With the IT Department chasing down tax evaders to curb the menace of black money, party funds begin to dry up, a year before Uttar Pradesh goes to polls. Enter Prateek Subramaniam and Yashwardhan Sharma, through their brainchild, PSYCON. Set in the heart of UP, the duo works to assist the ruling party’s agenda of conquering the Hindi heartland. Their mission: amassing the funds the task would need. Between harassing businessmen to shell out money and making money in the process, they make quite a bit in the initial windfall. And yet, a can of worms is opened when the CBI enters the picture. Do the two con their way out of the CBI’s grasp? Will truth prevail in the land of Satyamev Jayate? Or will they find reality too bizarre to handle?The royalties earned by the author from this book will go to PM’s National Relief Fund.http://www.amazon.in/PSYCON-Varun-T/d...

    Ayyappante Kavithakal Sampoornam takes us through the poems which filled Malayali hearts with intense passion. Pallu, the last poem written by Ayyappan has also been included in the collection. Studies about Ayyappan's poems by various people, including T.P. Rajeevan, M.K. Harikumar, Balachandran Chullikkad, Guru Nithyachaithanyayathi, D Vinayachandran, V.R. Sudheesh, Sachidanandan, Kalpetta Narayanan and E.V. Ramakrishnan have been included in this book. Interviews with Ayyappan by P.K. Parakkadavu, Shibu Joseph, Unnikrishnan Sreekandapuram and others are also there. Foreword by Sebastian.

    

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    Raag Parichaya by Pdt Harish Chandra Shrivastava set of 4 books part I to IV Indian Music Theory Book, Best book for Theory study in Indian Music in Hindi

    Newcomers to werewolf lore will be surprised to learn that there are many different werewolf varieties. Alphas are the leaders, and Betas are unwilling but deadly members of a werewolf pack. But there are also Benandanti, holy men who change into wolves in order to do battle with witches . . . and Loup-garoux, werewolves who can change from man to wolf even during daylight hours. The more ordinary werewolves achieve their terrible transformations from man to beast only by the light of the Moon. Author Robert Curran also notes that Christopher, the mysterious saint venerated in the Roman Catholic Church, has many werewolf characteristics. In addition, this book tells readers where werewolves live, describes their telltale traits, such as hairy palms, advises on how to avoid becoming a werewolf, and gives tips on what werewolf victims should do when they are attacked. More than 100 moody and atmospheric color illustrations accompany this intensely readable text.

    The simple and straightforward text is paired with illustrations that capture daily life in ancient Greece to make for a fast-paced read. A final section explores the characteristics of the epic narrative, and themes such as heroism, justice, and cultural identity.

    When Drake Palma met Alys Perez, his whole world collided. She pestered him to be her pretend boyfriend because of a favor asked. Of all the girls who shamelessly approached him, she really did stand out. Asking him to be her boyfriend and then dumping him the next second.But destiny was at play. After days and weeks of being together, he just found himself wanting to keep her.

    In this book, the author has described about the autocratic rule in Nepal and the struggle the leaders of different political parties had to do against those dictators. In this book, the author has explained about the painful experience in prison during those struggling periods. Similarly, through this book, the author has even mentioned about the Nepali society of that time. Similarly, here in some places it is also mentioned about the world war and the history of Hitler. This book also describes about the different aspects of life. Here, it is also shown about the relationship and the love between a husband and a wife. Similarly, somewhere it also talks about the pain and sorrow arisen at the time of departure from our beloved ones and own nation. Thus, this book has presented us different aspects of life. This book must be read at least for once.

    Oyedepo communicates the mind of God concerning financial prosperity. He states emphatically that any Christian can prosper anywhere, the economy of the nation notwithstanding. In this book you will also get to know that: Nothing multiplies until it is sown; The Word of God is God's highway to the world of wealth; Faith is our covenant access into prosperity; This book will deliver those secrets to you!

    The book adopts an interpretive and tries to explain what led to the dislocation of centuries-old social order and the emergence of new social classes.

    I was in sublime touch shooting off arrow after arrow. The targets were drifting across my vision and all it took was one aim and release; the arrows shot off with a swish only to hit the target where I intended it and killed the recipient of the shot. A few lefthanded shots depending on the angle of the shot where I could find the target best positioned for the shot; others right handed. The bow was drifting from one hand to the other flawlessly and the arrows were flowing out like spit from a cobra's mouth, both accurate and deadly. Before we realised there were hardly any leaders standing. By the time Jarasandha recovered, his leaders and his entire army had perished. Jarasandha gave a loud shout and invited us to come out in the open and fight like real warriors. By this time Balarama also came into the battlefield.Jarasandha did not turn back and run; he was livid and angry; he started challenging us to come down and fight like real warriors.Rama and I descended into battleground. Jarasandha was aghast to see Kids trying to defeat him. Jarasandha invited us for a duel. He said two versus one couldn't be fair in a war. Balarama moved ahead and chose mace as his weapon. He was adept at mace and Jarasandha was no less a mace warrior. The fight that took place was of a quality that I wouldn't witness for a long time to come. Jarasandha was more than accomplished. While Jarasandha unleashed himself upon Balarama with full force and vigour, Balarama was deftly defending himself. Mace was flying into Rama from all directions. Balarama was saving his energy for the future; if he could wear Jarasandha down, he could then unleash himself upon him. Balarama was not through and through defensive. There would be moments when he surprised Jarasandha by his speed and power.Rama's mace would start banging into Jarasandha with immense strength and speed. Before Jarasandha would recover from one bout of attack the second one would begin in a different style of attack. The lesson and practice with our Guru was paying results; I could see that in this bout. Jarasandha couldn't fathom the skill level of Rama. He had thought it would be child's play and he would crush Rama in no time and head for me. But this challenge was more than what he had imagined. The fact that his theory proved wrong gave him the mental agony which the real fight had not given. That agony was showing in his inconsistent fighting method. He would burst at Rama; Rama would easily read the move and defend himself; that would frustrate Jarasandha; he would change his move, which Rama easily anticipated and countered, Jarasandha would get more frustrated and soon he lost his mace to a vicious shot by Rama. Now it was Rama with his mace facing an unarmed Jarasandha.Rama shouted at me and said he wanted to finish this fight right away, and lifted his mace to hit Jarasandha. I stopped Rama, it's unfair to kill someone who is unarmed on a battlefield. I said another day would come and he had to let him go with honour.

    Believing that relationships won't work out unless they're destined to be, he decides to track down a girl he believes might have been his soulmate—a girl who had smiled at him from a bus stop across the street eight years ago. The minor obstacle: he knows nothing of her—no name, no address, nothing. The major obstacle: he doesn't even remember her face! The only thing he does remember is that she was wearing a grey skirt. Harnessing the reach of radio and the internet, and dragging along his skeptical but loyal buddy Utpal, Joseph embarks on a search for his soulmate. Laugh- out-loud moments and incidents ensue.

    Brain-dead for sight, speech and movement, yet hopelessly alive to pain, hunger and terror, she now lies, barely alive, in the hospital where she once treated patients back to health. Virani's investigations also unearthed the crowning tragedy: while Aruna has been in coma for over twenty-five years, her rapist, a sweeper in the hospital, walked a free man after a mere seven years in prison for 'robbery and attempt to murder'. Vivid and gut-wrenching, this is a book that will haunt the reader long after the final page has been turned. 'Pinki Virani has narrated Aruna's brutalization through meticulous and persistent research. The structure of the book is notable in the way it resists sensationalism.' --The Telegraph 'Virani's book is researched, thought-provoking, sharp. It is both sad and angry, scathing and restrained.' --Pioneer '...her storytelling skil