--- Written in verse, this is the previously untold story of the previously unknown 8th dwarf, named Creepy. He is banished to the basement for being different and, well, weird. Yet he plays a vital - and of course previously unknown - role in the popular tale of Snow White – whose title character is an intruder Creepy refers to as "the Maid". (Intended for readers aged 10 and up)

    And yet, here they both are at Camp Fielding, settling in with all the other losers and misfits who've been shipped off by their parents in a last-ditch effort to produce a child worth bragging about. But strange disappearances, spooky lights in the woods, and a chilling alteration that turns the dimmest, rowdiest campers into docile zombie Einsteins have Jenna and Lucas feeling more than a little suspicious...and a lot afraid.

    This book by one of Wired magazine's art directors traverses the graphic world through a collection of pie charts, bar graphs, timelines, scatter plots, and more. Super Graphic offers readers a unique look at the intricate and sometimes contradictory storylines that weave their way through comic books, and shares advice for navigating the pages of some of the most popular, longest-running, and best-loved comics and graphic novels out there. From a colorful breakdown of the DC Comics reader demographic to a witty Venn diagram of superhero comic tropes and a Chris Ware sadness scale, this book charts the most arbitrary and monumental characters, moments, and equipment of the wide world of comics.

    Years after the discovery, one man starts to question everything, leading him on a mind-bending journey that will bring him face-to-face with his past and his own mortality. A unique combination of comics, prose, and illustration, A.D.: AFTER DEATH will be serialized monthly as three oversized prestige format books written by SNYDER and fully painted by LEMIRE.

    Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation.What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations—from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo’s disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago’s College of Complexes to San Francisco’s famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats’ most recognizable faces. What emerges is a brilliant collage of—and tribute to—a generation, in a form and style that is as original as its subject.

    Comic-book retailers, auctioneers, and conventioneers from around North America, as well as Green's collecting rivals, weigh in on the man and his vast collection of comic books. Are Green's intentions honorable? Does he truly love comics or is he driven by the need to conquer? Lastly, is he really even Wimbledon Green?A charming and amusing caper where comic-book collecting is a world of intrigue and high finance. Part riotous chase, part whimsical character sketch, Wimbledon Green looks at the need to collect and the need to reinvent oneself.

    So he does what any doting father would do—he hides it all from her, no matter the hijinks that ensue!

    Mighty Kronos, the most terrifying of all the Titans, reigns as the unchallenged tyrant of the cosmos...until his son, the god Zeus, stands up and takes on his own father in a battle intense enough to shatter the universe! Who will emerge triumphant?

    They had spent more time in combat than any other American unit, never losing a foot of ground to the enemy, or a man to capture, and winning countless decorations. Though they returned as heroes, this African American unit faced tremendous discrimination, even from their own government. The Harlem Hellfighters, as the Germans called them, fought courageously on--and off--the battlefield to make Europe, and America, safe for democracy.In THE HARLEM HELLFIGHTERS, bestselling author Max Brooks and acclaimed illustrator Caanan White bring this history to life. From the enlistment lines in Harlem to the training camp at Spartanburg, South Carolina, to the trenches in France, they tell the heroic story of the 369th in an action-packed and powerful tale of honor and heart.

    Two tales of tragedy. The vicious Marauders have already slaughtered the tunnel-dwelling Morlocks, and now they plan to kill Cyclops' estranged wife, Madelyne Pryor! And if that means taking on the X-Men, that's just fine with them! Meanwhile, Storm goes on a vision quest to find Forge...but she discovers the evil Adversary pulling their strings, and the X-Men will need to literally sacrifice their lives to stop him! Meanwhile, the New Mutants take in the hybrid creature known as Bird-Brain...but when he flees back to the island where he was created, the team follows and clashes with the Ani-Mator. COLLECTING: Uncanny X-Men (1963) 220-227, Incredible Hulk (1968) 340, New Mutants (1983) 55-61

     In his first-ever comic series, Dirk has been forced to leave his beloved England behind, coming to the too-sunny, too-cheery, and altogether too-bizarre-even-for-Dirk city of San Diego, California, where he gets embroiled in three separate (or are they?) cases involving reincarnated Egyptians, golden cell phones, and copycat killers. All this in a new town seemingly incapable of making even a single proper cup of tea.

    Freedman’s high school English class writes essays in which mystical creatures resolve the greatest sociopolitical problems of our time. Students include Janice Gibbs, “a feral child with excessive eyeliner and an anti-authoritarian complex that would be interesting were it not so ill-informed,” and Cody Splunk, an aspiring writer working on a time machine. Following a nervous breakdown, Ms. Freedman corresponds with Janice and Cody from an insane asylum run on the capitalist model of cognitive-behavioral therapy, where inmates practice water aerobics to rebuild their Psychiatric Credit Scores.   The lives of Janice, Cody, and Ms. Freedman are revealed through in-class essays, letters, therapeutic journal exercises, an advice column, a reality show television transcript, a diary, and a Methodist women’s fundraising cookbook. (Recipes include “Dark Night of the Soul Food,” “Render Unto Caesar Salad,” and “Valley of the Shadow of Death by Chocolate Cake.”) In “Virtue of the Month,” the ghost of Ms. Freedman’s mother argues that suicide is not a choice. In “The Un-Game,” Janice’s chain-smoking nursing home charge composes a dirty limerick. In “The Hall of Old-Testament Miracles,” wax figures of Bible characters come to life, hungry for Cody’s flesh.   Set against a South Texas landscape where cicadas hum and the air smells of taco stands and jasmine flowers, these stories range from laugh-out-loud funny to achingly poignant. This surreal, exuberant collection mines the dark recesses of the soul while illuminating the human heart.

     The oldest son, David, recites Superman episodes as he walks around the living room. A late-night family poker game spirals into a fog-driven duel. A thug from an old black-and-white rerun crawls out of the television. A housekeeper transforms into an avenging angel. A broken plate signals a terrible change in the family that none of them can prevent...until it's too late. This groundbreaking work was excerpted in The New York Times for its ability to honestly, eloquently, and respectfully set forth what life is like with autism in the family. What sets The Ride Together apart is its combination of imagination and realism -- its vision of a family's inner world -- with David at the center.

    This inventive graphic work seamlessly weaves their four biographies into one fast-paced adventure of drunken binges, orgies, parties, and fun. The story begins at a London pub one sorry Christmas and is told through the eyes of Martin, a wannabe hellraiser sitting at the end of the bar alone, drinking himself into oblivion. He’s joined in turn by Burton, Harris, Reed, and O’Toole, who take Martin on tours of their tumultuous childhoods, rises to stardom, and chaotic personal lives.