My emotions have bled out on each and every page with the ink of my pen. Your eyes will discover my soul. Your fingers casually flipping through my mind. I hope you find each delicate word as captivating as the stars. And I hope a piece of you feels the things I felt when creating this art. - 2:00 am This modern poetry book is an exploration of love, heartache, relationships, loss, finding one's self, and learning to love the life you've been given. 2am Thoughts is a poetry book similar to some titles such as milk and honey by Rupi Kaur and Buried Light by Beau Taplin.

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes

    Burdened with a broken heart, she asks herself the age-old question . . . is love really worth it?Out of Love is a bittersweet romance told in reverse. Beginning at the end of a relationship, each chapter takes us further back in time, weaving together an already unravelled tapestry, from tragic break-up to magical first kiss. In this dazzling debut Hazel Hayes performs a post-mortem on love, tenderly but unapologetically exploring every angle, from the heights of joy to the depths of grief, and all the madness and mundanity in between. This is a modern story with the heart of a classic: truthful, tragic and ultimately full of hope.

    His parents did, and so did his sister, but he survived.Now he lives in the hospital. He serves food in the cafeteria, he hangs out with the nurses, and he sleeps in a forgotten supply closet. Drew blends in to near invisibility, hiding from his past, his guilt, and those who are trying to find him.Then one night Rusty is wheeled into the ER, burned on half his body by hateful classmates. His agony calls out to Drew like a beacon, pulling them both together through all their pain and grief. In Rusty, Drew sees hope, happiness, and a future for both of them. A future outside the hospital, and away from their pasts.But Drew knows that life is never that simple. Death roams the hospital, searching for Drew, and now Rusty. Drew lost his family, but he refuses to lose Rusty, too, so he’s determined to make things right. He’s determined to bargain, and to settle his debts once and for all.But Death is not easily placated, and Drew’s life will have to get worse before there is any chance for things to get better.A partly graphic novel.

    If only she could stop getting in her own way and find someone, anyone, willing to help. But her best friend Ellis MacQueen “fixes” problems by running away from them―including his broken relationship with his twin brother, Tommy. And Tommy’s depression has hit a new low, so he’s not up for fixing anything.In the wake of the town’s latest devastating storm, Tommy goes out for a swim that he doesn’t intend to survive. It’s his unexpected return that sets into motion a sea change between these three teens. One that tests old loyalties, sparks new romance, and uncovers painful secrets. And nothing stays secret in West Finch for long.

    It was about two women, and they fell in love with each other.” And then Lily asked the question that had taken root in her, that was even now unfurling its leaves and demanding to be shown the sun: “Have you ever heard of such a thing?”Seventeen-year-old Lily Hu can’t remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club.America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father—despite his hard-won citizenship—Lily and Kath risk everything to let their love see the light of day.

    She doesn't even need to be in love. Then her dad drops a bombshell: he's leaving Claude's mother. Suddenly, Claude's entire world feels like a lie, and her future anything but under control.After: Claude's mom whisks them away to the last place Claude could imagine nursing a broken heart: a remote, mosquito-infested island off the coast of Georgia. But then Jeremiah Crew happens. Miah is a local trail guide with a passion for photography--and a past he doesn't like to talk about. He's brash and enigmatic, and even more infuriatingly, he's the only one who seems to see Claude for who she wants to be. So when Claude decides to sleep with Miah, she tells herself it's just sex, nothing more. There's not enough time to fall in love, especially if it means putting her already broken heart at risk.Compulsively readable and impossible to forget, Jennifer Niven's luminous new novel is an insightful portrait of a young woman ready to write her own story.

    home body is a collection of raw, honest conversations with oneself – reminding readers to fill up on love, acceptance, community, family, and embrace change. Illustrated by the author, themes of nature and nurture, light and dark, rest here.i dive into the well of my bodyand end up in another worldeverything i needalready exists in methere’s no needto look anywhere else– home

    Nijkamp portrays the events thoughtfully, recounting fifty-four intense minutes of bravery, love, and loss." —BookRiot

    Sydney's dad is the only psychiatrist for miles around their small Ohio town.He is also unexpectedly dead.Is Sydney crazy, or is it kind of weird that her dad-a guy whose entire job revolved around other peoples' secrets-crashed alone, with no explanation?And why is June Copeland, homecoming queen and the town's golden child, at his funeral?As the two girls grow closer in the wake of the accident, it's clear that not everyone is happy about their new friendship.But what is picture perfect June still hiding? And does Sydney even want to know? THE TRUTH ABOUT KEEPING SECRETS is a page-turning, voice led, high school thriller.

    The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie’s Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely “normal” and not a boy who likes other boys. When he completes his treatments, he will be normal—at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay.Jonathan doesn’t want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be “fixed” once and for all. But he’s drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he’s perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.A poignant coming-of-age tale, Ziggy, Stardust and Me heralds the arrival of a stunning and important new voice in YA.

    Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

    Separated into three sections: Holding On, Ouroboros, and Letting Go, this collection is a cyclical expedition of self discovery.

    At seventeen she’s already lost more than most people lose in a lifetime. But she’s learned how to forget. The thick glass of a mason jar cuts deep, and the pain washes away the sorrow until there is nothing but calm. You don’t have to think about your father and the river. Your best friend, who is gone forever. Or your mother, who has nothing left to give you.Every new scar hardens Charlie’s heart just a little more, yet it still hurts so much. It hurts enough to not care anymore, which is sometimes what has to happen before you can find your way back from the edge.

    She was appointed the Library of Congress’s sixteenth poet laureate from 2008 to 2010. Salon has compared her poems to “Fabergé eggs, tiny, ingenious devices that inevitably conceal some hidden wonder.” The two hundred poems in Ryan’s The Best of It offer a stunning retrospective of her work, as well as a swath of never-before-published poems of which are sure to appeal equally to longtime fans and general readers.