His sheltered childhood in the home he loves has not prepared Vernon for the harsh reality of his adult years, and in order to write the great masterpiece of his life, he has to make a crucial decision with no time left to count the cost. But there is a high price to be paid for his talent, especially by his family and the two women in his lifee - the one he loves and the one who loves him. Young Nell Vereker had always loved Vernon, loved him with a consuming passion that was alien to the proper social world in which she lived. But when Vernon sought solace in the arms of Jane Harding, a stranger and enigmatically beautiful older woman, Nell felt she could endure no greater pain. But Fate had only begun to work its dark mischief on this curious romantic triangle -- for before their destinies were sealed, one would live, one would die, and one would return from the grave to be damned…

    It includes The Autobiography of Alice B. Toklas in its entirety; selected passages from The Making of Americans; "Melanctha"from Three Lives; portraits of the painters Cezanne, Matisse, and Picasso; Tender Buttons; the opera Four Saints in Three Acts; and poem, plays, lectures, articles, sketches, and a generous portion of her famous book on the Occupation of France, Wars I Have Seen.

    She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall.Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

    Set in a rural inn in Yorkshire, three people enter a strange confrontation with the hallmarks of déjà vu, and a physicist attempts to prevent a disaster.

    It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.”—Linda Winer, NewsdayChosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This play by John Patrick Shanley—the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck—dramatizes issues straight from today’s headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.

    It is and based on Elizabeth's own experiences.Excerpt from Aurora Leigh: A Poem in Nine Books Aurora Leigh. First Book. Of writing many books there is no end;And I, who have written much in prose and verseFor others' uses, will write now for mine, -Will write my story for my better self, As when you paint your portrait for a friend, Who keeps it in a drawer, and looks at itLong after he has ceased to love you, justTo hold together what he was and is. I, writing thus, am still what men call youngI have not so far left the coasts of lifeTo travel inland, that I cannot hearThat murmur of the outer InfiniteWhich unweaned babies smile at in their sleepWhen wondered at for smiling; not so far, But still I catch my mother at her postBeside the nursery-door, with finger up, "Hush, hush, here's too much noise!" while her sweet eyesLeap forward, taking part against her wordIn the child's riot. Still I sit, and feelMy father's slow hand, when she has left us both, Stroke out my childish curls across his knee, And hear Assunta's daily jest (she knewHe liked it better than a better jest)Inquire how many golden scudi wentTo make such ringlets. O my father's hand, Stroke heavily, heavily, the poor hair down, Draw, press the child's head closer to thy knee!I'm still too young, too young, to sit alone.

    Alfred R. Ferguson was founding editor of the edition, followed by Joseph Slater (until 1996).

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Titles in this collection are: The Lost Symbol, Digital Fortress, Angel & Demons, Deception Point, The Davinci Code Dan Brown is the bestselling author of Digital Fortress, Deception Point, Angels and Demons and The Da Vinci Code. He is a graduate of Amherst College and Phillips Exeter Academy, where he has taught English and creative writing. He lives in New England.

    The beautiful young must find a way to restore herself and her aunt to respectability, preferably without accepting either of two repugnant offers. One is from an older, very rich and rather corpulent lord whose reputation for licentious behavior disgusts her; the other from the young, puppyish scion of a noble family whose relatives are convinced she is a fortune hunter.Lady Mablethorpe was aghast. Her young son Adrian was marrying Miss Deborah Grantham--a gambling-club wench! Thus she sent her trusted nephew, the vastly wealthy, clever, and imperturbable Max Ravenscar, speeding to the faro tables to buy the hussy off. To Ravenscar's surprise, Deborah turned out to be remarkably handsome, witty, and--he could scarcely believe it--well-bred. Nevertheless, he expected she'd be grateful for the price he offered to give up her young suitor. Arrogant Ravenscar comes to buy her off, an insult so scathing that it leads to a volley of passionate reprisals, escalating between them to a level of flair and fury that can only have one conclusion....The CorinthianPenelope Creed will do anything to avoid marrying her repulsive cousin. Dressed in boy's clothing, she's fleeing from London when she's discovered by Sir Richard Wyndham, himself on the verge of the most momentous decision of his life.When Sir Richard encounters the lovely young fugitive, he knows he can't allow her to travel to the countryside all alone, so he offers himself as her protector. As it happens, at that very moment Sir Richard could use an escape of his own...The NonesuchWhen they learned that Sir Waldo Hawkridge was coming, the village gentry were thrown into a flurry. The famed sportsman himself! Heir to an uncounted fortune, and a leader of London society! The local youths idolized "the Nonesuch"; the fathers disapproved; and the mothers and daughters saw him as the most eligible--and elusive--man in the kingdom.But one person remained calm. When she became a governess, Ancilla Trent had put away romance, and at first she could only be amused at the fuss over Sir Waldo. But when he ignored the well-born beauties of the district, a shocking question began to form: could the celebrated gentleman be courting her?

    Tolkien's On Fairy-stories is his most-studied and most-quoted essay, an exemplary personal statement of his own views on the role of imagination in literature, and an intellectual tour de force vital for understanding Tolkien's achievement in writing The Lord of the Rings .Contained within is an introduction to Tolkien's original 1939 lecture and the history of the writing of On Fairy-stories, with previously unseen material. Here, at last, Flieger and Anderson reveal the extraordinary genesis of this seminal work and discuss how the conclusions that Tolkien reached during the composition of the essay would shape his writing for the rest of his life.

    

    "Its a ghost story, a thriller, an action-packed murder mystery, and a great tragedy that is profoundly moving." With an outstanding cast of international actors--including Derek Jacobi as Claudius, Julie Christie as Gertrude, Kate Winslet as Ophelia, Charlton Heston as the Player King, Robin Williams as Osric, and Gerard Depardieu as Reynaldo--Branagh's version, in which he will play the title role as well as direct, is sure to go down in film history.This beautiful volume includes Branagh's introduction and screenplay adaptation of Shakespeare's text, color and black-and-white stills, and a production diary that takes us behind the scenes for a day-to-day look at the shooting of his film.

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    A landmark achievement as expansive, erudite, and passionate as its renowned author, Shakespeare: The Invention of the Human is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic-and ultimate authority on the western literary tradition-Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.