This narrative examines the impact of towering figures such as Leyasu, the architect of the Tokugawa state, and the experiences of everyday Japanese - farmers, soldiers and women - whose struggles built a strong and prosperous nation. The work traces the advances and reversals marking Japan's path from a land ruled by lords and a warrior class to a modern parliamentary democracy, and from a small isolationist nation to a political and economic giant. This history text is also seasoned with Japanese culture throughout - the woodblock prints of Hiroshige and Hokusai, the exquisite haiku of Basho, the beauties of noh drama, the novels of Oe Kenzaburo and the films of Ozo.

    Leaving behind a sad, silent childhood—which was spent living in two rooms above the family noodle shop on an isolated peninsula in the far north of Japan—Toshi moves to Tokyo to pursue his career. There he falls under the spell of three Americans: his best friend and confidante, the generous and extroverted Paul, a gay advertising copywriter who has plenty of his romantic mishaps with Japanese men; Jane, his glamorous but emotionally unstable teacher at the Very Romantic English Academy, with whom Toshi has a hazardous sexual affair; and, finally, the lovely and talented composer, Lucy, with whom Toshi falls in love. The novel deftly moves back and forth between present and past, as Toshi explores his unhappy childhood, the reasons behind his mother's unexplained abandonment when he was eight years old, and her move to a seaside inn across the peninsula. As the novel draws to a close, tragic events, both public and personal, bring past and present together, revealing the painful truth of Toshi's parents' lives during World War II, and a secret in Toshi's own past that, in the end, gives him the strength and knowledge to confront the future.

    This collection of essays by some of the best science fiction, horror, and thriller writers working today explore the depth, details, and controversies surrounding Battle Royale in an intelligent, accessible fashion.

    An earthquake occurring off the north-eastern coast of Japan - magnitude 9.0, duration six minutes - unleashed a 50-foot tsunami that within fifteen minutes had slammed its way ashore, rushing inland six miles, crushing all in its path - roads, airports, villages, trains, and buses - and triggering the slow, inexorable leak of radiation from five nuclear plants. This was just the beginning. The waves did not stop; nor did the aftershocks, which were themselves rolling earthquakes of terrifying magnitude, nor did the danger from radiation, which was controlled incrementally, until the meltdown began. One year on, the overwhelming sense of loss endures. Life goes on, but life is not the same. The writers in this collection seeks to explore the impact of this catastrophe through a variety of different means. The pieces - fiction and non-fiction, poetry and manage - reconceive the events of that day, imagine a future and a past, interpret dreams, impel purpose, pray for hope. Specific in reference, universal in scope, these singular, heartfelt contributions - by Yoko Ogawa, Ryu Murakami, Yoko Tawada, Kazumi Saeki and David Peace, among others - comprise an artistic record of a disaster which raises questions for all of us who live in the modern world.

    . . A superb outing from a gifted young critic that will spark joy in many readers." - Kirkus Reviews, starred review“Less is more”: Everywhere we hear the mantra. Marie Kondo and other decluttering gurus promise that shedding our stuff will solve our problems. We commit to cleanse diets and strive for inbox zero. Amid the frantic pace and distraction of everyday life, we covet silence-and airy, Instagrammable spaces in which to enjoy it. The popular term for this brand of upscale austerity, “minimalism,” has mostly come to stand for things to buy and consume. But minimalism has richer, deeper, and altogether more valuable gifts to offer.Kyle Chayka is one of our sharpest cultural observers. After spending years covering minimalist trends for leading publications, he now delves beneath this lifestyle's glossy surface, seeking better ways to claim the time and space we crave. He shows that our longing for less goes back further than we realize. His search leads him to the philosophical and spiritual origins of minimalism, and to the stories of artists such as Agnes Martin and Donald Judd; composers such as John Cage and Julius Eastman; architects and designers; visionaries and misfits. As Chayka looks anew at their extraordinary lives and explores the places where they worked-from Manhattan lofts to the Texas high desert and the back alleys of Kyoto-he reminds us that what we most require is presence, not absence. The result is an elegant new synthesis of our minimalist desires and our profound emotional needs.

    This widely used undergraduate text is now available in a new edition. Thoroughly updated, the fourth edition includes expanded sections on numerous topics, among which are samurai values, Zen Buddhism, the tea ceremony, Confucianism in the Tokugawa period, the story of the forty-seven ronin, Mito scholarship in the early nineteenth century, and mass culture and comics in contemporary times.

    For reasons of space, the Weekly must often slightly truncate the pieces and also sees fit to change the name of the piece. So, what you read there isn’t always what I sent them. This is one of the reasons I wanted to put this book out. Also, knowing there are a lot of people out there without the time to go to some website and read something every week, I thought it would be a good idea to have the articles all in one place. I hope you enjoy the book and thank you. - Henry

    In a series of essays covering angles, ring craft, infighting and fighting dirty, Slack lays out the principles most important to the dynamic and control of a bout.

    A generous and hugely insightful biographical sketch, it explores his relationship with Japan, reflections on his own novels and an insight into some of his inspirations, from the worlds of writing, music and film. Ending with a rallying call for the ongoing importance of literature in the world, it is a characteristically thoughtful and moving piece.

    For Gideon Lewis-Kraus, it promises a different kind of escape. Determined to avoid the kind of constraint that kept his father, a gay rabbi, closeted until midlife, he has moved to anything-goes Berlin. But the surfeit of freedom there has begun to paralyze him, and when a friend extends a drunken invitation to join him on an ancient pilgrimage route across Spain, he grabs his sneakers, glad of the chance to be committed to something and someone. Irreverent, moving, hilarious, and thought-provoking, "A Sense of Direction" is Lewis-Kraus's dazzling riff on the perpetual war between discipline and desire, and its attendant casualties. Across three pilgrimages and many hundreds of miles - the thousand-year-old Camino de Santiago, a solo circuit of eighty-eight Buddhist temples on the Japanese island of Shikoku, and, together with his father and brother, an annual mass migration to the tomb of a famous Hasidic mystic in the Ukraine - he completes an idiosyncratic odyssey to the heart of a family mystery and a human dilemma: How do we come to terms with what has been and what is - and find a way forward, with purpose?"

    In this text, Soshitsu Sen XV, the retired grand master of the Urasenke school of tea, tells how he mastered Chado, "The Way of Tea".

    One day after school, he discovers and impulsively steals the gym clothes of Nanako Saeki, the classmate he has a crush on. However, a lonely girl named Sawa Nakamura happens to catch him in the act. Nakamura blackmails Kasuga into a "contract," under the threat of revealing his secret.

    He has been a busy man. Yet, for the last two years, he has also managed to squeeze in a weekly column for The Times. Without fail, he sat down every week and wracked his brain to think of something to write 900 words about. Dispatches From the Sofa is the brilliant result. Alighting on such random topics as the potential demise of Margaret Thatcher, the love-hate relationship with your football club, Mike Read's musical of Oscar Wilde, fat pop stars, Serbian breakfast banter, the pleasures of air-guitar, the banking crisis and the evil phenomenon of Jedward, this is a thought-provoking, wide-reaching, hilarious and self-deprecating collection - which also includes the first two chapters from his unpublished novel - from one of our funniest, quickest and most beloved comedians.

    I suspect I am a dead man. I have meagre proof, no framed- up certification, nothing to toss in a court of law as evidence of a rapid departure from the mortal coil. I recall a gun was involved, pressed up against my skull, and a loud explosion followed." Thus begins our narrator in a purgatorial tour through twentieth-century Japanese history, with a ghostly geisha who has seen it all as a guide and a corrupt millionaire as her reluctant companion. Thrown into the milieu are sake, B-29s, Lewis Carroll, Sir Thomas Malory, Melbourne, 'The Wizard of Oz', and a dirigible - along with the allusion that Red Riding Hood might just be involved.

    Neophytes to Japan studies will find Warriors of Legend an accessible way to learn about this fascinating country. Those who know quite a lot about Japan already will find their understanding enhanced by the way the book analyzes the nuances of Tokyo's history and Japanese society. The book also argues that Sailor Moon is a unique series in that it was both internationally popular and strongly structured by the culture of the city of Tokyo and post-Economic Bubble Japan.