But in the summer of 1989, when fifteen-year-old Lindy Simpson--free spirit, track star, and belle of the block--experiences a horrible crime late one evening near her home, it becomes apparent that this idyllic stretch of Southern suburbia has a dark side, too. In My Sunshine Away, M.O. Walsh brilliantly juxtaposes the enchantment of a charmed childhood with the gripping story of a violent crime, unraveling families, and consuming adolescent love. Acutely wise and deeply honest, it is an astonishing and page-turning debut about the meaning of family, the power of memory, and our ability to forgive.

    Maycomb, Alabama. Twenty-six-year-old Jean Louise Finch—"Scout"—returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise's homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town and the people dearest to her. Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in a painful yet necessary transition out of the illusions of the past—a journey that can be guided only by one's conscience. Written in the mid-1950s, Go Set a Watchman imparts a fuller, richer understanding and appreciation of Harper Lee. Here is an unforgettable novel of wisdom, humanity, passion, humor and effortless precision—a profoundly affecting work of art that is both wonderfully evocative of another era and relevant to our own times. It not only confirms the enduring brilliance of To Kill a Mockingbird, but also serves as its essential companion, adding depth, context and new meaning to an American classic.

    The Moviegoer is Binx Bolling, a young New Orleans stockbroker who surveys the world with the detached gaze of a Bourbon Street dandy even as he yearns for a spiritual redemption he cannot bring himself to believe in. On the eve of his thirtieth birthday, he occupies himself dallying with his secretaries and going to movies, which provide him with the "treasurable moments" absent from his real life. But one fateful Mardi Gras, Binx embarks on a hare-brained quest that outrages his family, endangers his fragile cousin Kate, and sends him reeling through the chaos of New Orleans' French Quarter. Wry and wrenching, rich in irony and romance, The Moviegoer is a genuine American classic.

    Slowed by a wooden leg and haunted by memories of the Korean War, Rory runs bootleg whiskey for a powerful mountain clan in a retro-fitted '40 Ford coupe. Between deliveries to roadhouses, brothels, and private clients, he lives with his formidable grandmother, evades federal agents, and stokes the wrath of a rival runner.In the mill town at the foot of the mountains - a hotbed of violence, moonshine, and the burgeoning sport of stock-car racing - Rory is bewitched by the mysterious daughter of a snake-handling preacher. His grandmother, Maybelline “Granny May” Docherty, opposes this match for her own reasons, believing that "some things are best left buried." A folk healer whose powers are rumored to rival those of a wood witch, she concocts potions and cures for the people of the mountains while harboring an explosive secret about Rory’s mother - the truth behind her long confinement in a mental hospital, during which time she has not spoken one word. When Rory's life is threatened, Granny must decide whether to reveal what she knows...or protect her only grandson from the past.With gritty and atmospheric prose, Taylor Brown brings to life a perilous mountain and the family who rules it.

    Almost immediately he sets about beguiling the three women and five teenage girls stranded in this outpost of Southern gentility, eliciting their love and fear, pity and infatuation, and pitting them against one another in a bid for his freedom. But as the women are revealed for what they really are, a sense of ominous foreboding closes in on the soldier, and the question becomes: Just who is the beguiled?

    But I kept hearing the splash." So begins The Well and the Mine, a magnificent debut novel set in 1930s Alabama. The place is Carbon Hill, a small coal-mining community, in the midst of the Depression. The Moore family, a loving brood of five, is better off than most, generous to their less fortunate neighbors. But darkness arrives at their doorstep when a mysterious woman throws a baby down the Moores' well, and the story slowly unfolds, through the alternating voices of nine-year-old Tess (who witnessed the crime); her older sister, Virgie; her brother, Jack; and her parents, Albert and Leta.The mystery of the baby and why the Moores' well was the chosen location for its disposal is the catalyst of this intimate novel -- the splash whose ripples widen to reveal a community divided by race and class. The revelation of this shadowy side of life in Carbon Hill is leavened by the awakening conscience of a family that survives adversity with pluck and determination. In her first novel, Phillips has found beauty, depth, and the promise of salvation in one strong Southern clan.

    On a late autumn day, near a little town called Franklin, 10,000 men will soon lie dead or dying in a battle that will change many lives for ever. None will be more changed than Carrie McGavock, who finds her home taken over by the Confederate army and turned into a field hospital. Taking charge, she finds the courage to face up to the horrors around her and, in doing so, finds a cause.Out on the battlefield, a tired young Southern soldier drops his guns and charges forward into Yankee territory, holding only the flag of his company's colours. He survives and is brought to the hospital. Carrie recognizes something in him - a willingness to die - and decides on that day, in her house, she will not let him.In the pain-filled days and weeks that follow, both find a form of mutual healing that neither thinks possible.In this extraordinary debut novel based on a true story, Robert Hicks has written an epic novel of love and heroism set against the madness of the American Civil War.

    She doesn't understand why her father leaves each night with a mysterious box or why her mama drinks so much. What Florence knows are sultry days spent with her grandparents, being cared for by their maid, Zenie, on the colored side of town.Tension builds during the summer of 1963. Mama bakes cakes at all hours to scrape by. And Zenie's niece Eva is in town, selling insurance to the blacks and stepping on Mr. Forrest's toes. When Eva is brutally assaulted, all hell breaks loose: Mama crashes her car, Florence's grandfather dies, a woman is murdered, and Florence finally gets a look in Daddy's box.Florence sees things that summer that she won't understand for years to come: her mother's disappearance, her father's racism. Years later, she'll face the truth and how she was caught in the middle of it. The Queen of Palmyra is rich in both setting and characters. It's an affecting tale of a girl who is loved yet lost, trying to make sense of the world in a tumultuous time, finally forced to confront the sins of her father.

    It captured with devastating accuracy the deep-seated racial conflicts of a tightly knit southern town. The book is as engrossing and incendiary now as the day it was written.

    But because Mama couldn't find anyone who thought Avocet was a fine name for a child, she called me Bird. Which is okay by me. She named both her children after birds, her logic being that if we were named for something with wings then maybe we'd be able to fly above the shit in our lives. . . .                       So says Bird Jackson, the mesmerizing narrator of Connie May Fowler's vivid and brilliantly written, Before Women Had Wings.                       Starstruck by a dime-store picture of Jesus, Bird fancies herself "His girlfriend" and embarks upon a spiritual quest for salvation, even as the chaos of her home life plunges her into a stony silence. In stark and honest language, she tells the tragic life of her father, a sweet-talking wanna-be country music star, tracks her older sister's perilous journey into womanhood, and witnesses her mother make a courageous and ultimately devastating decision.                      Yet most profound is Bird's own story--her struggle to sift through the ashes of her parents' lives, her meeting with Miss Zora, a healer whose prayers over the bones of winged creatures are meant to guide their souls to heaven, and her will to make sense of a world where fear is more plentiful than hope, retribution more valued than love. . . .                     "A thing of heart-rending beauty, a moving exploration of love and loss, violence and grief, forgiveness and redemption."           --Chicago Tribune                      "There is no denying the depth of Connie May Fowler's talent and the breadth of her imagination."           --The New York Times Book Review                      "Brilliant."           --The Boston Sunday Globe

    People depend on her to slaughter the hogs and nurse the dying. People are weak, and there is so much to do. At just seventeen she marries and moves down into the valley of Gap Creek, where perhaps life will be better.But Julie and Hank's new life in the valley, in the last years of the nineteenth century, is more complicated than the couple ever imagined. Sometimes it's hard to tell what to fear most—the fires and floods or the flesh-and-blood grifters, drunks, and busybodies who insinuate themselves into their new life. To survive, they must find out whether love can keep chaos and madness at bay. Their struggles with nature, with work, with the changing century, and with the disappointments and triumphs of their union make Gap Creek a timeless story of a marriage.A native of the North Carolina mountains, Robert Morgan was raised on land settled by his Welsh ancestors. An accomplished novelist and poet, he has won the James B. Hanes Poetry Prize, the North Carolina Award in Literature, and the Jacaranda Review Fiction Prize. His short stories have appeared in Prize Stories: The O. Henry Awards and New Stories from the South, and his novel The Truest Pleasure was a finalist for the Southern Book Critics Circle Award for Fiction.

    Read it aloud with someone you love, then send it to a friend. But be sure to keep a copy for yourself, because you'll want to read it again and again.Elizabeth Forsythe HaileyRaney is a small-town Baptist. Charles is a liberal from Atlanta. And RANEY is the story of their marriage. Charming, wise, funny, and truthful, it is a novel for everyone to love.A real jewel.RICHMOND TIMES-DISPATCH

    Willie Stark, Warren’s lightly disguised version of Huey Long, the one time Louisiana strongman/governor, begins as a genuine tribune of the people and ends as a murderous populist demagogue. Jack Burden is his press agent, who carries out the boss’s orders, first without objection, then in the face of his own increasingly troubled conscience. And the politics? For Warren, that’s simply the arena most likely to prove that man is a fallen creature. Which it does.

    Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father. As she grows older, Mattie becomes more like family to Lisbeth than her own kin and the girl’s visits to the slaves’ quarters—and their lively and loving community—bring them closer together than ever. But can two women in such disparate circumstances form a bond like theirs without consequence? This deeply moving tale of unlikely love traces the journey of these very different women as each searches for freedom and dignity. Revised edition: This edition of Yellow Crocus includes editorial revisions.

    THEY’RE LOST FOREVER. Nellie Clay married Hobbs Pritchard without even noticing he was a spell conjured into a man, a walking, talking ghost story. But her mama knew. She saw it in her tea leaves: death. Folks told Nellie to get off the mountain while she could, to go back home before it was too late. Hobbs wasn’t nothing but trouble. He’d even killed a man. No telling what else. That mountain was haunted, and soon enough, Nellie would feel it too. One way or another, Hobbs would get what was coming to him. The ghosts would see to that. . . . Told in the stunning voices of five women whose lives are inextricably bound when a murder takes place in rural Depression-era North Carolina, Ann Hite’s unforgettable debut spans generations and conjures the best of Southern folk-lore—mystery, spirits, hoodoo, and the incomparable beauty of the Appalachian landscape.