Why, she asks, when writers such as Samuel Clemens, F. Scott Fitzgerald, Eudora Welty, Flannery O'Connor, Saul Bellow, and John Updike have among them written hundreds of short stories, do anthologists settle on the same two or three titles by each author again and again? Isn't the implicit promise of an anthology that it will, or aspires to, present something different, unexpected? In The Oxford Book of American Short Stories, Joyce Carol Oates offers a sweeping survey of American short fiction, in a collection of fifty-six tales that combines classic works with many different, unexpected gems, and that invites readers to explore a wealth of important pieces by women and minority writers. Some selections simply can't be improved on, Oates admits, and she happily includes such time-honored works as Irving's Rip Van Winkle, Poe's The Tell-Tale Heart, and Hemingway's A Clean, Well-Lighted Place. But alongside these classics, Oates introduces such little-known stories as Mark Twain's Cannibalism in the Cars, a story that reveals a darker side to his humor (That morning we had Morgan of Alabama for breakfast. He was one of the finest men I ever sat down to...a perfect gentleman, and singularly juicy). From Melville come the juxtaposed tales The Paradise of Bachelors and the Tartarus of Maids, of which Oates says, Only Melville could have fashioned out of 'real' events...such harrowing and dreamlike allegorical fiction. From Flannery O'Connor we find A Late Encounter With the Enemy, and from John Cheever, The Death of Justina, one of Cheever's own favorites, though rarely anthologized. The reader will also delight in the range of authors found here, from Charles W. Chesnutt, Jean Toomer, and Sarah Orne Jewett, to William Carlos Williams, Kate Chopin, and Zora Neale Hurston. Contemporary artists abound, including Bharati Mukherjee and Amy Tan, Alice Adams and David Leavitt, Bobbie Ann Mason and Tim O'Brien, Louise Erdrich and John Edgar Wideman. Oates provides fascinating introductions to each writer, blending biographical information with her own trenchant observations about their work, plus a long introductory essay, in which she offers the fruit of years of reflection on a genre in which she herself is a master. This then is a book of surprises, a fascinating portrait of American short fiction, as filtered through the sensibility of a major modern writer.

    "Power and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery:" with twenty-four equally unusual stories. Together they demonstrate Jackson's remarkable range--from the hilarious to the truly horrible--and power as a storyteller.

    Four prized selections by one of America's greatest writers: "The Open Boat," based on a harrowing incident in the author's life: the 1897 sinking of a ship on which he was a passenger; "The Blue Hotel" and "The Bride Comes to Yellow Sky," reflecting Crane's early travels in Mexico and the American Southwest; and the novella Maggie: A Girl of the Streets, a galvanizing portrait of life in the slums of New York City.

    . . Munoz writes elegantly and sympathetically . . . [his stories] have a softly glowing, melancholy beauty." —The New York Times Book Review Manuel Munoz's dazzling collection is set in a Mexican-American neighborhood in central California—a place where misunderstandings and secrets shape people's lives. From a set of triplets with three distinct fates to a father who places his hope—and life savings—in the hands of a faith healer, the characters in these stories cross paths in unexpected ways. As they do, they reveal a community that is both embracing and unforgiving, and they discover a truth about the nature of home: you always live with its history. Munoz is an explosive new talent who joins the ranks of such acclaimed authors as Junot Diaz and Daniel Alarcon.

    An overview of the best science fiction short stories of the 20th century as selected and evaluated by critically-acclaimed author Orson Scott Card.

    In the process they discovered both new talents and a wealth of celebrated writers, such as Jorge Luis Arzola, Aimee Bender, Teolinda Gersão, Romulus Linney, Yann Martel, Sam Shepard, and Tobias Wolff. Zdravka Evitmova conjures blood drops that cure any disease. Ian Frazier writes public relations for crows. Juan José Milás leads an amnesiac husband to an affair in the candlelit darkness of a cathedral with his wife. These tales told quickly offer pleasures long past their telling.

    A deaf Native American girl wanders off into the desert and is found untouched in a den of rattlesnakes. A young boy copes with the death of his sister by angling for an unnaturally large trout in the creek where she drowned. An old woman rides her horse into a mountain snowstorm and sees a long-dead beloved dog. For the plainspoken men and women of these stories--fathers and daughters, sheriffs and veterinarians--small events trigger sudden shifts in which the ordinary becomes unfamiliar. A harmless comment about how to ride a horse changes the course of a relationship, a snakebite gives rise to hallucinations, and the hunt for a missing man reveals his uncanny resemblance to an actor. Half an Inch of Water tears through the fabric of the everyday to examine what lies beneath the surface of these lives. In the hands of master storyteller Everett, the act of questioning leads to vistas more strange and unsettling than could ever have been expected.

    He has just enough fuel to reach the planet—then he finds that he has a stowaway, a young girl wanting to be with her brother on the colony. If the pilot spaces the girl, the ship will barely make it to the planet. If he does not, the ship will crash and both of them as well as the colony will die. What will he do This story rocked science fiction when it first appeared.Also in this volume is Godwin's long-unavailable novel The Survivors, which poses another problem in survival: If hostile aliens have marooned you and hundreds of other people on a nearly uninhabitable planet, how do you not only manage to endure, but to get revenge as wellThis is a massive volume by a master of science fiction adventure, with added dimensions of speculation and cold, hard realism.

    The writing is colloquial and often whimsical, and many of the stories take supernatural phenomena very much for granted, as with the werewolves of the title story, or another in which the protagonist discovers that everyone around him is, in fact, asleep at all times. This sense of precarious unreality, though humorous, offers telling insight into the state of contemporary Russian society.Vera Pavlovna's ninth dream -- The ontology of childhood -- Sleep -- Tai Shou Chuan USSR (A Chinese folk tale) -- The Tarzan swing -- A werewolf problem in Central Russia -- Bulldozer driver's day -- Prince of Gosplan

    The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde."Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities.A Selected Bibliography is included.

    This second edition of Culture War? features a new chapter that demonstrates how the elections of 2004 reinforce the book's original argument that Americans are no more divided now than they were in the past. In addition, the text has been updated throughout to reflect data from the 2004 elections. Authored by one of the most respected political scientists in America, this brief, trade-like text looks at controversial and hot topic issues (such as homosexuality, abortion, etc.) and argues that most Americans are not polarized in relation to them.

    There's Popo the carpenter, who neglects his livelihood to build "the thing without a name." There's Man-man, who goes from running for public office to staging his own crucifixion, and the dreaded Big Foot, the bully with glass tear ducts. There's the lovely Mrs. Hereira, in thrall to her monstrous husband. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion.Set during World War II and narrated by an unnamed-but precociously observant-neighborhood boy, Miguel Street is a work of mercurial mood shifts, by turns sweetly melancholy and anarchically funny. It overflows with life on every page.

    Lavishly designed and illustrated, Wagner's psychological portrayals and ingenious use of Southern landscape make this publication an event.

    This expanded collection of influential Russian satirist Nikolay Gogol's ingenious pieces now includes his most famous play.Includes a chronology, explanatory notes, and publishing history for each work.

    Some will be less familiar to the English reader. Taken as a whole, The Penguin Book of American Short Stories is an excellent and entertaining introduction to the rich diversity of pleasures that the American short story at its best can offer.Contents:- The legend of Sleepy Hollow by Washington Irving- Young Goodman Brown by Nathaniel Hawthorne- The fall of the House of Usher by Edgar Allan Poe- Bartleby by Herman Melville- The man that corrupted Hadleyburg by Mark Twain- The outcasts of Poker Flat by Francis Bret Harte- One of the missing by Ambrose Bierce- The real thing by Henry James- An unfinished story by O. Henry- The bride comes to Yellow Sky by Stephen Crane- Neighbor Rosicky by Willa Cather- To build a fire by Jack London- Death in the woods by Sherwood Anderson- Who dealt? by Ring Lardner- Flowering Judas by Katherine Anne Porter- The rich boy by F. Scott Fitzgerald- Delta autumn by William Faulkner- The battler by Ernest Hemingway- The jewbird by Bernard Malamud- Children on their birthdays by Truman Capote- Wife-wooing by John Updike