His second son Edmund, aged just seventeen, is murdered by Butcher Clifford, his blood staining the cobbles of Wakefield bridge outside the chapel where he had vainly sought sanctuary. The House of York has fallen...but not for long. The Lancastrian army of Margaret of Anjou has reaped the whirlwind with the treacherous slaughter at Wakefield. Edward of March, Duke Richard's heir, is coming after them, tall, handsome, young and a fearsome warrior...and he wants vengeance for the death of his father and beloved younger brother. He fights his foes at Mortimer's Cross, where Three Suns mysteriously appear in the sky as an omen, and then fares on through an unseasonal snowstorm to the field of Towton...and victory in the bloodiest battle ever fought on English soil. The prize--the Crown of England. From the author of the I, RICHARD PLANTAGENET series A novella of 25,000 words

    It is a chronicle of love, murder, war and betrayal, filled with passion, intrigue and sorrow, peopled by a cast of heroines, villains, stateswomen and lovers. In the first volume of this epic new series, Alison Weir strips away centuries of romantic mythology and prejudice to reveal the lives of England’s queens in the century after the Norman Conquest.Beginning with Matilda of Flanders, who supported William the Conqueror in his invasion of England in 1066, and culminating in the turbulent life of the Empress Maud, who claimed to be queen of England in her own right and fought a bitter war to that end, the five Norman queens emerge as hugely influential figures and fascinating characters.Much more than a series of individual biographies, Queens of the Conquest is a seamless tale of interconnected lives and a rich portrait of English history in a time of flux. In Alison Weir’s hands these five extraordinary women reclaim their rightful roles at the centre of English history.

    Lisa Hilton’s meticulously researched new work explores the lives of the 20 women crowned between 1066 and 1503. She reconsiders the fictions surrounding well-known figures like Eleanor of Aquitaine, illuminates the lives of forgotten queens such as Adeliza of Louvain, and shows why they all had to negotiate a role that combined tremendous influence with terrifying vulnerability. The result is a provocative and dramatic narrative that redefines English history.

    In response to the recent upsurge of interest, her 2009 paperback has been updated with details of the discovery plus new illustrations, and a larger typeface for easier readability. Carson's premise is that for centuries the vision of Richard III has been dominated by the fictional creations of Thomas More and Shakespeare. Many voices, some of them eminent and scholarly, have urged a more reasoned view to replace the traditional black portrait. This book seeks to redress the balance by examining the events of his reign as they actually happened, based on reports in the original sources. Eschewing the overlay of assumptions so beloved by historians, she instead traces actions and activities of the principal characters, using facts and time-lines revealed in documentary evidence. In the process Carson dares to investigate areas where historians fear to tread, and raises many controversial questions.

    Queen by Right reveals how she came to step into her destiny, beginning with her marriage to Richard, duke of York, whom she meets when she is nine and he is thirteen. Raised together in her father's household, they become a true love match and together face personal tragedies, pivotal events of history, and deadly political intrigue. All of England knows that Richard has a clear claim to the throne, and when King Henry VI becomes unfit to rule, Cecily must put aside her hopes and fears and help her husband decide what is right for their family and their country. Queen by Right marks Anne Easter Smith's greatest achievement, a book that every fan of sweeping, exquisitely detailed historical fiction will devour.

    It is a fiery history of Queens, the perils of power and of how the Wars of the Roses were ended – not by knights in battle, but the sinewy political skills of women.The events of the Wars of the Roses are usually described in terms of the men involved; Richard, Duke of York, Henry VI, Edward IV and Henry VII. The reality though, argues Sarah Gristwood, was quite different. These years were also packed with women's drama and – in the tales of conflicted maternity and monstrous births – alive with female energy.In this completely original book, acclaimed author Sarah Gristwood sheds light on a neglected dimension of English history: the impact of Tudor women on the Wars of the Roses. She examines Cecily Neville, the wife of Richard Duke of York, who was deprived of being queen when her husband died at the Battle of Wakefield; Elizabeth Woodville, a widow with several children who married Edward IV in secret and was crowned queen consort; Margaret Beaufort, mother of Henry VII, whose ambitions centred on her son and whose persuasions are likely to have lead her husband Lord Stanley, previously allied with the Yorkists, to play his part in Henry's victory.Until now, the lives of these women have remained little known to the general public. Sarah Gristwood tells their stories in detail for the first time. Captivating and original, this is historical writing of the most important kind.

    His reign was one of the most dramatic and important of the entire Middle Ages, leading to war and conquest on an unprecedented scale, and leaving a legacy of division between the peoples of Britain that has lasted from his day to our own.Edward I is familiar to millions as ‘Longshanks’, conqueror of Scotland and nemesis of Sir William Wallace (‘Braveheart’). Yet this story forms only the final chapter of the king’s astonishingly action-packed life. Earlier Edward had defeated and killed the famous Simon de Montfort in battle; travelled across Europe to the Holy Land on crusade; conquered Wales, extinguishing forever its native rulers, and constructing – at Conwy, Harlech, Beaumaris and Caernarfon – the most magnificent chain of castles ever created. He raised the greatest armies of the English Middle Ages, and summoned the largest parliaments; notoriously, he expelled all the Jews from his kingdom. The longest-lived of all England’s medieval kings, he fathered no fewer than fifteen children with his first wife, Eleanor of Castile, and after her death he erected the Eleanor Crosses – the grandest funeral monuments ever fashioned for an English monarch.In this book, Marc Morris examines afresh the forces that drove Edward throughout his relentless career: his character, his Christian faith, and his sense of England’s destiny – a sense shaped in particular by the tales of the legendary King Arthur. He also explores the competing reasons that led Edward’s opponents (including Llywelyn ap Gruffudd and Robert Bruce) to resist him, and the very different societies that then existed in Scotland, Wales and Ireland. The result is a sweeping story, immaculately researched yet compellingly told, and a vivid picture of medieval Britain at the moment when its future was decided.

    

    Last living child of the brilliant Black Prince, he came to the throne bearing the hopes of his people on his shoulders. His court glittered; his tastes were refined; his portraits shone with gold. Regal, composed, aloof, he was the very picture of majesty.He became a murderous, capricious tyrant. His favourites plotted against his family. He rewrote the laws of England to give himself absolute power. He raised an army against his own subjects.His subjects deposed him. Twice.This is the story of the forgotten civil war of 1387, which saw Richard set against his brave, ill-starred uncle Thomas of Woodstock. Of how a boy’s bright promise turned deadly, provoking his nobles to fear, flight, and finally open war. Of how a humiliated King set out on a course of vengeance which would cost him his life and sow the first fatal seeds of the Wars of the Roses.From royal banquets to battles in the mist, Death Keeps His Court tells a tale of real-life tyranny, treachery and tragedy in the age which inspired A Game of Thrones. Anselm Audley holds BA and Master’s degrees in ancient history from Oxford, as well as a degree in planetary science from University College London. He is a published fantasy novelist, the author of Heresy, Inquisition, Crusade, and Vespera.

    From difficult childhoods to fashion icons, from love matches to divorces, and from unrehearsed coronations to assassination attempts and untimely deaths.Curiosity about Britain’s rulers and their next of kin never seems to wane, and it is this compendium about the lives of the members of the Royal Family that makes this so utterly compelling.

    'Chivalry, treachery, conflict of loyalties... The clash of wills is as stirring as the clash of steel' Observer It is 1399. Henry Bolingbroke, unjustly banished and deprived of his inheritance by Richard II, returns to claim his rights and deposes the king to become Henry IV of England. He is aided by the powerful lords of Northumberland, especially by his friend, Harry Percy, nicknamed Hotspur.But the triumph of his accession quickly turns sour in the face of ever-growing crises in his new kingdom, and Wales is the most pressing and troublesome of these. For although Henry's son and heir, Prince Hal, is the nominal Prince of Wales, the Welsh have a prince of their own blood in Owen Glendower, and they are swift to rally to his rebellious call to arms.The three Henries all wish to see the House of Lancaster succeed, but their partnership contains the seeds of its own destruction. The memory of past crimes and growing doubts and divisions cause a dangerous rift. The king also has powerful enemies who are all too willing to take advantage of this and tension mounts as the three men are drawn inexplicably to a bloody collision some two miles from Shrewsbury...

    Henry had not always been so unpopular. The son of John of Gaunt, he was courteous, confident, well-educated, musical and spiritually fervent. In 1399, at the age of thirty-two, he was enthusiastically greeted as the saviour of the realm when he ousted from power the insecure and tyrannical King Richard II.Therein lay Henry’s weakness. By making himself King he had broken God’s law and left himself starkly open to criticism. Enemies everywhere tried to take advantage of his questionable right to the crown. Such overwhelming threats transformed him from a hero into a duplicitous murderer: a king prepared to go to any lengths to save his family and his throne.But against all the odds, what Henry achieved was to take a poorly ruled nation, establish a new Lancastrian dynasty, and introduce the principle that a king must act in accordance with Parliament. He might not have been the most glorious king England ever had, but he was one of the bravest, and certainly the greatest survivor of them all.

    However, four royal women, related in family and in court ties—Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville—were accused of practicing witchcraft in order to kill or influence the king.Some of these women may have turned to the “dark arts” in order to divine the future or obtain healing potions, but the purpose of the accusations was purely political. Despite their status, these women were vulnerable because of their gender, as the men around them moved them like pawns for political gains.In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of fifteenth-century England, a setting rife with political upheaval and war. In a time when the line between science and magic was blurred, these trials offer a tantalizing insight into how malicious magic would be used and would later cause such mass hysteria in centuries to come.

    But how many of us can place that event in the context of the entire dramatic year in which it took place? From the death of Edward the Confessor in early January to the Christmas coronation of Duke William of Normandy, there is an almost uncanny symmetry, as well as a relentlessly exciting surge, of events leading to and from Hastings.

    Destined to be king. Doomed to be a villain. What matters? Loyalty matters. Loyalty Binds Me.Artist Hans Holbein receives a summons to the home of Sir Thomas More for the commission of his lifetime, but he will leave with a secret that puts his very life at risk. What he will learn is the truth about the life of King Richard III, from his return from exile with his brother, King Edward IV, through his rise to become the king's most powerful subject. From his flourishing personal life to his seizure of the throne. The unfashionable truth about the man the Tudor dynasty has worked tirelessly to villify will be as nothing compared to the reason for it, as Holbein will discover. He is about to be asked to hide the greatest secret in England. A secret that could tear the fragile Tudor regime apart at its seams.Show More Show Less