Cleared of responsibility though overcome with guilt, she absconds to Africa, befriending a series of locals each with their own tragic past.Mysteriously, the remains of an albino appear, spooking everyone—sign of a curse placed by a witch doctor—though its intended recipient is uncertain. Pilgrim volunteers to rid the town of the box and its contents, though wherever she goes, she can't shake the feeling that she's being followed.Melanie Finn was born and raised in Kenya until age eleven, when she moved with her family to Connecticut. She is the author of the novel Away From You and wrote DisneyNature's beautiful, haunting flamingo epic The Crimson Wing, which was directed by her husband, filmmaker Matt Aeberhard. During the filming, Melanie established The Natron Healthcare Project, and now lives in Vermont with Matt and their twin daughters."Deeply satisfying. Finn is a remarkably confident and supple storyteller. [The Gloaming] deserves major attention."—John Williams, New York Times"In this richly textured, intricately plotted novel, [Finn] assures us that heartbreak has the same shape everywhere. The Gloaming is chillingly cinematic in contrasting East Africa’s exquisite landscape with the region’s human needs. Yet even in a malevolent setting, Finn shows us acts of selflessness and redemption. Her fascination with the duality of Africa — “the most honest place on earth” — shines fiercely."—Lisa Zeidner, New York Times Book Review, Editors' Choice"A propulsive literary thriller. Finn, who writes with a psychological acuity that rivals Patricia Highsmith's, switches between Europe and Africa in tense alternating chapters, rewarding close attention. The book is terrific... subtle and thrilling. Remarkably well-paced and well-written... Don't expect to be able to set this book down or forget its haunted characters."—Kirkus Reviews, starred"Intense, impressive."—The Guardian"I rarely get as invested in the outcome of a novel as I did reading The Gloaming, but the empathies that Finn evokes in this powerful and unpredictable book are not casual; these traumas could be our own. [Finn's] prose is hypnotic and knife-precise and at times so beautiful it's unnerving. I didn't read this book so much as I experienced it and it will haunt me for a very, very long time."—Jill Alexander Essbaum, New York Times–bestselling author of Hausfrau

    . .Sage Singer is a baker. She works through the night, preparing the day’s breads and pastries, trying to escape a reality of loneliness, bad memories, and the shadow of her mother’s death. When Josef Weber, an elderly man in Sage’s grief support group, begins stopping by the bakery, they strike up an unlikely friendship. Despite their differences, they see in each other the hidden scars that others can’t, and they become companions.Everything changes on the day that Josef confesses a long-buried and shameful secret—one that nobody else in town would ever suspect—and asks Sage for an extraordinary favor. If she says yes, she faces not only moral repercussions, but potentially legal ones as well. With her own identity suddenly challenged, and the integrity of the closest friend she’s ever had clouded, Sage begins to question the assumptions and expectations she’s made about her life and her family. When does a moral choice become a moral imperative? And where does one draw the line between punishment and justice, forgiveness and mercy?In this searingly honest novel, Jodi Picoult gracefully explores the lengths we will go in order to protect our families and to keep the past from dictating the future

    He thought he would just sit down, have a slow beer or two, and talk to a stranger. He couldn't know that it would lead to a narrow escape from a bungalow targeted by a SWAT team. Or that it would leave him a wanted man. Now he is on the run from mysterious and ruthless men. He is in love with a woman he knows next to nothing about. And he is hiding from a past he can't fully remember. On his trail is a shadowy security agency that answers to no one--including the U.S. government--and a man who considers himself a compassionate Angel of Death. But worst of all, Spencer Grant is on a collision course with inner demons he thought he'd buried years ago--inner demons that could destroy him if his enemies don't first.

    Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

    With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.Mayflies is a memorial to youth's euphorias and to everyday tragedy. A tender goodbye to an old union, it discovers the joy and the costs of love.

    Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called ‘The Improbability of Love’. Delving into the painting’s past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.

    Until one day a letter appears, summoning him to the frozen woods of Vermont. There, Ricky is inducted into a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard The Voice: a mysterious murmur on the wind, a disembodied shout, or a whisper in an empty room that may or may not be from God.Evoking the disorienting wonder of writers like Haruki Murakami and Kevin Brockmeier, but driven by Victor LaValle’s perfectly pitched comic sensibility, Big Machine is a mind-rattling literary adventure about sex, race, and the eternal struggle between faith and doubt.

    He uncovers instead what he least wants to know: the workings of his parents' private lives. And even then he can't stop snooping.Miles Adler-Rich, helped by his friend Hector, spies and listens in on his separating parents. Both boys are in thrall to Miles's unsuspecting mother, Irene, who is "pretty for a mathematician." They rifle through her dresser drawers and strip-mine her computer diary, finding that all leads pull them straight into her bedroom, and into questions about a stranger from Washington, D.C., who weaves in and out of their lives. Their amateur detective work starts innocently but soon takes them to the far reaches of adult privacy as they acquire knowledge that will affect the family's well-being, prosperity, and sanity. Once burdened with this powerful information, the boys struggle to deal with the existence of evil, and proceed to concoct hilarious modes of revenge on their villains and eventually, haltingly, learn to offer animal comfort to those harmed and to create an imaginative path to their own salvation.

    She doesn't believe in pseudo-science, or time travel and especially not in ghosts. So when she gets a missed call from Charlie, her closest friend from university with whom she hasn't spoken in over a year, Helen thinks there must be some mistake. Because Charlie died two days ago.Then when her young son, Jack, claims to have seen Charlie in their house just the other day, Helen begins to have doubts.Through the grief of the husband and daughter Charlie left behind, Helen is drawn into the orbit of Charlie's world, slotting in the missing pieces of her friend's past. And, as she delves into the web of their shared history, Helen finds herself entangled in the forgotten threads of her own life.Lost and Wanted is a searing novel from one of America's most exciting writers about the knottiness of female friendship, the forces which fuse us together and those which drive us apart.

    But the teachers also face plenty of personal challenges and this year, they may finally spill over into the classroom.English teacher Lena Wright, a spoken-word poet, can never seem to truly connect with her students. Hernan D. Hernandez is confident in front of his biology classes, but tongue-tied around the woman he most wants to impress. Down the hall, math teacher Maybelline Galang focuses on the numbers as she struggles to parent her daughter, while Coach Ray hustles his troubled football team toward another winning season. Recording it all is idealistic second-year history teacher Kaytee Mahoney, whose anonymous blog gains new readers by the day as it drifts ever further from her in-class reality. And this year, a new superintendent is determined to leave his own mark on the school—even if that means shutting the whole place down.

    One of them is Francis Orme, who earns his livelihood as a living statue. When not practicing “inner and outer stillness,” Francis steals the cherished possessions of others to add to his private museum. The other tenants are equally as odd: his mother and father, who haven’t interacted in years; a man who continually sweats and cries; a recluse who prefers television to reality; and a woman who behaves like a dog. When Anna Tapp arrives among them she stirs their souls, bringing long forgotten memories to the surface–and arousing fears that this new resident intends to provoke a metamorphosis.

    And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.Enter Mia Warren - an enigmatic artist and single mother- who arrives in this idyllic bubble with her teenage daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than just tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past, and a disregard for the rules that threatens to upend this carefully ordered community.When old family friends attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town - and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia's past. But her obsession will come at an unexpected and devastating cost . . .

    The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

    In the middle of a tropical storm one night, these characters are among the passengers it carries: Fay Benton, a single mom and cocktail waitress desperate for something to go right for once; Johnny and the Contusions, a ship's band with so little talent they are . . . well, the ship's band; Arnold and Phil, two refugees from the Beaux Arts Senior Center; Lou Tarant, a wide, bald man who has killed nine people, though none recently; and an assortment of uglies whose job it is to facilitate the ship's true business, which is money-laundering or drug-smuggling or . . . something.

    But now, as third-year students, these close friends realize they have been duped. They all borrowed heavily to attend a third-tier, for-profit law school so mediocre that its graduates rarely pass the bar exam, let alone get good jobs. And when they learn that their school is one of a chain owned by a shady New York hedge-fund operator who also happens to own a bank specializing in student loans, the three know they have been caught up in The Great Law School Scam. But maybe there's a way out. Maybe there’s a way to escape their crushing debt, expose the bank and the scam, and make a few bucks in the process. But to do so, they would first have to quit school. And leaving law school a few short months before graduation would be completely crazy, right? Well, yes and no . . . Pull up a stool, grab a cold one, and get ready to spend some time at The Rooster Bar.