Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Lovecraft)By turns bizarre, unsettling, spooky, and sublime, Ancient Sorceries and Other Weird Stories showcases nine incomparable stories from master conjuror Algernon Blackwood. Evoking the uncanny spiritual forces of Nature, Blackwood's writings all tread the nebulous borderland between fantasy, awe, wonder, and horror. Here Blackwood displays his best and most disturbing work-including the title story, the inspiration for Val Lewton's classic film Cat People; "The Willows," which Lovecraft singled out as "the single finest weird tale in literature"; "The Wendigo"; "The Insanity of Jones"; and "Sand.""Of the equality of Mr. Blackwood's genius there can be no dispute; for no one has ever approached the skill, seriousness, and minute fidelity with which he records the overtones of strangeness in ordinary things and experiences." --H.P. Lovecraft

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    Gifted with a supple and mellifluous prose style, an imagination that can conjure up clutching terrors with seeming effortlessness, and a thorough knowledge of the rich heritage of weird fiction, Langan has already garnered his share of accolades. This new collection of nine substantial stories includes such masterworks as “Technicolor,” an ingenious riff on Poe’s “Masque of the Red Death”; “How the Day Runs Down,” a gripping tale of the undead; and “The Shallows,” a powerful tale of the Cthulhu Mythos. The capstone to the collection is a previously unpublished novella of supernatural terror, “Mother of Stone.” With an introduction by Jeffrey Ford and an afterword by Laird Barron.Table of ContentsIntroduction: Reading Langan, by Jeffrey FordKidsHow the Day Runs DownTechnicolor The Wide, Carnivorous SkyCity of the DogThe ShallowsThe Revel June, 1987. Hitchhiking. Mr. Norris. Mother of Stone Story Notes Afterword: Note Found in a Glenfiddich Bottle, by Laird BarronAcknowledgments

    A slim, sinister text called The King in Yellow drove those who read it to madness. Despite suppression by anxious authorities, it spread through global culture, and history itself, like a virus. Now the contagion bears hideous fruit.New Tales of the Yellow Sign expands the classic horror mythos of weird tales pioneer and Lovecraft precursor Robert W. Chambers into new vistas of unease and imagination. Over the course of eight troubling stories, writer and visionary game designer Robin D. Laws lures you into diseased timelines, impossible pasts, and the all-too-terrifying present.Sterilize your suicide chamber, harken to the remorseless clicking of your black box, and whistle for the monstrous creature that lives in your basement. The pallid mask awaits.

    Initially created by H. P. Lovecraft and a group of his amorphous contemporaries (the so-called "Lovecraft Circle"), The Cthulhu Mythos story cycle has taken on a convoluted, cyclopean life of its own. Some of the most prodigious writers of the 20th century, and some of the most astounding writers of the 21st century have planted their seeds in this fertile soil. The Book of Cthulhu harvests the weirdest and most corpulent crop of these modern mythos tales. From weird fiction masters to enigmatic rising stars, The Book of Cthulhu demonstrates how Mythos fiction has been a major cultural meme throughout the 20th century, and how this type of story is still salient, and terribly powerful today.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    A terrible secret discovered in a ruined city. Earth is no longer ruled by humans, but by the species they uplifted. Creatures called fleshdogs are their emissaries, and humanity must fight this implacable enemy or face extinction. Balzac must confront monsters and more trying to find his lover. And when he does find her, will the price be too great? This novella is part of Jeff VanderMeer’s cycle of far-future stories, which culminated with the critically acclaimed novel Veniss Underground. As an added bonus, this e-book also includes two extras: an incomplete story set during the same time period as “Balzac’s War” and VanderMeer’s original afterword to the UK edition of Veniss Underground, shedding light on the original creator of the creatures that take center stage in “Balzac’s War.”

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    Lovecraft and His Work · August Derleth · in 10 · In the Vault · ss The Tryout Nov ’25; Weird Tales Apr ’32 19 · Pickman’s Model · ss Weird Tales Oct ’27 33 · The Rats in the Walls · ss Weird Tales Mar ’24 53 · The Outsider · ss Weird Tales Apr ’26 60 · The Colour Out of Space · nv Amazing Sep ’27 89 · The Music of Erich Zann · ss The National Amateur Mar ’22; Weird Tales Nov ’34 98 · The Haunter of the Dark · nv Weird Tales Dec ’36 121 · The Picture in the House · ss The National Amateur Jul ’19; Weird Tales Mar ’37 130 · The Call of Cthulhu [Inspector Legrasse] · nv Weird Tales Feb ’28 160 · The Dunwich Horror · nv Weird Tales Apr ’29 203 · Cool Air · ss Tales of Magic and Mystery Mar ’28; Weird Tales Jul ’27 212 · The Whisperer in Darkness · na Weird Tales Aug ’31 278 · The Terrible Old Man · vi The Tryout Jul ’20; Weird Tales Aug ’26 281 · The Thing on the Door-step · nv Weird Tales Jan ’37 308 · The Shadow Over Innsmouth · na Visionary Press: Everett, PA, 1936; Weird Tales Jan ’42 370 · The Shadow Out of Time · na Astounding Jun ’36

    A world unto itself, in which they must stay alert to stay alive. A world from which the only escape is death.But for an English occultist known only as Mr. No One, Nowhere is much more...and much less: the perfect place in which to perform a ritual to unleash the grandest of eldritch deities, the God of Nothingness, the Great Dark Mouth.

    Now at last, in “Let the Old Dreams Die,” the title story in this absolutely stunning collection, we get a glimpse of what happened next to the pair. Fans of Let the Right One In will have to read the story, which is destined to generate much word of mouth both among fans and online.“Let the Old Dreams Die” is not the only stunner in this collection. In "Final Processing," Lindqvist also reveals the next chapter in the lives of the characters he created in Handling the Undead. “Equinox” is a story of a woman who takes care of her neighbor’s house while they are away and readers will never forget what she finds in the house. Every story meets the very high standard of excellence and fright factor that Lindqvist fans have come to expect. Totally transcending genre writing, these are world class stories from possibly the most impressive horror writer writing today.

    Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation, but which haunts the Signalman.In a ranch house near the shore of the Salton Sea a cult leader gathers up the weak and susceptible—the Children of the Next Level—and offers them something to believe in and a chance for transcendence. The future is coming and they will help to usher it in.A day after the events at the ranch house which disturbed the Signalman so deeply that he and his government sought out help from ‘other’ sources, Johns Hopkins Applied Physics Laboratory abruptly loses contact with NASA’s interplanetary probe New Horizons. Something out beyond the orbit of Pluto has made contact.And a woman floating outside of time looks to the future and the past for answers to what can save humanity.

    A cup full of tentacles mixed with existential nihilism and sprinkled with liberal quantities of gore, this is Lovecraftian horror with a bloody bent that few others have dared to explore. --Peter Rawlik, author of ReanimatorsThey called it the Event.The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse.The Rising has begun.A lone man who abandoned the world for his addictions searches a waterlogged Austin for something, anything to cling to. Little does he know that something else searches for him.In the Sonoran Desert, the downtrodden of the world search for a better life north of the border, only to see the desert become an ocean: an ocean that takes life and gives death.In the woods of Alabama, survivors escape to Fort Resistance, but soon discover that it isn't just the horrors of the deep places of the world that they need to fear; but rather a new and more deadly pestilence that has grown in their own ranks.In England, it's too late to fight, and all that's left is to survive. One man reaches for his own humanity, but what to do when humanity is an endangered species?And in the Pacific, He is rising.In The Abyssal Plain: The R'lyeh Cycle, authors William Holloway, Michelle Garza and Melissa Lason, Brett J. Talley, and Rich Hawkins have created a timely and uniquely modern reimagining of the Cthulhu Mythos.

    The characters in these stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined. Brian Evenson, master of literary horror, presents his most far-ranging collection to date, exploring how humans can persist in an increasingly unreal world. Haunting, gripping, and psychologically fierce, these tales illuminate a dark and unsettling side of humanity.Praised by Peter Straub for going "furthest out on the sheerest, least sheltered narrative precipice," Brian Evenson is the author of ten books of fiction. He has been a finalist for the Edgar Award, the Shirley Jackson Award, and the World Fantasy Award, and the winner of the International Horror Guild Award, and the American Library Association's award for Best Horror Novel. Fugue State was named one of Time Out New York's Best Books of 2009. The recipient of a National Endowment for the Arts fellowship and three O. Henry Prizes, including one for the title story in "Windeye," Evenson lives in Providence, Rhode Island, where he directs Brown University's Literary Arts Department.

    His mother and brother shared an unfathomable bond that left him excluded from their lives. Yet his earliest, fragmentary memory of them was so nightmarish, their lives were something he ran from as soon as he could.Now an astronomy graduate student in Seattle, Damien is happy with his place as a speck in a cosmos vast beyond comprehension. Until his brother turns up after 13 years, to make amends and seek his expertise on a discovery that may not be of this Earth. The more the world expands to admit the possibilities of a universe stranger than even Damien has imagined, the greater is his urgency to resist being reclaimed by a past that never seemed to want him…until now.Like a collision of galaxies between H.P. Lovecraft and Carl Sagan, Whom the Gods Would Destroy looks to the night skies as the source of our greatest wonder, and finds them swarming with our worst fears.