The Taj Mahal in Agra is arguably the most iconic image of India and is visited by eight million tourists annually. It was characterized as “pure, perfect and unutterably lovely” by the British Viceroy, Lord Curzon, and in 1983, UNESCO declared it a World Heritage Site of “outstanding universal value.” For centuries the world has believed that it was built by Shah Jahan in 1631 to immortalize his love for his wife, Mumtaz Mahal. Certain mysteries and myths that surround the monument have recently come to the fore in the country, stimulating a public debate about the place it holds as a true representation of Indian culture. Inside you will read about... ✓ The Life of Mumtaz Mahal: The Jewel of the Palace ✓ The Building of the Taj Mahal ✓ A UNESCO World Heritage Site ✓ Myths, Conjecture, and Controversy ✓ The 22 Locked Rooms in the Basement And much more! This book presents the five main historical figures of the Mughal Empire in India during that period as well as many details of how the Taj Mahal was built. It traces the events that have led to the present controversy.

    His night at the hotel begins with promise, but then his prospective one-night stand walks out on him. Leaving town, Denny is mistaken for look-a-like Homer Dumpling, a popular native son who mysteriously disappeared from town three years earlier. Instead of correcting the mistake, Denny dons his new identity as easily as a Vermonter's winter fleece, and a good thing too-the woman he had hoped to sleep with has turned up dead, and Denny is the chief suspect.As Denny tries to unravel the mystery, he struggles to hide his true identity from Homer's increasingly suspicious circle of family and friends, including Homer's prickly girlfriend. In Denny, Carkeet has crafted a fast- talking bumbler whose instinct for survival will face the ultimate challenge, with readers cheering him on all the way..

    He was listed in the Blue Book but joined no clubs. His magnificent dining room at Kragsyde, his house at Lobster Cove, rarely entertained visitors. If George Nixon Black was mentioned at all, it was almost as rumor. His greenhouses boasted rare plants, his collection of antiques and paintings were extraordinary and his patronage of the arts favored unknown female artists. Each winter he quietly boarded a luxury European-bound steamship with a man eighteen years his junior. Despite a privileged youth marred by violence and uncertainty, contrasted with the danger his lifestyle and secrets placed him in, his ability to obtain happiness and be himself was remarkable. While Black was probably content to slip away unnoticed, Kragsyde was to have no such fate. Garnering much attention when it was first built, and adored by architects and scholars ever since, the famous shingle-style house has made it impossible for Black to fully disappear. In The House at Lobster Cove, you will see behind the doors of Kragsyde, the house that sheltered and shaped him, and continued to tell his story long after both were gone. Using characters, letters and events from history, Jane Goodrich's first novel is part family saga and part love story, as well as an engaging personal journey for the author. Although Kragsyde was demolished in 1929, it was later rebuilt, in every detail, by Goodrich and her husband, doing all the work themselves on an island in Maine. A special feature of this edition is the letterpress printed cover and title page, hand printed on 100% cotton paper at the author's studios at Saturn Press in Maine.

    

    But in just two years' time, Stoops achieved the seemingly impossible: winning a national championship and returning the struggling Sooners to their powerhouse status, churning out NFL talent, Heisman Trophy winners and conference championships, bowl wins and national title runs on a regular basis.During his 18 seasons at OU, his record was a remarkable 190-48. At only age 56, at the peak of his career, he stunned the college football world by walking away.For the first time, Bob opens up about his career alongside the evolution of the game itself. From his unlikely emergence as a star player at the University of Iowa, to his coaching apprenticeships under giants like Hayden Fry, Bill Snyder, and Steve Spurrier, Stoops recounts how the game he fell in love with as a boy has evolved into a billion-dollar business often compromised by recruiting wars, aggressive agents, overzealous boosters and alumni, and the emergence of the CEO head coach rather than mentor and teacher. Bob holds nothing back while explaining why it was time to step away from the game--and players--he still loves.Told with a rare combination of sincerity, vulnerability, and pure heart, No Excuses is both an engaging and eye-opening football memoir and an unprecedented portrait of a coach of one of the greatest legacy programs in the history of the college game.

    

    Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen if architects liberated their minds from the constraints of site, program, and budget? he asks. The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.The 1001 building forms in SITELESS include structural parasites, chain link towers, ball bearing floors, corrugated corners, exponential balconies, radial facades, crawling frames, forensic housing--and other architectural ideas that may require construction techniques not yet developed and a relation to gravity not yet achieved. SITELESS presents an open-ended compendium of visual ideas for the architectural imagination to draw from. The forms, drawn freehand (to avoid software-specific shapes) but from a constant viewing angle, are presented twelve to a page, with no scale, order, or end to the series. After setting down 1001 forms in siteless conditions and embryonic stages, Blanciak takes one of the forms and performs a "scale test," showing what happens when one of these fantastic ideas is subjected to the actual constraints of a site in central Tokyo. The book ends by illustrating the potential of these shapes to morph into actual building proportions.

    Created in the 1890s by George Washington Vanderbilt, a member of one of America's wealthiest families, the estate combined a 250-room French Renaissance-style chateau with 125,000 acres of gardens, forests, and working farms. Biltmore House served as Vanderbilt's primary residence for almost 20 years. After Mr. Vanderbilt's death in 1914, life at Biltmore continued for his wife Edith and daughter Cornelia. In 1930, Cornelia Vanderbilt Cecil and her husband, Hon. John Francis Amherst Cecil, opened Biltmore House--the largest private home in the United States--to the public, firmly establishing the Asheville area as a major tourist destination.

    Holl reveals his working methods in this book, part treatise, part manifesto, and part, as Holl writes, "liner notes" to fifteen of his projects. Parallax traces Holl's ideas on topics as diverse as the "chemistry of matter" and the "pressure of light," and shows how they emerge in his architectural work: "criss-crossing" at the Kiasma Museum of Contemporary Art in Helsinki, "duration" in the Palazzo del Cinema in Venice, "correlational programming" in the Makuhari housing in Japan. The result is a book that provides a personal tour of the work of one of the world's most esteemed architects. Parallax is designed by Michael Rock of the award-winning design firm 2x4.

    Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend:'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

    Heatherwick is known as one of the greatest innovators of our era, and for the first time, this publication provides an inside look at the creation and development of his projects. It answers the one question always asked of Heatherwick's work: How did he do that? The book covers the studio's complete output over more than fifteen years—some 170 projects—including designs large and small: zippered bags that can be expanded to five times their size, a bridge that rolls open and closed, the in-progress one-million-square-foot mall in Hong Kong and glass bridge in London.

    While of different ages and stages in life, these ladies have two things in common: 1) they are diehard romantics, and 2) they’ve been let down by love. As a wildly silly dare during her last night on the island, each heroine decides to stuff a note in a bottle addressed to her “dream hero” and cast it out to sea!Meg Mullen’s community theater is on the verge of closing if she can’t raise the money to save it, but she’s running out of time and needs a miracle. Television producer, Elliot Campbell, finds a message in a bottle from the perfect female contestant for his reality dating show. All he has to do is talk Meg into taking the job, convince her to choose one of the contenders, and figure out how to keep from falling in love with her himself.

    Larry Haun is as much a historian and philosopher as he is a 60-year veteran carpenter. Larry's memoir would be equally at home on the bookshelves of home building and architecture enthusiasts as anyone on a spiritual journey."- Brian Pontolilo, Editor, Fine Homebuilding Magazine The unforgettable memoir of a legendary builder. You don't have to be a carpenter to appreciate this fascinating book that Publishers Weekly calls, "a first person timeline of 20th century American residential architecture... combining ...two literary styles: the memoir and the how-to book." A moving story of that place we call home. An early advocate for building lean and green and an avid blogger, Larry Haun tells his unique story in terms of twelve homes - built over the last 100 years. These are homes he knows intimately, drawing the reader in with detailed descriptions and thoughtful observations. "Just like any good carpenter, Haun brings his own artistic flourishes to the job of storytelling.... But where Haun's true personality comes across is when he describes the construction process for the many houses he has lived in and built--from his parent's 1,000-sq. ft. wood-frame house and the adobe and cob structures of the Southwest to the mid-century pre-fabricated and tract houses, and the more recent Habitat for Humanity homes he has donated his time to help erect." Publishers Weekly, 6/13/2011A delight to read. A great gift. This engaging memoir will appeal to anyone who appreciates a well-told story. A Carpenter's Life As Told in Houses explores our love of home - feelings so deeply rooted that they go far beyond wood and plaster and shingles. Share the author's deep connection to the natural world, his yearning for simplicity, and respect for humanity - and see why he believes that less is more.

    With an insomniac mother and a demolitions-expert father, her entire family is what the residents of her small town would call "a bunch of crackpots." Despite the dramas of her upbringing, Ruby matures into a creative, introspective, and wholly beguiling woman. But her adulthood is marked by complex relationships and romantic missteps -- three unsuitable marriages, dramatic crushes, the complicated love between siblings. As Sara Pritchard deftly guides us through Ruby's story, from the present to the past and back again, a portrait of a remarkably resilient woman emerges. Suffused with humor and melancholy, imagination and insight, Crackpots heralds the debut of a skilled and sensitive storyteller.

    Now in its fourth edition, this industry standard continues its reputation as a reliable tool for the preliminary selecting, configuring, and sizing of the structural, mechanical, and egress systems of a building. Bestselling authors Edward Allen and Joseph Iano reduce complex engineering and building code information to simple approximations that enable the designer to lay out the fundamental systems of a building in a matter of minutes and get on with the design.Now in a flex binding that makes it even easier to use, The Architect's Studio Companion, Fourth Edition provides quick access to reliable rules of thumb that offer vital help for selecting, configuring, and sizing:Structural systems Heating, cooling, and electrical systems Egress provisions, including exit stairways, parking garages, and parking lots Daylight provisions The book concludes with precalculated tables of building code height and area limitations.