She’s dauntless, desperate and a little bit delusional. Yet her insatiable desires and misguided antics shed light on our own search for escapes—and search for self—and perhaps that is why we cheer her on wholeheartedly.Marjorie Moore always wants more—and as a result, often feels she ends up with less. Forever searching elsewhere, she is consumed with wanting, or in her opinion, needing. Feeling trapped by her town and her family, she escapes through shopping, pill popping, and fantasizing about a possible affair with a friend from high school. Her credit card debt “forces” her to sell prescription drugs—which she secures at her receptionist job at the local hospital—to her dysfunctional friends. As her web of lies at home and work unravels, Margie struggles to become present in her own life. Astute and provocative, Grotheim’s prose captures many of life’s dichotomies—duplicity versus authenticity, recklessness versus stability, and searching versus finding—in this moving debut novel.

    With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, while at the same time are shot through with the bright aspect of things new-made.              From the outset (“Come here / Come here, little one”), Gluck’s voice has addressed us with deceptive simplicity, the poems in lines so clear we “do not see the intervening fathoms.”  From within the earth’sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

    These poems give a look into the heartbreak, anguish, and ultimately, acceptance that comes to those afflicted with Mental Illness. Spanning across three years, they are an anthology of her relationships -- with those who loved her, those who did not, those whom she loved and the way she tried to love herself.

    Not with her wealthy classmates at the selective London Conservatory where she unexpectedly wins a place after university, not with the family she left behind, and definitely not with Max, a man she meets in the bar where she sings for cash. He’s everything she’s not—rich, tailored to precision, impossible to read—and before long Anna is hooked, desperate to hold his attention, and determined to ignore the warning signs that this might be a toxic relationship.As Anna shuttles from grueling rehearsals to brutal auditions, she finds herself torn between two conflicting desires: the drive to nurture her fledgling singing career, which requires her undivided attention, and the longing for human connection. When the stakes increase, and the roles she’s playing—both on stage and off—begin to feel all-consuming, Anna must reckon with the fact that, in carefully performing what’s expected of her as a woman, she risks losing sight of herself completely.Both exceedingly contemporary and classic, A Very Nice Girl reminds us that even once we have taken possession of our destinies we still have the power to set all we hold dear on fire.

     Teenage girls sneak out on a summer night to meet their boyfriends by the train tracks. A woman escapes suffocating grief through a vivid fantasy life. Members of a cult form an unsettling chorus as they extol their passion for the same man. A love story begins over cabbages in a grocery store. A laundress' life is consumed by obsession for a famous baseball player. Two high school friends kiss all night and binge-watch Winona Ryder movies after the death of a sister. Leesa Cross-Smith's sensuous stories will drench readers in nostalgia for summer nights and sultry days, the intense friendships of teenage girls, and the innate bonds felt between women. She evokes the pangs of loss and motherhood, the headiness and destructive potential of desire, and the pure exhilaration of being female. The stories in So We Can Glow--some long, some gone in a flash, some told over text and emails--take the wild hearts of girls and women and hold them up so they can catch the light.We, moons --The Great Barrier Reef is dying but so are we --Unknown legend --Low, small --A tennis court --Tim Riggins would've smoked --Surreptitious, canary, chamomile --Winona forever --Girlheart cake with glitter frosting --Fast as you --Chateau Marmont, champagne, Chanel --Bearish --All that smoke howling blue --Pink bubblegum and flowers --Knock out the heart lights so we can glow --Get rowdy --Re: little doves --Out of the strong, something sweet --The lengths --Small and high up --Small are dark, some are light, summer melts --Bright --Dark and sweaty and dirty --Home safe --Teenage dreams time machine --Rope burns --Get Faye & Birdie --The Darl Inn --You should love the right things --And down we go! --Crepuscular --Stay and stay and stay --Two cherries under a lavender moon --When it gets warm --Boy smoke --Dandelion light --California, keep us --Cloud report --Downright --You got me --Eine kleine nachmusik --A girl has her secrets --Vincent

    It tells a story of love, loss, and rebirth.

    An alien discovery in space with global repercussions.In a dystopian future, the earth is under strain due to natural disasters and accelerating pollution of the environment. On the coast of Madagascar, a ruthless corporate leader creates his own vision of the future in the shape of Tabula Rasa, a mega-complex inhabited by over a million people. Jonathan Jarl, a rookie agent for the Amber group, is on his first assignment and is assigned to retrieve the famous Nebra Sky disc that has been stolen. During the mission, he is faced with some of Tabula Rasas darkest secrets. Meanwhile, in orbit around the moon, a discovery is made that has potential implications for the entire human race but Tabula Rasa is doing everything in its powers to keep the discovery secret. In a lab within Tabula Rasa, an idealistic scientist decides to share the discovery with the world. She takes a fateful decision that puts her life on the line. Jonathan is thrown into a breakneck race for time and Tabula Rasa is the first thrilling installment about Jonathan Jarl and the Amber group.

    Featuring a beautifully diverse and inspirational set of voices from around the world, that includes some of today’s most influential modern poets, with additional contest winners chosen from 4,500 submissions, Crown Anthology is curated to be a light in the wild dark, illuminating the crown that exists in everyone.

    More than four years later in 1875, when the cavalry attacks her Indian village, she is rescued by Lieutenant Raines. Now eighteen, she returns to white society with her Cheyenne son at her side. Her struggle for survival has just begun.Filled with fascinating characters: outlaws, soldiers and warriors, English Dukes, Robber Barons, and the upstairs downstairs of back east society, this epic story of love and survival transports us from the Indian camps of Montana Territory to the mean streets of Gilded Age New York, and back again, right into the heart of the Great Sioux War. Reviews:“Realistic dialog; interpersonal entanglements and characterizations that come alive. It all adds authenticity to a historical work that makes for a delicious read.” Foster W. Cline, M.D, author of Parenting with Love and Logic.“The Captured Girl is a captivating story of survival and strength. Morgan’s is a tale of courage wouldn’t let go of my imagination even after I sadly turned the last page.” Mary Haley author of Ghost Writer, The Great Potato Murder.“An excellently written and fascinating story of the Sioux War of the 1800s. It is obvious that the author Tom Reppert has spent many hours researching that period of history, and he has made it come alive as few authors can. You can feel and identify with the inner struggle that his hero, a young soldier, goes through during his first battle.” Ana Parker Goodwin, author of Justice Forbidden

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    Her fist book, Pole Dancing to Gospel Hymns opened the door to Gibson's unapologetic voice, yet The Madness Vase manages to take an even more intimate look at the subjects of family, war, spirituality, gender, grief and hope. The poems' topics range from hate crimes to playgrounds, from international conflict to hometowns, from falling in love to the desperation of loneliness. Gibson's work seizes us by the collar and hauls us inside some of her darkest moments, then releases out the other side. Moments later, we find ourselves inhaling words that fill us with light. Her luminous imagery is a buoy that allows us to resurface from her world clutching new possibilities of our own. Throughout her career, Gibson's poems have always been a call to social justice. But this collection goes beyond awareness. Her images linger in our psyches and entreat us to action. They challenge us to grow into our own skin. The journey may be raw at times but we are continuously left inspired, held, and certain we are not alone. By the time you finish reading The Madness Vase, you too will believe, "Folks like us/We've got shoulder blades that rust in the rain/But they are still G-sharp/Whenever our spinal chords are tuned to the key of redemption/So go ahead world/Pick us/To make things better."

    and J.A. Johnstone tell the tale of a man who became a myth--and a myth that became a legend. This is the epic story of Nathan Stark, Army Scout...They slaughtered his family. Killed his young bride. And ever since that tragic day, Nathan Stark has devoted his life to fighting the hostile tribes who massacred those he loved. As a civilian scout for the Army, he's served with such famous commanders as Custer and Crook. He's battled against such notorious war chiefs as Crazy Horse and Sitting Bull. Among the fiercest natives of the untamed West, Nathan Stark is a living legend--one that must be destroyed...Against his better judgment, Nathan agrees to be teamed up with a rival Crow scout named Moses Red Buffalo. Their mission: to forge a trail deep into Indian territory under the command of a bloodthirsty army colonel. But the mission is not what it seems. If Stark and Red Buffalo want to stay alive, they'll have to work together as a team--if they don't kill each other first...

    And only one man can stop it. The year is 2026 and up and down the Eastern seaboard of the United States a virulent toxin is killing people. What was initially believed to be food poisoning turns out to be a terrorist attack using genetically modified insects to poison the American food supply. For Gabriel Marx, news of the poisoning is eerily familiar. A Marine Corps veteran and trained viticulturist, Gabriel is now working as a vintner at Landmark Estates Winery in California, but was once part of a secret CIA effort to use insect vectors to destroy the Afghan Taliban’s poppy industry. He’s long feared that genetically synthesized toxins delivered by insects could be used as a terror weapon. One day a stream of black SUVs carrying the Secretary of Homeland Security shows up at the vineyard, and Gabriel is recruited to help the government respond to the attack. He is drawn into a complex web of rogue scientists with links to ISIS and Chechen terrorists, and discovers that an even more devastating attack is imminent. Merging cutting-edge synthetic biology with global politics and international terrorism, The Bug Hunter is both thriller and cautionary tale of how advances in technology can be used to turn nature itself into a devastating weapon.

    Amie, a beautiful and dreamy French girl from upstate New York, escapes an abusive husband after falling in love with Johnny, the oldest of the brothers. Lucy, a tough-as-nails Irish nurse, ran away from a strict girls' home and marries Frankie, the sensuous middle son. And the glamorous Petrina, the family’s only daughter, graduates with honors from Barnard College despite a past trauma that nearly caused a family scandal.All four women become godmothers to one another’s children, finding hope and shelter in this prosperous family and their sumptuous Greenwich Village home, and enjoying New York life with its fine dining, opulent department stores and sophisticated nightclubs.But the women’s secret pasts lead to unforeseen consequences and betrayals that threaten to unravel all their carefully laid plans. And when their husbands are forced to leave them during the second World War, the Godmothers must unexpectedly contend with notorious gangsters like Frank Costello and Lucky Luciano who run the streets of New York City.Refusing to merely imitate the world of men, the four Godmothers learn to put aside their differences and grudges so that they can work together to protect their loved ones, and to find their own unique paths to success, love, forgiveness, and the futures they’ve always dreamed of.

    When Dorothy set off on a night out with her sister, she never dreamed it would lead to a car journey to Baghdad; but that night she met a dark, mysterious stranger—an Iraqi student named Zane—and almost before she knew it they were married and driving to Baghdad in a borrowed car with their baby daughter. They moved into a house in the suburbs with Zane’s family, throwing Dorothy into the maelstrom of Iraqi culture: letters could take weeks to arrive, there were no mobile phones or computers, and there was no direct dial facility to the UK—she might as well have been living on the moon.