Wells housing project.Set against the stunning photographs of a talented young photographer from the projects, Our America evokes the unforgiving world of these two amazing young men, and their struggle to survive unrelenting tragedy. With a gift for clear-eyed journalism, they tell their own stories and others, including that of the death of Eric Morse, a five-year-old who was dropped to his death from the fourteenth floor of an Ida B. Wells apartment building by two other little boys. Sometimes funny, often painful, but always charged with their dream of Our America, LeAlan Jones and Lloyd Newman reach out to grab your attention and break your heart.

    It is a story of failed agricultural, health and credit projects; violent struggles for control over foreign aid; corrupt orphanage owners, pastors, and missionaries; the nepotistic manipulation of research funds; economically counterproductive food aid distribution programs that undermine the Haitian agricultural economy; disastrous social engineering by foreign governments, international financial and development organizations--such as the World Bank and USAID-- and the multinational corporate charities that have sprung up in their service, CARE International, Catholic Relief Services, World Vision, and the dozens of other massive charities that have programs spread across the globe, moving in response not only to disasters and need, but political agendas and economic opportunity. TRAVESTY also chronicles the lives of Haitians and describes how political disillusionment sometimes ignites explosive mob rage among peasants frustrated with the foreign aid organizations, governments and international agencies that fund them. TRAVESTY recounts how some Haitians use whatever means possible try to better their living standards, most recently drug trafficking, and in doing so explains why at the service of international narcotraffickers and Haitian money laundering elites, Haiti has become a failed State. TRAVESTY reads like a novel. It takes the reader from the bowels of foreign aid in the field; to the posh and orderly urban headquarters of charities such as CARE International; to the cold, distant heights of Capitol Hill policy planners. The journey is marked by true accounts involving violence, corruption, appalling greed, sexual exploitation, disastrous social engineering, and the inside world of drug traffickers. But TRAVESTY it is not a novel. It is founded on 15 years of academic and field experience, research, and hard data. It entertains the reader with vivid first hand accounts while treating seriously the problems inherent not only in international aid, but the sabotaging effects of the drug war on economic development in remote and impoverished areas of the hemisphere.

    Drawing upon research in India and Pakistan, as well as historical sources, this book traces the origins of the state in the 19th century, the controversial "sale" by the British of the predominantly Muslim valley to a Hindu Maharaja in 1846 and the 20th century clashes between Muslim and Hindu interests now culminating in the threat of a major war.

    Focusing on two romances - Jessica's dizzying infatuation with a hugely successful young heroin dealer, Boy George, and Coco's first love with Jessica's little brother, Cesar - Random Family is the story of young people trying to outrun their destinies. Jessica and Boy George ride the wild adventure between riches and ruin, while Coco and Cesar stick closer to the street, all four caught in a precarious dance between survival and death. Friends get murdered; the DEA and FBI investigate Boy George; Cesar becomes a fugitive; Jessica and Coco endure homelessness, betrayal, the heartbreaking separation of prison, and, throughout it all, the insidious damage of poverty.Charting the tumultuous cycle of the generations - as girls become mothers, boys become criminals, and hope struggles against deprivation - LeBlanc slips behind the cold statistics and sensationalism and comes back with a riveting, haunting, and true story.

    And yet, the evidence is irrefutable: when it comes to dealing with potential threats to our national security, the gloves always come off. As the enquiries into the on-going abuse of terror suspects uncover an ever more sinister and unpalatable chain of complicity - going right to the top of government - it is time to re-examine the assumption that the British don't 'do' torture. Drawing on previously unseen official documents, and the accounts of witnesses, victims and experts, prize-winning investigative journalist Ian Cobain looks beyond the cover-ups and the attempts to dismiss brutality as the work of a few rogue interrogators, to reveal a secret and shocking record of torture. From WWII to the War on Terror, via Kenya and Northern Ireland, Cruel Britannia shows how the British have repeatedly and systematically resorted to torture, turning a blind eye where necessary, bending the law where they can, and issuing categorical denials all the while. What emerges is a picture of Britain that challenges our complacency on human rights and exposes the lie behind our reputation for fair play.

    Placing current family dilemmas in the context of far-reaching economic, political, and demographic changes, Coontz sheds new light on such contemporary concerns as parenting, privacy, love, the division of labor along gender lines, the black family, feminism, and sexual practice.

    The author explores the joys and sorrows of growing up in a fundamentalist Muslim household, wedding grand historical narratives of colonialism and migration to the small intimate heartbreaks of modern life. In revisiting the beliefs and ideals she was raised with, Chaudhry invites us to reimagine our ideas of self and family, state and citizenship, love and loss.

    Set in the once-fabled land of Kashmir, Behold, I Shine moves beyond male voices and focuses, instead, on what the struggle means for the Valley’s women and children—those whose husbands remain untraceable; whose mothers are half-widows; those who have confronted the wrath of ‘Ikhwanis’, or the scrutiny of men in uniform, and what it means to stand up to it all.This book also brings to focus the resilience of the Valley’s women and children—of activists like Parveena Ahangar and Anjum Zamrud Habib, who, after debilitating losses, start human rights organizations; of ordinary homemakers like Munawara who have taken on the judiciary; and of a young generation of thinkers like Uzma Falak and Essar Batool who foreground the interaction of gender, politics and religion, and won’t let Kashmir forget.Stitching together their narratives, Behold, I Shine not only memorializes women’s voices—thus far forgotten, unwritten, suppressed or sidelined—but also celebrates the mighty spirit of the Valley.

    Their journey would prove an extraordinary collaboration and a watershed literary event when in 1941 "Let Us Now Praise Famous Men" was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century.

    The Gettysburg Address: A Graphic Adaptation is a full-color illustrated look at Abraham Lincoln’s most famous speech, the bloody battle of the Civil War that prompted it, and how they led to a defining point in the history of America. Most of us can recall “Four score and seven years ago,” but much of what we know about Abraham Lincoln’s oration has been forgotten after high school. Using Lincoln’s words as a keystone, and drawing from first-person accounts, The Gettysburg Address shows us the events through the eyes of those who lived through the events of the War, from soldiers to slaves. Writer Jonathan Hennessey and illustrator Aaron McConnell illuminate history with vibrant, detailed graphics and captions that deliver a fresh understanding of this vital speech.

    I found A Crooked Line engrossing, insightful, and inspiring."--Lizabeth Cohen, author of A Consumers' Republic"A Crooked Line brilliantly captures the most significant shifts in the landscape of historical scholarship that have occurred in the last four decades. Part personal history, part insightful analysis of key methodological and theoretical historiographical tendencies since the late 1960s, always thoughtful and provocative, Eley's book shows us why history matters to him and why it should also matter to us."--Robert Moeller, University of California, Irvine"Part genealogy, part diagnosis, part memoir, Eley's account of the histories of social and cultural history is a tour de force."--Antoinette Burton, Professor of History and Catherine C. and Bruce A. Bastian Professor of Global and Transnational Studies, University of Illinois"Eley's reflections on the changing landscape of academic history in the last forty years will interest and benefit all students of the discipline. Both a native informant and an analyst in this account, Eley combines the two roles superbly to produce one of most engaging and compelling narratives of the recent history of History."--Dipesh Chakrabarty, author of Provincializing EuropeUsing his own intellectual biography as a narrative device, Geoff Eley tracks the evolution of historical understanding in our time from social history through the so-called "cultural turn," and back again to a broad history of society.A gifted writer, Eley carefully winnows unique experiences from the universal, and uses the interplay of the two to draw the reader toward an organic understanding of how historical thinking (particularly the work of European historians) has evolved under the influence of new ideas. His work situates history within History, and offers students, scholars, and general readers alike a richly detailed, readable guide to the enduring value of historical ideas.Geoff Eley is Professor of History at the University of Michigan.

    He would have succeeded except for three American friends who refused to give in to fear.On August 21, 2015, Ayoub El-Khazzani boarded train #9364 in Brussels, bound for Paris. There could be no doubt about his mission: he had an AK-47, a pistol, a box cutter, and enough ammunition to obliterate every passenger on board. Slipping into the bathroom in secret, he armed his weapons. Another major ISIS attack was about to begin.Khazzani wasn't expecting Anthony Sadler, Alek Skarlatos, and Spencer Stone. Stone was a martial arts enthusiast and airman first class in the US Air Force, Skarlatos was a member of the Oregon National Guard, and all three were fearless. But their decision-to charge the gunman, then overpower him even as he turned first his gun, then his knife, on Stone-depended on a lifetime of loyalty, support, and faith.Their friendship was forged as they came of age together in California: going to church, playing paintball, teaching each other to swear, and sticking together when they got in trouble at school. Years later, that friendship would give all of them the courage to stand in the path of one of the world's deadliest terrorist organizations.The 15:17 to Paris is an amazing true story of friendship and bravery, of near tragedy averted by three young men who found the heroic unity and strength inside themselves at the moment when they, and 500 other innocent travelers, needed it most.

    Now, with the help of celebrated historian Joseph Marshall, we finally have the opportunity to know Crazy Horse as his fellow Lakota Indians knew him.Drawing on extensive research and a rich oral tradition that it rarely shared outside Native American circles, Marshall - himself a descendent of the Lakota community that raised Crazy Horse - creates a vibrant portrait of the man, his times, and his legacy. From the powerful vision that spurred him into battle to the woman he loved but lost to duty and circumstance, this is a compelling celebration of a culture, an enduring way of life, and the unforgettable hero who remains a legend among legends.Marshall's gloriously poetic and sweeping chronicle ushers in a new genre of American history...A tour de force. - Peter Nabakov, author of Native American TestimonyA remarkable portrait of a remarkable man. - Colin G. Calloway, professor of history and Samson Occom Professor of Native American Studies, Dartmouth College

    After Independence, the island enjoyed a liberal parliamentary democracy with a lively independent press and a booming economy. It had a judiciary, an efficient economy, and a stability envied by emerging nations. The world expected a leader amongst nations.* Instead, in pursuit of power and fundamentalist Buddhism, an oligarchy of Sinhalese political leaders and monks hi-jacked democracy. In response a brutal enemy was born: the Tamil Tigers. The result, one of modern history's longest civil conflicts, spawned a host of horrific innovations: suicide bombers, child soldiers, death squads, violent Buddhism and murdered journalists.* But ethnic conflict is only part of the story.* Twenty-seven years on, with Iran, Burma, Libya, and China as its closest allies, democracy has been reduced to a cabal of brothers who control the economy, the courts, and the media. Today they tout their bloody conquest of the Tamil Tiger guerrillas as an example for other nations with 'terrorist' problems.* Gordon Weiss, a veteran journalist and UN official for two decades, was firmly entrenched in the conflict as spokesperson for the United Nations in Colombo. He was a close observer as, in just four months in 2009, tens of thousands of civilians perished, cornered, along with the last of the Tamil Tigers on a windy spit. * This account unravels the compelling history that leads up to that horrific moment, peeling back the Sri Lankan government's cloak of silence to reveal the events of those weeks beat by beat.* The Cage offers a rare glimpse into the reality behind the daily headlines: the inner workings of media manipulation, and the plight of international aid workers struggling to provide humanitarian assistance to those caught in the crossfire of a deadly civil conflict.

    Prussia military headquarters of Hitler. Altho the bomb failed to maim or kill Hitler, the explosion dramatically announced to the world the existence of a secret, indigenous opposition to the Nazi regime. In this definitive new book, Joachim Fest, an acclaimed biographer of Adolf Hitler, details the events leading up to 7/20, the tense, confused moments before the explosion, & the roundup & executions that followed. Fest recounts the heroic & unsuccessful efforts of senior military officials to persuade the Allies to help them oust the Nazis. He recreates the ill-fated schemes to blow up Hitler's private plane & to kill the Fuhrer at the opening of a museum exhibition. Cataloged here are no fewer than 15 separate assassination attempts during Hitler's reign, attempts that on several occasions came within minutes-or inches-of succeeding, but always failed: in some instances because of bad timing or poor planning; in others, because of the omnipresent scrutiny of the Gestapo or Hitler's own instinct for danger. In the end, however, Fest's singular accomplishment is to portray the human side of the German resistance-the conviction & resolve that gave them the courage to defy almost impossible odds, & the fatal indecisiveness that caused them to fail time & again. Plotting Hitler's Death will stands as one of the definitive accounts of a tortured, misunderstood era.PrefaceThe resistance that never wasThe army succumbs The September plot From Munich to ZossenThe new generationThe army groupsStauffenberg The eleventh hourJuly 20, 1944 Persecution & judgment The wages of failureNotesNote on the TextsChronologyShort BiographiesIndex