More than the individual story of a mother watching her sons grow and plunge into real life, Dekada '70 is an indictment of martial law, and here, Lualhati minces no worlds." - Female Forum, November 21, 1983

         With over fifty new poems from Britain's favourite poet, You Made Me Late Again! is an essential addition to Pam Ayres' incomparable collection of works. Pam's poems are observant, witty and poignant in equal measure. In 'The Swifts' and 'The Pyracantha Anthem' she marvels at nature, while 'A Patient's Prayer' and 'Litter Moron' offer wry views on Modern Britain. From the dog being afraid of the toaster to your son leaving home for university; and from the search for that perfect swimsuit to becoming a gran for the first time -- Pam's poems are beautifully crafted, and her subjects the everyday and the universal. Delightfully illustrated, most of the poems in You Made Me Late Again! are brand new, yet it also features several firm favourites from her stage shows, published for the first time, such as 'The Make-up Lady' and 'Tippy Tappy Feet'.

    It is widely considered as a classic in Philippine literature. It is divided into 5 chapters: Paco, Macho, La Vidal, The Chinese Moon, and Doctor Monson.This is a novel, not be confused with the short story collection of the same name.

    He has big plans that could set him up financially for life. And although he spends his time trying to get a coworker to bed, he still pines for an old girlfriend from his troubled childhood.

    Salamanca streaks across decades and spaces, tracking the stormy relationship between polymorphous-perverse Gaudencio Rivera, whose passions ignite prodigious feats of writing and wandering, and Palawena beauty Jacinta Cordova, whose perfection transmutes walls into glass and adoration into art.Tracing the arc of an imperfect marriage sundered by acts of nature (not least human) and sutured by acts of will (not least nonhuman), and vividly peopled by a multigenerational and multinational cast of kith and kin, this work of imagination takes the reader on a magical excursion into Philippine life and history while setting new standards for the Filipino novel along the way.

    Their ambitions may be dampened by third world realities and malcontention but they also proudly belong to a generation of dreamers who fight for their voices to be heard. They are among the so-called "Bagong Lipunan" children, trying their best to live up to their name. But over the years, as Allan watches his friends leave one by one and feels his sense of idealism wane, he starts to wonder where they are all headed.(from http://martiallawbabies.com/)

    

    Caleb is suffering from schizoaffective disorder, and Paul, who is about to start on his first office job in a long while, wants to make sure his brother takes his medication on time. Lillian, at first hesitant, accepts the job for the pay and the perks, but soon starts to wonder about the brothers she is working for. How come she can’t find any information online about the drugs Caleb is taking? And how come the national central database lists them as dead?

    She grew up in the house of one of the richest families in the world . . . in the servants’ quarters with her mother, the family cook. The life of luxury is all she knows, but it isn’t really her life. Unhappy in school, invisible at home, she lives inside her head, in a world made of books and movies. Outside, Manila is in turmoil: protest rallies, a bloodless revolution, coup attempts, and the Web hasn’t even arrived yet. When is Guada going to leave her imaginary shelter and get a life? Funny, caustic, and moving, The Age of Umbrage is the first novel from one of the most distinctive voices in contemporary Filipino writing.

    The characters are familiar to readers of Bienvenido N. Santos: the hurt, homesick men of YOU LOVELY PEOPLE; the people back home of Tondo, of Bicol, and thus of BROTHER, MY BROTHER and THE VOLCANO; and the confused characters of VILLA MAGDALENA who bear burdens of guilt, and come and go on unscheduled flights to lonely places. And yet the range is different, the insights are new, and humanity here wears other familiar faces.

    He sees them all—the big men, politicians, journalists, generals, landlords, and the handsome call-girls who have made Camarin famous. In mid-July 1990, a killer earthquake struck and entombed all the beautiful people dining at the Camarin. Gagamba could have easily gotten killed—but he survived the earthquake, as do two other lucky people who were buried in the rubble.As told by the Philippines’ most widely translated author, this novel raises a fundamental question about life’s meaning and suggests at the same time the only rational answer.

    Because of this we have no memory of ourselves: we remember only the last deluge, the last seismic upheaval. Two friends are hired by Marcos to rewrite Philippine history. Their mission: to make it appear that Marcos was destined to rule the country in perpetuity. Working from an office called Agency for the Scientific Investigation of the Absurd, they embark on a journey that will take them across a surreal panorama of Philippine politics and history, and in the process question all their morals and beliefs. This landscape includes mythological sultans, mercenaries, the Beatles, messianic Amerasian rock stars, faith healers, spies, torturers, sycophants, social climbers, sugar barons, millenarian vigilantes, generals and communists--the dizzying farrago of lovers and sinners who populate the country's incredible story. By the end of their project--and this breathtaking novel--the reader emerges from a world that is at once familiar and unbelievable. It's what real life might look like if both heaven and hell were crammed into it, and all its creatures were let loose.

    North Morgan's third novel moves beyond the confines of fiction to examine how homosexuality's acceptance into society has created a new breed of demons for a generation of men born as outsiders yet living at the forefront of popular culture. Heartbreaking but never far from humour, Love Notes to Men Who Don't Read confirms Morgan's place as the leading interpreter of gay culture on either side of the Atlantic.

    What emerges is the picture of a fascinating decade: the 1960s.

    But is her allegiance to the principles of Mao or to Jed, the comrade she’s in love with? Can she really be a part of the movement or is she just a “useful fool,” a spoiled brat playing at revolution? Far from the Philippines, in a mansion overlooking the Hudson River, Sol confesses her youthful indiscretions, unable to get past the fatal act of communist fervor that locked her memory in an endless loop. Rich with wordplay and unforgettable imagery, Gun Dealers’ Daughter combines the momentum of an amnesiac thriller with the intellectual delights of a Borgesian puzzle. In her American debut, award-winning author Gina Apostol delivers a riveting novel that illuminates the conflicted and little-known history of the Philippines, a country deeply entwined with our own.