Paired as roommates, the two become fast friends. Daniella, raised in Georgetown by a Jewish father and a Methodist mother, has always felt caught between two worlds. But at Belmont, her bond with Eve allows her to finally experience a sense of belonging. That is, until the girls’ expanding awareness of the South’s systematic injustice forces them to question everything they thought they knew about the world and their places in it. Eve veers toward radicalism—a choice pragmatic Daniella cannot fathom. After a tragedy, Eve returns to Daniella for help in beginning anew, hoping to shed her past. But the past isn’t so easily buried, as Daniella and Eve discover when their daughters are endangered by secrets meant to stay hidden. Spanning more than thirty years of American history, from the twilight of Kennedy’s Camelot to the beginning of Bill Clinton’s presidency, We Are All Good People Here is “a captivating…meaningful, resonant story” (Emily Giffin, author of All We Ever Wanted) about two flawed but well-meaning women clinging to a lifelong friendship that is tested by the rushing waters of history and their own good intentions.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    She, her two brothers, and her parents work hard on their land—hoeing, planting, picking—but only Sonny loves the rich, dark earth the way her father does. When a tragic accident claims his life, her stricken family struggles to fend off ruin—until their rich, reclusive neighbor offers to help finance that year’s cotton crop.   Sonny is dismayed when her mama accepts Frank Fowler’s offer; even more so when Sonny’s best friend, Daniel, points out that the man has ulterior motives. Sonny has a talent for divining water—an ability she shared with her father and earns her the hated nickname “water witch” in school. But uncanny as that skill may be, it won’t be enough to offset Mr. Fowler’s disturbing influence in her world. Even her bond with Daniel begins to collapse under the weight of Mr. Fowler’s bigoted taunts. Though she tries to bury her misgivings for the sake of her mama’s happiness, Sonny doesn’t need a willow branch to divine that a reckoning is coming, bringing with it heartache, violence—and perhaps, a fitting and surprising measure of justice.

    When Lacey's fair-haired boy, Duncan Harper, is appointed interim sheriff, he makes public his private convictions about the equality of blacks before the law, and the combined threat and promise he represents to the understood order of things in Lacey affects almost every member of the community. In the end, Harper succeeds in pointing the way for individuals, both black and white, to find a more harmonious coexistence, but at a sacrifice all must come to regret. In The Voice at the Back Door, Mississippi native Elizabeth Spencer gives form to the many voices that shaped her view of race relations while growing up, and at the same time discovers her own voice - one of hope. Employing her extraordinary literary powers - finely honed narrative techniques, insight into a rich, diverse cast of characters, and an unerring ear for dialect - Spencer makes palpable the psychological milieu of a small southern town hobbled by tradition but lurching toward the dawn of the civil rights movement. First published in 1956, The Voice at the Back Door is Spencer's most highly praised novel yet, and her last to treat small-town life in Mississippi.

    Although T. R. Pearson's Neely, North Carolina, doesn't appear on any map of the state, it has already earned a secure place on the literary landscape of the South. In this introduction to Neely, the young narrator, Louis Benfield, recounts the tragic last days of Miss Myra Angelique Pettigrew, a local spinster and former town belle who, after years of total seclusion, returns flamboyantly to public view-with her pet monkey, Mr. Britches. Here is a teeming human comedy inhabited by some of the most eccentric and endearing characters ever encountered in literature.

     During the summer of 1968, Shenandoah Carmody's mother disappeared. Her twin sister, Woody, stopped speaking, and her once-loving father slipped into a mean drunkenness unbefitting a superior court judge. Since then, Shenny-named for the Shenandoah valley-has struggled to hold her world together, taking care of herself and her sister the best she can. Shenny feels certain that Woody knows something about the night their mother vanished, but her attempts to communicate with her mute twin leave her as confused as their father's efforts to confine the girls to the family's renowned virginia estate. As the first anniversary of their mother's disappearance nears, her father's threat to send Woody away and his hints at an impending remarriage spur a desperate Shenny to find her mother before it's too late. She is ultimately swept up in a series of heartbreaking events that force her to come to terms with the painful truth about herself and her family. Told with the wisdom, sensitivity, and humor for which Lesley Kagen has become known, Tomorrow River is a stellar hardcover debut.

    Jessica will break their hearts. Leonie will fall in love with the wrong man. Mary Jo will escape to New York. And wild child Mathy's fate will be the family's greatest tragedy. Over the decades they will love, deceive, comfort, forgive—and, ultimately, they will come to cherish all the more fiercely the bonds of love that hold the family together.

    When her husband drinks himself to death, Sarah, a dirt-poor homemaker with no family to rely on and the note on the farm long past due, must find a way for her and young Emerson Bridge to survive. But the more daunting obstacle is Sarah s fear that her mother s words, seared in her memory since she first heard them at the age of six, were a prophesy, You ain t got you one good mama bone in you, girl. When Sarah reads in the local newspaper that a boy won $680 with his Grand Champion steer at the recent 1951 Fat Cattle Show & Sale, she sees this as their financial salvation and finds a way to get Emerson Bridge a steer from a local farmer to compete in the 1952 show. But the young calf is unsettled at Sarah s farm, crying out in distress and growing louder as the night wears on. Some four miles away, the steer s mother hears his cries and breaks out of a barbed-wire fence to go in search of him. The next morning Sarah finds the young steer quiet, content, and nursing a large cow. Inspired by the mother cow s act of love, Sarah names her Mama Red. And so Sarah s education in motherhood begins with Mama Red as her teacher. But Luther Dobbins, the man who sold Sarah the steer, has his sights set on winning too, and, like Sarah, he is desperate, but not for money. Dobbins is desperate for glory, wanting to regain his lost grand-champion dynasty, and he will stop at nothing to win. Emboldened by her lessons from Mama Red and her budding mama bone, Sarah is committed to victory even after she learns the winning steer s ultimate fate. Will she stop at nothing, even if it means betraying her teacher?McClain s writing is distinguished by a sophisticated and detailed portrayal of the day-to-day realities of rural poverty and an authentic sense of time and place that marks the best southern fiction. Her characters transcend their archetypes and her animal-as-teacher theme recalls the likes of Water for Elephants and The Art of Racing in the Rain. One Good Mama Bone explores the strengths and limitations of parental love, the healing power of the human-animal bond, and the ethical dilemmas of raising animals for food."

    Businesses went under by the hundreds, debt and foreclosures boomed, and breadlines grew in many American cities. In the midst of this misery, some folks explored unscrupulous ways to make money. Angel-faced John Partlow and carnival huckster Ginger LaFrance are among the worst of this lot. Joining together they leave their small time confidence scams behind to attempt an elaborate kidnapping-for-ransom scheme in New Orleans.In a different part of town, Curtis Mayhew, a young black man who works as a redcap for the Union Railroad Station, has a reputation for mending quarrels and misunderstandings among his friends. What those friends don't know is that Curtis has a special talent for listening... and he can sometimes hear things that aren't spoken aloud.One day, Curtis Mayhew's special talent allows him to overhear a child's cry for help (THIS MAN IN THE CAR HE'S GOT A GUN), which draws him into the dangerous world of Partlow and LaFrance.This gritty depression-era crime thriller is a complex tale enriched by powerfully observed social commentary and hints of the supernatural, and it represents Robert McCammon writing at the very top of his game.

    She's got two mothers, "one deaf-blind and the other four baby steps from flat crazy." She's got two men: a husband who's easing out the back door; and a best friend, who's laying siege to her heart in her front yard. And she has two families: the Fretts, who stole her and raised her right; and the Crabtrees, who won't forget how they were done wrong. Now, in Between, Georgia, a feud that began the night Nonny was born is escalating and threatening to expose family secrets.Ironically, it might be just what the town needs... if only Nonny weren't stuck in between.

    Others scatter them to the wind and hope they land somewhere far away.Judith Kratt inherited all the Kratt family had to offer—the pie safe, the copper clock, the murder no one talks about. She knows it's high time to make an inventory of her household and its valuables, but she finds that cataloging the family belongings—as well as their misfortunes—won't contain her family's secrets, not when her wayward sister suddenly returns, determined to expose skeletons the Kratts had hoped to take to their graves.Interweaving the present with chilling flashbacks from one fateful evening in 1929, Judith pieces together the influence of her family on their small South Carolina cotton town, learning that the devastating effects of dark family secrets can last a lifetime and beyond.

    He could not read, but he asked his wife, Ava, to read him the paper every day so he would not be ignorant. He was a man who took giant steps in rundown boots, a true hero whom history would otherwise have beem overlooked.In the decade of the Great Depression, Charlie moved his family twenty-one times, keeping seven children one step ahead of the poverty and starvation that threatened them from every side. He worked at the steel mill when the steel was rolling, or for a side of bacon or a bushel of peaches when it wasn’t. He paid the doctor who delivered his fourth daughter, Margaret -- Bragg’s mother -- with a jar of whiskey. He understood the finer points of the law as it applied to poor people and drinking men; he was a banjo player and a buck dancer who worked off fines when life got a little sideways, and he sang when he was drunk, where other men fought or cussed. He had a talent for living.His children revered him. When he died, cars lined the blacktop for more than a mile.Rick Bragg has built a soaring monument to the grandfather he never knew -- a father who stood by his family in hard times and left a backwoods legend behind -- in a book that blazes with his love for his family, and for a particular stretch of dirt road along the Alabama-Georgia border. A powerfully intimate piece of American history as it was experienced by the working people of the Deep South, a glorious record of a life of character, tenacity and indomitable joy and an unforgettable tribute to a vanishing culture, Ava’s Man is Rick Bragg at his stunning best.

    Introduction by the Author.Contents:Isis by Zora Neale HurstonEconomics by Elizabeth Seydel MorganSarah by Tina McElroy AnsaStar in the valley by Mary Noailles MurfreeUgliest pilgrim by Doris BettsMusic by Ellen GilchristWide net by Eudora WeltyAfter Moore by Mary HoodWhite rat by Gayl JonesDare's gift by Ellen GlasgowFirst dark by Elizabeth SpencerShiloh by Bobbie Ann MasonGood country people by Flannery O'ConnorEveryday use by Alice WalkerYellow ribbons by Susie MeeTongues of fire by Lee SmithGospel song by Dorothy AllisonNew life by Mary Ward BrownGrave by Katherine Anne PorterAnd with a vengeance by Margaret GibsonThird of July by Elizabeth Cox

    From a place where you don't have to run away to find yourself, this novel's young heroine, Berry, joins the ranks of other memorable and spirited girl narrators such as Bone in "Bastard Out of Carolina," Kaye Gibbon's Ellen Foster, Lily Owens in The Secret Life of Bees, and Scout from To Kill a Mockingbird.

    Eighty years old, Ebenezer has lived his whole life on the Channel Island of Guernsey, a stony speck of a place caught between the coasts of England and France yet a world apart from either. Ebenezer himself is fiercely independent, but as he reaches the end of his life he is determined to tell his own story and the stories of those he has known. He writes of family secrets and feuds, unforgettable friendships and friendships betrayed, love glimpsed and lost. The Book of Ebenezer Le Page is a beautifully detailed chronicle of a life, but it is equally an oblique reckoning with the traumas of the twentieth century, as Ebenezer recalls both the men lost to the Great War and the German Occupation of Guernsey during World War II, and looks with despair at the encroachments of commerce and tourism on his beloved island.G. B. Edwards labored in obscurity all his life and completed The Book of Ebenezer Le Page shortly before his death. Published posthumously, the book is a triumph of the storyteller’s art that conjures up the extraordinary voice of a living man.