knitting brought romance into your life?Knitting allows me to enjoy my time, my imagination and my mind more than I might without needles and yarn. When my mind is free–and powerful–the way it feels when I knit, then my soul soars a little and all of this adds a layer of joy to my life. Not to put too fine a point on it, this makes me love life, and love love, in a much deeper way, which in turn makes me more lovable. Nothing is more attractive than a quiet self confidence, which is what I get from knitting.You say in Romantic Hand Knits that the garment that dresses the top of the body sets the tone for the rest of your ensemble–and that this is perfectly demonstrated in the piece you’ve named Ninotchka. Can you elaborate?It’s hard to get away from the fact that the bust area–being the most important fit point on most women’s bodies and also being so near to the face–can send very strong signals. Usually we want these to be good signals: “this is a woman in control of her life and her wardrobe,” “I can trust what this woman tells me,” or “I feel this person is sympathetic and kind.”In Ninotchka, the well-supported bust area adds strength and stability to the design, allowing feminine details like the lace below the bust line and the thin twisted-cord shoulder straps to relax and soften, not weaken, the message this piece sends. “Here’s a woman confident in her femininity, but with a strong foundation.”Any stories to share from the development of Romantic Hand Knits?One of my favorite pieces, Streetcar Named Desire, was briefly a disaster! It was worked up quite beautifully by my knitter, who then attempted to block the piece. I generally like to block and finish most of the garments, and I hardly ever wet block, but in the blocking of this piece an interesting thing occurred. The fitted, springy little cardigan that I designed began to drape and hang in unexpected ways. The piece went from Sandra Dee to Blanche DuBois, and I couldn’t have been happier! It altered the way that I recommended caring for the piece (machine wash instead of dry clean), which, quite honestly, is how most folks want to deal with their clothing.With the addition of a waist tie, which can be moved to different eyelet rows to create a high, low, or natural waistline, the cardigan had an entirely different aspect–a sexier, “floatier,” more intriguing look.Is there a particular type of yarn that works best for this look? Why?I tried very hard to use a variety of fibers that represent a wide variety of price points. I do understand that not every knitter will be able to afford the silk to make Cleopatra, but I felt it was an important, inspiring piece and had to be included in a collection of romantic silhouettes. A firm, machine-washable Egyptian cotton might be a good substitute. One of the most useful skills to develop as a knitter is the ability to substitute yarn–this skill can only be honed with experience. This is why I suggest to new knitters that when they see a ball of yarn they like, they should get it and swatch it right away. Don’t wait for the right project to come along. If you swatch a yarn you love, you may just see that the right project’s been in front of you all along–perhaps in this book–just waiting for you to see the true beauty in the fabric knit from your new skein.Whenever possible I tried to use machine-washable yarns–especially for the skirts! I know that the idea of a hand knit skirt can be daunting–we’re all worried about the stretchy butt-pouch–but knit fabric is resilient and generally bounces back to its original drape. Machine washing a skirt ensures that it will return to its original silhouette.  Is there a philosophy or attitude that each book shares? How is this book different from your other books?If there’s one philosophy that all of my books share, it’s that we all have a bit of genius–of brilliance–in each of us, and if we choose to show it through our knitting, so much the better! We’re all individuals, so we may do things in unusual or nonstandard ways, but that doesn’t make us any less legitimate when we’re knitting (or cooking or sailing).This book is different in that it focuses specifically on clothes for women, and clothes that are intended to be flattering and a little body-conscious at that. My heart is most definitely in this book, which has been in me for a long time. I’m so happy to see it out and looking so beautiful!Do you have a favorite pattern in Romantic Hand Knits, or one that has a special meaning to you?I would have to say the cover skirt is very special to me. I’ve shown that photo to many knitters, and I’ve heard some women say, “I’d make that skirt, if I had that butt!” I really want folks to understand that it’s not so much about having a tiny butt, or the “perfect” butt, as much as it’s about liking the butt you have. There are a lot of ways to get to this Zen place, but if you have the greatest looking figure in the world and you’re not liking it, you may as well wear a sack. Likewise, if you have a less than perfect shape, but you love all the amazing things your body can do and have a fondness for your shape, you’ll look good in an amazing number of things. Confidence is a terrific butt-lift. Plus, the skirt is designed to help trick the eye into seeing the derriere in the most flattering light . . .

    General instructions at the beginning of the book outline the basics of sock construction, including measuring feet and making calculations based on gauge.

    You may also know that knitting as a hobby can verge on obsession—be it the compulsive purchasing of stunning hand-spun wool, the desire to rip out nearly finished sweaters because you dropped a stitch, or the need to knit wherever, whenever, or however you can. Most important, though, knitting offers a camaraderie, a society of women and men who converse in a language all their own, flock to yarn stores with religious devotion, and can recite the time and place where they first learned to purl. These feelings are what KnitLit is all about. In this charming collection of stories, essays, anecdotes, and recollections, knitters of every “color” celebrate their hobby and share with you the joy it brings into their lives.From the touching tale of a caring woman whose hand-knit dolls bring security to young hospital patients, to the hilarious story of a woman scorned who sends her ex-boyfriend a scarf knit with wolf hair only to have it torn to shreds by his dogs, to the moving recollection of a man whose grandmother’s dying wish was to knit all the wool in her knitting stash, to the finely wrought account of a man who keeps alive the memories of his companions and friends who have succumbed to AIDS by wearing the sweaters they left behind, KnitLit is a gift from knitters to knitters—crafted with as much love and care as an afghan or a wool scarf. Wrap yourself in KnitLit, and be inspired.

    The traditions of the quintessential knitting cultures of Iceland, Shetland, Norway, and Sweden are examined, from descriptions of the wools and yarns to the history of the clothing traditionally made from them, including breathtaking photo montages of these classic vintage styles. Exploring a range of techniques and knitwear construction, the projects in this guide feature knitting in the round, steeking, lace, cables, Fair Isle, twined knitting, and embroidery and show how to create pieces such as cardigans, sweaters, blouses, scarves, and hats. Note: The paperback edition is now out of print, but the book is still available in epub ebook and kindle formats.

    Containing 300 entries, this informative collection covers everything from knitting’s appearances in history, literature, folklore, and pop culture to little-known facts about wool, sheep, and fiber producers. Helpful tips and techniques are included, as well as tidbits on crochet, spinning, and weaving. With illuminating illustrations throughout, Knitting Ephemera will entertain knitters and needlecrafters everywhere.

    Hollywood stars have always furthered fashion’s cause of seducing the masses into buying designers’ clothes, acting as living billboards. Now, forced by the explosion of social media and the accelerating worship of fame, red carpet celebrities are no longer content to just advertise and are putting their names on labels that reflect the image they—or their stylists—created. Jessica Simpson, Jennifer Lopez, Sarah Jessica Parker, Sean Combs, and a host of pop, sports, and reality-show stars of the moment are leveraging the power of their celebrity to become the face of their own fashion brands, embracing lucrative contracts that keep their images on our screens and their hands on the wheel of a multi-billion dollar industry. And a few celebrities—like the Olsen Twins and Victoria Beckham—have gone all the way and reinvented themselves as bonafide designers. Not all celebrities succeed, but in an ever more crowded and clamorous marketplace, it’s increasingly unlikely that any fashion brand will succeed without celebrity involvement—even if designers, like Michael Kors, have to become celebrities themselves. Agins charts this strange new terrain with wit and insight and an insider’s access to the fascinating struggles of the bold-type names and their jealousies, insecurities, and triumphs. Everyone from industry insiders to fans of Project Runway and America's Next Top Model will want to read Agins’s take on the glitter and stardust transforming the fashion industry, and where it is likely to take us next.

    All of the toys feature an irresistibly pear-shaped body, realistic colors, and lots of fun details—a soft, curly mane for the lion, trunk wrinkles for the elephant, and a banana snack for the monkey. With a primer on knitting basics to chapters on embroidering and stuffing your super cute safari softie, even a beginner can knit these cushy, cuddly creatures!

    Designers including Susanna IC, Vicki Square, Annie Modesitt, Heather Zoppetti, Karen Joan Raz, and Kathleen Dames have translated their love for Jane Austen's novels into a stunning tribute to the beloved author. The gorgeously evocative pieces include cardigans, knitted shawls, bags and other accessories, and knitted projects for men and children. While the knitting projects are inspired by the fashions of the regency era, they are every bit as relevant today.Knitters obsessed with Jane Austen as well as stitchers just looking for wonderfully appealing projects will fall in love with the beautiful knitting designs. Essays on fascinating aspects of Austen's life and the regency era round out this inspiring collection. Topics include the places where Austen lived, knitting in Regency England, the yarns available to Austen and her contemporaries, and dressmaking during the time period.

    From delicate camisoles to sophisticated jackets, these pieces marry the design details of the forties and fifties with the best of today's yarns and contemporary floral-inspired colors. Inside, readers will find clear, simple instructions and stunning full-color photos of to-die-for pieces including:*sleek crewnecks*lacy, feminine cardigans*textured twin sets*stunning striped sweaters*cabled mittens, Fair Isle gloves and more!As a gift for a friend or an indulgence for yourself, "Vintage Knits" is a must for every knitter's library.

    New 2nd edition includes 70 stitches!From beginner stitch patterns such as the basic stockinette, moss stitch, and craftsman stitch, all the way up to intermediate stitches such as a variety of cables and lace mesh designs, this stitch guide is sure to inspire your next knitting project!In order to work the stitches, you will need to have a basic understanding of how to read knitting patterns, how to cast on, bind off, and work the basic knit and purl stitch.

    Sharing her groundbreaking technique for straight-knit socks, Alice Curtis provides step-by-step instructions for 20 original patterns that feature a variety of yarns and an array of motifs ranging from cables to argyle. The possibilities for creative variations are endless, and each pattern can easily be adapted to any size. Get inspired and use your straight needles to knit stylish masterpieces that will keep your feet cozy and warm.

    Through clever planning and some simple techniques, the projects in Finish-Free Knits are shaped and joined during knitting— without sacrificing the pockets, buttonbands, shaped collars, and more that is accomplished in most designs by sewing together separate pieces. In addition, learn how to shape armholes, join pieces as you go, use short-rows for shaping, and more.Once these stress-free finishing techniques are learned, you will enjoy the freedom to apply variations of each method in projects beyond the book. With Finish-Free Knits you can avoid the dreaded “Some Assembly Required” phrase forever.

    This treasury features a choice selection of her source material, arranged into four parts: (1) Traditional patterns from Europe, Russia, and South America (2) Adaptations from textiles and other art, including Japanese porcelain and Celtic metalwork (3) Alice Starmore's own geometric and nature-inspired originals (4) Practical instructions that explain how to incorporate these motifs into unique designs.Suitable for beginning as well as advanced color knitters, these charted designs can also be adapted to other crafts, including weaving and embroidery. The first U.S. publication of Charts for Color Knitting, this new and expanded version explains how to incorporate color into your work and features color photographs of knitted swatches created expressly for this Dover edition.

    This volume uses knitting as a metaphor to discuss the unity of all life and the spirituality involved in all endeavours carried out with mindfulness.