Drawing on her own fieldwork in the Mediterranean, Africa, Asia, and beyond, archeologist Brenna Hassett explores the long history of urbanization through revolutionary changes written into the bones of the people who lived it.For every major new lifestyle, another way of dying appeared. From the "cradle of civilization" in the ancient Near East to the dawn of agriculture on the American plains, skeletal remains and fossil teeth show evidence of shorter lives, rotten teeth, and growth interrupted. The scarring on human skeletons reveals that getting too close to animals had some terrible consequences, but so did getting too close to too many other people.Each chapter of Built on Bones moves forward in time, discussing in depth humanity's great urban experiment. Hassett explains the diseases, plagues, epidemics, and physical dangers we have unwittingly unleashed upon ourselves throughout the urban past--and, as the world becomes increasingly urbanized, what the future holds for us. In a time when "Paleo" lifestyles are trendy and so many of us feel the pain of the city daily grind, this book asks the critical question: Was it worth it?

    Fascinating, educational, and highly readable, Bones takes readers into the dark world of forensic science.

    Lesy has collected and arranged photographs taken between 1890 and 1910 by a Black River Falls photographer, Charles Van Schaik.

    Simultaneous.

    A. Foley, Antiquity), The Human Career has proved to be an indispensable tool in teaching human origins since its publication in 1989. This substantially revised edition retains Richard Klein's innovative approach and incorporates new findings from the past decade.The Human Career chronicles the evolution of people from the earliest primates through the emergence of fully modern humans within the past 200,000 years. Its comprehensive treatment stresses recent advances in knowledge, including, for example, ever more abundant evidence that fully modern humans originated in Africa and spread from there, replacing the Neanderthals in Europe and equally archaic people in Asia. With its coverage of both the fossil record and the archeological record over the 2.5 million years for which both are available, Klein emphasizes that human morphology and behavior evolved together. Throughout the text, Klein presents evidence for alternative points of view, but also does not hesitate to take a position.In addition to outlining the broad pattern of human evolution, The Human Career details the kinds of data that support this pattern, including information on archeological sites, artifacts, fossils, and methods for establishing dates in geological time. With abundant references and hundreds of illustrations, charts, and diagrams, this new edition is unparalleled in its usefulness for teaching human evolution.

    Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes’s argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century.The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture.A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

    They protect some, but guide spears, arrows and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war – to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings. The women in these stories take full part in the power struggles and upheavals in their communities, for better or worse. Drawing on the latest historical and archaeological evidence, Valkyrie introduces readers to the dramatic and fascinating texts recorded in medieval Iceland, a culture able to imagine women in all kinds of roles carrying power, not just in this world, but pulling the strings in the other-world, too. In the process, this fascinating book uncovers the reality behind the myths and legends to reveal the dynamic, diverse lives of Viking women.

    When we last left Quita, the last person on earth Flex would suspect, Kim Carmichael, had kidnapped Cordon.Kimi, Cordon's biological mother, had her unreliable cousin Pooh hold Cordon, and his friend Miranda in a motel room until further instructions. But the kids have another agenda, and decide to slip away to face the dangerous streets, and save themselves.To top it all off, Quita must still run her illegal daycare center although most of her friends are being held captive by Flex, and his goons until Cordon is found. Time is of the essence and if Flex does not get Cordon back soon, bodies will continue to drop.Quita's Dayscare Center 2 is sure to keep you on the edge of your seat. Will this be the end of Quita's Dayscare Center or just the beginning?

    Two unlikely men meet one morning at the fishing pier on Sanibel Island in Florida. Over the course of the next six mornings, they share more than just snook runs and cold Cokes. Richard Evans is an overweight, stressed out divorce attorney who measures his success by how much money he can manipulate from his clients. Under duress from his wife, Helen, he has taken his estranged family on vacation to Sanibel Island. Helen, whose life has grown to revolve around her soap operas, bridge games, and excessive spending, has anything but time for her family. Subsequently, both their teenage boys are spoiled beyond measure with every toy and game manufactured. Spoiled with everything except love and time from their parents. Sadly, their big, beautiful Midwestern house resembles anything but a home. Carl Johnson and his wife, Marie, had moved to Sanibel decades ago to raise their family in the peaceful serene environment that island life has to offer; Carl as a fishing guide and Marie tending their family, garden and volunteer work. He has lived a long full life and is now old and retired. With his children having moved out of state and Marie having passed away to cancer last year, Carl is living the last years of his life with his fishing tackle and memories. Over the next six mornings, while catching and releasing fish, Carl and Richard share tales of love, losses, heroism, vanity, suicide and life. They share bait, fishing gear and poignant conversations. With each passing morning, something happens to Richard. He begins to realize how superficial and shallow his life has become and contemplates changing, no matter how difficult that change may be.

    So when she meets Lloyd AKA Black, a rich street king who ruthlessly runs Atlanta and everything in it, she has no problem shedding her good girl image to be his coke-addicted ride or die. But there is one problem---his wife Dior who Lloyd is NOT divorcing although he tells Keisha a different story. After a turn of events that almost ends in bloodshed for Lloyd and Dior at her hands, Keisha swears to never do coke again, goes back to the stripclub, and takes back her job as a bartender. And it is there that she meets Trigga...Trigga is a boss nigga with an attitude. He's all business and making money but he has a mean, sexy swag that makes him effortlessly attract women. One night, he's in Pink Lips when he sees Keisha, but he's not there for pleasure...he's there for business. And his business involves putting a bullet straight through Lloyd's skull. What he soon finds is that Lloyd won't be an easy mark and one mistake ends up placing him and Keisha in the hospital fighting for their lives. When Trigga wakes up, the first person on his mind is Keisha--the woman he met who he now feels obligated to protect. And Kiesha is all too ready to allow him to do so as long as she can keep her best kept secrets regarding Lloyd underwraps.Dior Mitchell-Evans has been cheated on one to many times by her husband, Lloyd, and she decides once and for all that she won't continue to take it lying down. So she enlists the only man she knows just might love her more than Lloyd to help her with her plans...Lloyd's cousin, Kenyon. Although Kenyon and Lloyd were raised like brothers, Kenyon can't hide the fact that he's loved Dior throughout the years and he won't stand by idly any longer as Lloyd continues to use and abuse her.Love and betrayal sometimes fall hand in hand. But when you fall in love in the streets, you can guarantee that betrayal will soon come. This isn't the typical 'good girl meets thug' tale. This is classic romance meets thug love and it will leave you wanting more.

    

     Investigating the six most salient categories of human identity, difference, and confrontation—religion, nation, class, gender, race, and civilization—David Cannadine questions just how determinative each of them has really been. For while each has motivated people dramatically at particular moments, they have rarely been as pervasive, as divisive, or as important as is suggested by such simplified polarities as “us versus them,” “black versus white,” or “the clash of civilizations.” For most of recorded time, these identities have been more fluid and these differences less unbridgeable than political leaders, media commentators—and some historians—would have us believe. Throughout history, in fact, fruitful conversations have continually taken place across these allegedly impermeable boundaries of identity: the world, as Cannadine shows, has never been simply and starkly divided between any two adversarial solidarities but always an interplay of overlapping constituencies. Yet our public discourse is polarized more than ever around the same simplistic divisions, and Manichean narrative has become the default mode to explain everything that is happening in the world today. With wide-ranging erudition, David Cannadine compellingly argues against the pervasive and pernicious idea that conflict is the inevitable state of human affairs. The Undivided Past is an urgently needed work of history, one that is also about the present—and the future.

    Her bracing sixth book of poems, published concurrently with her debut story collection, takes an unflinching, though not unsmiling, look at mortality. Perillo has a penchant for dark humor, for jokes that stick."—Publishers Weekly, starred review"Perillo's poetic persona is funny, tough, bold, smart, and righteous. A spellbinding storyteller and a poet who makes the demands of the form seem as natural as a handshake, she pulls readers into the beat and whirl of her slyly devastating descriptions."—Booklist"Whoever told you poetry isn't for everyone hasn't read Lucia Perillo. She writes accessible, often funny poems that border on the profane."—Time Out New York"Lucia Perillo's much lauded writing has been consistently fine—with its deep, fearless intelligence; its dark and delicious wit; its skillful lyricism; and its refreshingly cool but no less embracing humanity." —Open Books: A Poem EmporiumThe poetry of Lucia Perillo is fierce, tragicomic, and contrarian, with subjects ranging from coyotes and Scotch broom to local elections and family history. Formally braided, Perillo gathers strands of the mythic and mundane, of media and daily life, as she faces the treachery of illness and draws readers into poems rich in image and story.When you spend many hours alone in a roomyou have more than the usual chances to disgust yourself—this is the problem of the body, not that it is mortalbut that it is mortifying. When we were young they taught usdo not touch it, but who can keep from touching it,from scratching off the juicy scab? Today I bita thick hangnail and thought of Schneebaum,who walked four days into the jungleand stayed for the kindness of the tribe—who would have thought that cannibals would be so tender?Lucia Perillo's Inseminating the Elephant (Copper Canyon Press, 2009) was a finalist for the Pulitzer Prize and received the Bobbitt award from the Library of Congress. She lives in Seattle, Washington.

    While conducting research among these Muedans, anthropologist Harry G. West made a revealing discovery—for many of them, West’s efforts to elaborate an ethnographic vision of their world was itself a form of sorcery. In Ethnographic Sorcery, West explores the fascinating issues provoked by this equation.A key theme of West’s research into sorcery is that one sorcerer’s claims can be challenged or reversed by other sorcerers. After West’s attempt to construct a metaphorical interpretation of Muedan assertions that the lions prowling their villages are fabricated by sorcerers is disputed by his Muedan research collaborators, West realized that ethnography and sorcery indeed have much in common. Rather than abandoning ethnography, West draws inspiration from this connection, arguing that anthropologists, along with the people they study, can scarcely avoid interpreting the world they inhabit, and that we are all, inescapably, ethnographic sorcerers.

    This far-reaching discussion considers mortality from the personal and the universal perspective, generously citing past and present poets and physicians from a diverse and telling range of traditions. Mims, who for two decades served as Professor of Microbiology at London's Guys Hospital, brings a humane, inquisitive, and learned sensibility to his topic. "This book is a light-hearted but wide-ranging survey of death, the causes of death, and the disposal of corpses," writes Mims. "It tells why we die and how we die, and what happens to the dead body and its bits and pieces. It describes the ways corpses are dealt with in different religions and in different parts of the world; the methods for preserving bodies; and the ways--fascinating in their diversity--in which corpses or parts of corpses are used and abused." The volume also explores such crucial death-based notions as the afterlife, the soul, and the prospect of immortality. By way of the book's main focus, Mims continues: "We should take a more matter-of-fact view of death [and] accept it and talk about it more than we do--as we have done with the once taboo subject of sex." This is a work that any student of social anthropology will find equally enlightening and essential.